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PROVEN TECHNIQUES FOR SCORING HIGHER FORM THE WORLD'S #1 TEST-PREP COMPANY

Written and reviewed by a team of clinical nurses and nurse scholars who have studied the NCLEX-RN inside and out , this guide leads you through a thorough and straightforward review of all the NCLEX science you'll need to know for the exam.

Unlike other guide books, which simply repeat what you learned in nursing school, Cracking the NCLEX-RN was developed solely to prepare you for the exam, and it closely follow the exam's organization.  Inside you'll find:

*A complete review of all the subjects tested on the NCLEX-RN
*More than 1,000 practice questions throughout the book that help you apply what you've learned
*Advice in every chapter on where to focus your study efforts
*Hundreds of clearly labeled illustrations
*A special section that teaches you The Princeton Review's proven score-raising techniques, plus advice on how to prepare for the computer-adaptive test

Since the best way to prepare for the NCLEX-RN is by practicing on full-length exams, we've included eight tests with more than 1,200 questions on a Windows and Macintosh CD-ROM.  The questions in these sample tests cover all areas of the NCLEX-RN and have been prepared by nurses specializing in a variety of fields.

• Sales Rank: #6491464 in Books
• Published on: 2000-04-04
• Released on: 2000-04-04
• Original language: English
• Number of items: 1
• Dimensions: 11.00" h x 8.25" w x 1.50" l,
• Binding: Paperback
• 608 pages

From the Inside Flap
PROVEN TECHNIQUES FOR SCORING HIGHER FORM THE WORLD'S #1 TEST-PREP COMPANY

Written and reviewed by a team of clinical nurses and nurse scholars who have studied the NCLEX-RN inside and out , this guide leads you through a thorough and straightforward review of all the NCLEX science you'll need to know for the exam.

Unlike other guide books, which simply repeat what you learned in nursing school, Cracking the NCLEX-RN was developed solely to prepare you for the exam, and it closely follow the exam's organization.  Inside you'll find:

*A complete review of all the subjects tested on the NCLEX-RN
*More than 1,000 practice questions throughout the book that help you apply what you've learned
*Advice in every chapter on where to focus your study efforts
*Hundreds of clearly labeled illustrations
*A special section that teaches you The Princeton Review's proven score-raising techniques, plus advice on how to prepare for the computer-adaptive test

Since the best way to prepare for the NCLEX-RN is by practicing on full-length exams, we've included eight tests with more than 1,200 questions on a Windows and Macintosh CD-ROM.  The questions in these sample tests cover all areas of the NCLEX-RN and have been prepared by nurses specializing in a variety of fields.

About the Author
Jennifer Meyer, R.N., graduated magna cum laude from the University of Pennsylvania School of Nursing, where she was an Alex Hillman Family Foundation Scholar.  She currently lives in Evanston, Illinois, and is studying toward a master's degree in Health Management at the J.L. Kellog School of Management, Northwestern University.

Most helpful customer reviews

11 of 11 people found the following review helpful.
Too easy for difficult NCLEX
By A reader from New York
This book covers various nursing subjects with interactive written review questions, diagrams and easy NCLEX type questions. It also presents test taking strategies. The subjects are presented in easy, straightforward format. However, there are no rationales. Rationales are very important to understand the answer. One needs to refer to other detailed books for explanations. The CD offers 8 full length review questions. No rationales are presented, it doesn't simulate NCLEX computer adaptive test experience because it uses mouse instead of space bar and enter key. Overall, this is ok for a first book to read to get one started to prepare for the NCLEX because it is easy to read. The questions are so easy, it will give one the confidence to think "Yes, I can do it!" This is the first stepping stone to go forward and get into more detailed and complex critical thinking review required to pass NCLEX. However, if one has limited financial and time resources, this is not the book. The presentation and questions are too easy for the difficult NCLEX-RN which requires detailed critical thinking and application.

6 of 6 people found the following review helpful.
Don't buy this book!
By A Customer
I bought this book a few days before my exam just to get more practice questions using the cd-rom. I was very disappointed both with the caliber of questions -- much too easy and straightforward -- and the many mistakes on the disk -- it states one answer is right but the rationale supports a different answer. You don't need this kind of confusion when you are studying for the boards. Also the software does not mimic the actual test in terms of keyboarding and format the way the Saunders and Kaplan books do. All in all, a waste of time and money.

0 of 0 people found the following review helpful.
I passed the NCLEX-RN the 1st time with only 75 questions!
By Allison, RN
This book provided a thorough explanation of the NCLEX-RN and its logistics, and gave quick yet comprehensive coverage of all the important subject areas.
The best thing was the eight complete sample tests on the enclosed CD-ROM. The actual NCLEX was a walk in the part after the practice I was able to do with this book/CD.

See all 4 customer reviews...

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>> Fee Download The Raven and the Monkey's Paw: Classics of Horror and Suspense from the Modern Library (Modern Library (Paperback)), by Edgar Allan Poe,

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The third in the Modern Library's series of original compilations, The Raven and the Monkey's Paw is a collection of classic tales and poems to engage our fear-seeking senses. The beauty of these stories and poems lies in their readability: ideal for sharing aloud around the campfire or for a quick, thrilling dip . . . under
the covers with a flashlight. The writing itself sends as many awe-inspired shivers down the spine as do the ghosts and goblins on these pages.
        Edgar Allan Poe, the master of the horror story and the chiming lyric poem, opens the volume with his best-loved stories: "The Murders in the Rue Morgue," "The Black Cat," "The Fall of the House of Usher," "The Pit and the Pendulum," "The Premature Burial," "The Tell-Tale Heart," "Berenice," and "Ligeia." Every bit as chilling now as on the day they were written, these tales retain their power to stir the reader again and again. Poe, who was as well known for his poems as for his stories, is also represented by such verse standards as "The Raven," "Lenore," "To Helen," "Ulalume," and "Annabel Lee," among others.
        Numerous other practitioners of the supernatural story are included: Edith Wharton, with her gripping "Afterward"; Charles Dickens and his famed ghost story "The Signalman"; W. W. Jacobs, with this com-
pilation's inspiration, "The Monkey's Paw." Also here are Saki's engrossing "Sredni Vashtar"; O. Henry's story of love lost and hopes dashed, "The Furnished Room"; Wilkie Collins's lively "A Terribly Strange Bed"; and "The Boarded Window," Ambrose Bierce's tale of the bizarre.
        A year-round collection for reading aloud--and frightening your friends--The Raven and the Monkey's Paw will gratify all manner of thrill-seekers.
The Modern Library has played a significant role in American cultural life for the better part of a century. The series was founded in 1917 by the publishers Boni and Liveright and eight years later acquired by Bennett Cerf and Donald Klopfer. It provided the foundation for their next publishing venture, Random House. The Modern Library has been a staple of the American book trade, providing readers with affordable hardbound editions of important works of literature and thought. For the Modern Library's seventy-fifth anniversary, Random House redesigned the series, restoring as its emblem the running torchbearer created by Lucian Bernhard in 1925 and refurbishing jackets, bindings, and type, as well as inaugurating a new program of selecting titles. The Modern Library continues to provide the world's best books, at the best prices.

• Sales Rank: #1450898 in Books
• Published on: 1998-09-29
• Released on: 1998-09-29
• Original language: English
• Number of items: 1
• Dimensions: 8.50" h x .50" w x 5.50" l, .63 pounds
• Binding: Paperback
• 224 pages

Features

• ISBN13: 9780375752162
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

Amazon.com Review
"Once upon a midnight dreary" is perhaps the best time to peruse the tales of horror and suspense in The Raven and the Monkey's Paw. For a generation raised on the quick-and-gory thrills of Stephen King or Anne Rice, the literary terrors of a previous age such as Edgar Allan Poe's The Black Cat or Edith Wharton's Afterwards are of a subtler nature. Rest assured, however. Any one of these stories or poems will elevate the hair on the back of your neck. The Victorians, after all, invented the horror genre, and it's no accident that many of their creations, from Bram Stoker's Dracula to Oscar Wilde's The Picture of Dorian Grey, have provided the inspiration for successive generations of authors as well as numerous filmmakers.

The stories and poems in this collection are at the top of their class. Take for instance Ambrose Bierce's "The Boarded Window." Though the story is brief--just a few pages long--when the secret of that window is finally revealed, it's macabre enough to stick in your mind for years, and only gets scarier over time. W.W. Jacobs works similar black magic in "The Monkey's Paw," a cautionary tale about being careful what you wish for. And Charles Dickens himself gets into the act with a ghost story, "The Signalman." Even readers who generally eschew horror will find these elegant tales from the dark side strangely compelling. So latch the windows, ignore the "tapping at your chamber door," and let your blood be curdled by the masters. --Alix Wilber

From the Inside Flap
The third in the Modern Library's series of original compilations, The Raven and the Monkey's Paw is a collection of classic tales and poems to engage our fear-seeking senses. The beauty of these stories and poems lies in their readability: ideal for sharing aloud around the campfire or for a quick, thrilling dip . . . under
the covers with a flashlight. The writing itself sends as many awe-inspired shivers down the spine as do the ghosts and goblins on these pages.
Edgar Allan Poe, the master of the horror story and the chiming lyric poem, opens the volume with his best-loved stories: "The Murders in the Rue Morgue," "The Black Cat," "The Fall of the House of Usher," "The Pit and the Pendulum," "The Premature Burial," "The Tell-Tale Heart," "Berenice," and "Ligeia." Every bit as chilling now as on the day they were written, these tales retain their power to stir the reader again and again. Poe, who was as well known for his poems as for his stories, is also represented by such verse standards as "The Raven," "Lenore," "To Helen," "Ulalume," and "Annabel Lee," among others.
Numerous other practitioners of the supernatural story are included: Edith Wharton, with her gripping "Afterward"; Charles Dickens and his famed ghost story "The Signalman"; W. W. Jacobs, with this com-
pilation's inspiration, "The Monkey's Paw." Also here are Saki's engrossing "Sredni Vashtar"; O. Henry's story of love lost and hopes dashed, "The Furnished Room"; Wilkie Collins's lively "A Terribly Strange Bed"; and "The Boarded Window," Ambrose Bierce's tale of the bizarre.
A year-round collection for reading aloud--and frightening your friends--The Raven and the Monkey's Paw will gratify allmanner of thrill-seekers.
The Modern Library has played a significant role in American cultural life for the better part of a century. The series was founded in 1917 by the publishers Boni and Liveright and eight years later acquired by Bennett Cerf and Donald Klopfer. It provided the foundation for their next publishing venture, Random House. The Modern Library has been a staple of the American book trade, providing readers with affordable hardbound editions of important works of literature and thought. For the Modern Library's seventy-fifth anniversary, Random House redesigned the series, restoring as its emblem the running torchbearer created by Lucian Bernhard in 1925 and refurbishing jackets, bindings, and type, as well as inaugurating a new program of selecting titles. The Modern Library continues to provide the world's best books, at the best prices.

From the Back Cover
The third in the Modern Library's series of original compilations, The Raven and the Monkey's Paw is a collection of classic tales and poems to engage our fear-seeking senses. The beauty of these stories and poems lies in their readability: ideal for sharing aloud around the campfire or for a quick, thrilling dip...under the covers with a flashlight. The writing itself sends as many awe-inspired shivers down the spine as do the ghosts and goblins on these pages.

Most helpful customer reviews

3 of 3 people found the following review helpful.
read this or else!
By Der Hammer des Kuchens
In this book you get 8 stories and 8 poems by Edgar Allan Poe and 7 other stories by different authors. These are classic horror stories so they aren't filled with monsters or other types of ghouls and the stories play out slowly. The stories will still give you a more suttle type of terror while reading them. Nothing action pact really happens but it's in the mood of the story that scares the reader. I felt that Edgar Allan Poe's stories and poems were better than the other stories because they gave off more of a creepy vibe than the other stories did. The other stories were good but the only one I didn't like too much was "Afterward" because it's too long.

So if you like 18th century gothic horror stories then this is a book for you but if you're more into Stephen King type novels then this book might seem a bit boring.

See all 1 customer reviews...

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# Ebook Searching for El Dorado: A Journey into the South American Rainforest on the Tail of the World's Largest Gold Rush, by Marc Herman

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Searching for El Dorado: A Journey into the South American Rainforest on the Tail of the World's Largest Gold Rush, by Marc Herman

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The real land of El Dorado, deep in the Amazon rainforest, is a far cry from the mythical city of gold: though its soil could potentially yield billions of dollars, Guyana is a nation of “gilded paupers,” one of the very poorest countries in the western hemisphere.

In this adventure-filled narrative, journalist Marc Herman takes us down a supply road in a limping cargo truck, treks into a muggy and muddy mine on foot, and soars above the forest canopy in a skittering plane. He falls in with a rowdy crew of gold miners who measure manliness by the number of times they’ve had malaria, and wear their life savings in the form of oversized rings and huge gold necklaces. He also penetrates the corporate façade of international strip-mining operations, which despite tremendous technological and political power have failed to alleivate the area’s poverty. Searching for El Dorado is an eyeopening look at the scandals, the business, the mythology of gold—reaveling a fascinating, contradictory part of the world and of the human psyche.

• Sales Rank: #2961661 in Books
• Brand: Brand: Vintage
• Published on: 2004-02-10
• Released on: 2004-02-10
• Original language: English
• Number of items: 1
• Dimensions: 7.96" h x .55" w x 5.20" l, .45 pounds
• Binding: Paperback
• 272 pages

Features

• Used Book in Good Condition

Amazon.com Review
When we think of the Amazonian rain forest, the term gold rush does not immediately spring to mind, nor does the latter summon up thoughts of late-20th-century Guyana. In Searching for El Dorado: A Journey into the South American Rainforest on the Tail of the World's Largest Gold Rush, Marc Herman recasts our presuppositions with a fascinating story of adventure and commercialism in post-colonial Guyana. Asking how a country so rich in precious natural resources could remain so impoverished, Herman draws on his acute observation and narrative élan to tell this complex story of fierce competition, environmentalism, history, and journalistic inquiry. "If Guyana was not benefiting from its gold because outsiders were taking it all," he writes, "if Omai was just 16th-century mercantilism promoted as 21st-century globalism--then at least the foreign robber barons should be rich. But they weren't; somehow gold was turning to smoke."

Herman speaks with the precision of a journalist and the ease of a novelist, assembling a cast of marvelous personalities to describe the conditions and consequences that converge to keep Guyana among the poorest of Caribbean countries, despite the existence of gold and diamonds within its boundaries. Wisely, Herman does not advance a personal agenda. Instead, he gives a voice, in breathtaking detail, to the different constituencies that comprise this world of colorful local prospectors, foreign businessmen, and everyday people. Like the prospectors in Guyana, Herman too is on a quest--not to strip the land of gold, but rather to tell this little-known and wonderful story. --Silvana Tropea

From Publishers Weekly
Herman's enthralling report juxtaposes the myth of El Dorado (a hidden city of gold) with the present-day reality of gold hounds scrambling for every extractable gleaming ounce. While Spanish conquistadors may have envisioned heaps of gold ready for the picking, the enormous deposits that started a rush in the 1980s along the Guyana-Venezuela border aren't so exciting: digging them out is fantastically expensive, not to mention messy. Herman goes to a huge mine near Omai, Guyana, with the potential to produce a billion dollars in gold, but learns that "El Dorado, in the end, was real, had been discovered, and was a pile of dirt." He uses the Omai project to portray a common plight faced by an impoverished country blessed with vast natural resources: unable to develop its own riches, the country enters into deals with international companies that simultaneously benefit and exploit. In this case, Guyana allowed a Denver firm to build a $260 million operation with 95% of the proceeds going to outsiders. The operation, which began in 1993, accounted for about a fifth of Guyana's national income, but came at a cost. Millions of gallons of cyanide-rich toxic waste spilled into a nearby river; the surrounding forest was razed; and devastating diseases spread into the once-pristine area. Herman laments these effects, but a Guyanese miner reminds him, "Look what happened in the United States. You cut down all them forests, do the mining... that's what make you rich. This country want to be rich too." Illuminating the complex intersection of economic development, Third World politics, ecology and culture, Herman's lively book will mesmerize armchair travelers and ecology-minded readers.
Copyright 2002 Reed Business Information, Inc.

Review
“Terrific. . . . Each sentence transports us immediately into the jungle, the mine or some dry-goods store deep in the Amazon.” –San Francisco Chronicle

“You can’t deny it; [Herman] is good, and he’s found an interesting subject to sharpen his claws on. . . . He blends in perfectly in one of the funkiest countries on earth.” —National Geographic Adventure

“His ear is terrific: one 45-page chapter, about a road trip with two bickering miners turned truckers, is a comic masterpiece.” —Outside

"Playful and rangy...mixing history, environmental critiques, and swift-moving descriptions of a circuslike cast of local gold diggers. Parts of Searching for El Dorado have the gleeful momentumof an adventure story . . . [but it] ultimately calls the entire mining enterprise into question." —The Village Voice Literary Supplement

Most helpful customer reviews

6 of 6 people found the following review helpful.
A great read!
By Amazon Customer
I was puzzled when my friend gave me a copy of this book; had I ever expressed an interest in gold or indeed in South America? The mystery was solved when my gaze rested on the author's name, an old university friend. Not knowing much about Marc's politics or his writing style, I was a afraid that the book would be some tirade against big business and globalization. Refreshingly, I discovered an engaging search for answers in a country that seems to only have questions. The book is interesting, provocative, and well-balanced journalism. But even better then that is Marc's humorous description of his own journey, his adventures, and his eye for details. I am not sure I reccomend traveling "Marc-style" but I sure do enjoy the product of his adventures!

4 of 4 people found the following review helpful.
The right type of travelogue
By Guy R. Hearn
There are basically 3 kinds of travel writing

1. The writer visits an exotic location, finds the scenery appealing, the locals quaint and whimsical but good hearted, has some sort of personal ephiphany, and writes a condescending, patronising book about all the amusing things that happen to him. Possibly he later sells the film rights. Call this the "My autumn in Europe" type book

2. The writer maximises to an adsurd level the level of discomfort in order to have a "real travel experience" and is found quaint and whimsical but good hearted by disbelieving locals. Call this the "Down The Nile on Crutches" type book

3. The writer goes somewhere he knows little about and actually learns something, which he manages to pass on to the reader

Thankfully this is the third type. Herman doesn't find Guyana quaint, he finds it on the brink of collapse with little prospect of future improvement, increasingly hopeless. Its unlikely that this book has done anything to boost the fledgling Guyana tourist industry - indeed he'll be lucky if they let him into the country again

Herman reveals the extent of the Amazon gold rush, but also its utter futility, with neither big multinationals nor small miners able to turn even a small profit. But he also reveals the desperate lack of choices that will continue to drive so many down the mines to the deteriment of both their, and the nation's health

Herman vividly brings to life the people he meets in his (genuinely) arduous travels and while his writing is often laugh out loud funny, it never belittles its subjects.

Before reading this I knew little about Guyana or about the gold rush. I now feel like I do. I heartily recommend this book

1 of 1 people found the following review helpful.
So funny, so smart
By A Customer
I want Marc Herman to be my travel guide, whenever I sit back in my armchair -- or whenever I enter a new land. His easygoing style is seductive, but the energy of his insight into the culture is what makes him so appealing.
How can a country so full of gold have so many problems? Journey with Marc and find out; and have a blast along the way.

See all 6 customer reviews...

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> Download PDF Where is Elmo's Blanket? (Sesame Street)From Random House Books for Young Readers

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Where is Elmo's Blanket? (Sesame Street)From Random House Books for Young Readers

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Oh no! Elmo's lost his very favorite blanket! Toddlers can help Elmo in his quest for it by  lifting over 30 flaps to reveal dozens of fun Sesame Street surprises.

• Sales Rank: #137879 in Books
• Brand: Random House Books for Young Readers
• Published on: 1999-09-21
• Released on: 1999-09-21
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x .30" w x 7.98" l, .45 pounds
• Binding: Board book
• 12 pages

Features

• Great product!

Most helpful customer reviews

30 of 30 people found the following review helpful.
A fun favorite
By frisky2000
Our toddlers love Elmo, and we have lots of Sesame Street books, most of which keep their attention past the first few lines. This one does the job right through till the end, thanks to the adventure of finding Elmo's little blanket. Each page has a flap and a question as to where you can find Elmo's beloved blanket, and your youngsters should enjoy lifting and discovering on every page. And of course, all our favorite characters join in the hunt ~ Big Bird, Grover, etc.

We usually don't go for lift-the-flap books since they tear so easily, but these are sturdier than most others and have withstood reading for several months so far!

34 of 35 people found the following review helpful.
Sturdy with lots of interesting pictures
By PediatricianMom
My one-and-a-half year old daughter loves this book. Even though she knows what is under each flap, she still flips each flap with excitement. There lots of pictures of common items, like a ball, banana, fish, etc... so the book is helpful in teaching and reinforcing new words. The book is has many pages and keeps my daughter's attention for a long time. It is sturdy and not a single flap has torn, in spite of her constant use. A+.

24 of 24 people found the following review helpful.
Lots of fun, and a MUST for plane rides with toddlers!
By Shashi
I took this on the plane with my daughter recently. Anyone who flies with a little one on your lap knows it's a challenge keeping them entertained - and yourself sane - for the whole flight. So I can't say enough about this book - because it absolutely saved us!! It probably bought me an hour of calm, quiet reading time total (going and coming back). She is a huge Elmo fan and loves this book. The story is a cute one where your chlid can help Elmo find his blanket. It has all the favorite characters in funny scenarios with pages that have many different and fun things to look at, and my daughter loves lifting the flaps and finding out what's inside -- over and over (thank God!!). So I highly recommend this book --particularly for plane rides or any time you need your kid to stay calm and quiet. She loves sitting and "reading" it at home too. I am looking forward to buying more "lift the flap" Elmo/Sesame books for her.

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@ Free Ebook Blood's a Rover, by James Ellroy

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America's master of noir delivers his masterpiece, a rip-roaring, devilishly wild ride through the bloody end of the 1960's. It's dark baby, and hot hot hot.
 
Martin Luther King assassinated. Robert Kennedy assassinated. Los Angeles, 1968. Conspiracies theories are taking hold. On the horizon looms the Democratic Convention in Chicago and constant gun fire peppers south L.A. Violence, greed, and grime, are replacing free-love and everybody from Howard Hughes, Richard Nixon and J. Edgar Hoover to the right-wing assassins and left-wing revolutionaries are getting dirty. At the center of it all is a triumvirate: the president’s strong-arm goon, an ex-cop and heroine runner, and a private eye whose quarry is so dangerous she could set off the whole powder keg. With his trademark deadly staccato prose, James Ellroy holds nothing back in this wild, startling and much anticipated conclusion to his Underworld USA trilogy.

• Sales Rank: #296035 in Books
• Published on: 2010-08-24
• Released on: 2010-08-24
• Original language: English
• Number of items: 1
• Dimensions: 7.98" h x 1.05" w x 5.16" l, 1.06 pounds
• Binding: Paperback
• 633 pages

Amazon.com Review
Amazon Best of the Month, September 2009: James Ellroy's L.A. Quartet novels chronicled a cynic's take on Los Angeles cops and robbers, carving a dark and creepy nook for the author in the world of crime fiction. With Blood's a Rover, Ellroy completes his Underworld USA trilogy, an epic reinvention of American history, politics, and corruption. This book comes out firing: Ellroy's hipster prose--inimitable for its high style and spectacular energy--snaps and surges through more than 600 pages like black electricity, shocking the gentle reader from page one. Opening with a heist scene rendered as coldly violent as anything from Sam Peckinpah's most sociopathic fantasies, the story hurls itself across an improbable crazy quilt plot, including Howard Hughes's Vegas power-play, political abuses and machinations in Hoover's FBI, and the mob's ubiquitous shadow, darkening everything from JFK's assassination to Nixon's 1968 Presidential campaign. Another audacious effort from a one-of-a-kind talent, Blood's a Rover is thrilling and exhausting, a gloriously guilty pleasure. --Jon Foro

From Publishers Weekly
Starred Review. Ellroy concludes the scorching trilogy begun with 1995's American Tabloid with a crushing bravura performance. As ever, his sentences are gems of concision, and his characters—many of whom readers will remember from The Cold Six Thousand and from American history classes—are a motley crew of grotesques often marked by an off-kilter sense of honor: stone bad-asses, in other words, though the women are stronger than the men who push the plot. The violence begins with an unsolved 1964 L.A. armored car heist that will come to have major repercussions later in the novel, as its effects ripple outward from a daring robbery into national and international affairs. There's Howard Hughes's takeover of Las Vegas, helped along by Wayne Tedrow Jr., who's working for the mob. The mob, meanwhile, is scouting casino locations in Central America and the Caribbean, and working to ensure Nixon defeats Humphrey in the 1968 election. Helping out is French-Corsican mercenary Mesplede, who first appeared in Tabloid as the shooter on the grassy knoll and who now takes under his wing Donald Crutchfield, an L.A. peeping Tom/wheelman (based, curiously, on a real-life private eye). Mesplede and Crutchfield eventually set up shop in the Dominican Republic, where the mob begins casino construction and Mesplede and Crutchfield run heroin from Haiti to raise money for their rogue nocturnal assaults on Cuba. In the middle and playing all sides against one another is FBI agent Dwight Holly, who has a direct line to a rapidly deteriorating J. Edgar Hoover (the old girl) and a tormented relationship with left-wing radical Karen Sitakis, and, later, Joan Klein, whose machinations bring the massive plot together and lead to more than one death. Though the book isn't without its faults (Crutchfield discovers a significant plot element because something told him to get out and look; Wayne's late-book transformation is too rushed), it's impossible not to read it with a sense of awe. The violence is as frequent as it is extreme, the treachery is tremendous, and the blending of cold ambition and colder political maneuvering is brazen, all of it filtered through diamond-cut prose. It's a stunning and crazy book that could only have been written by the premier lunatic of American letters. (Sept.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Bookmarks Magazine
With Blood's a Rover, Ellroy completes his epic of revisionist history, and critics agreed that it is a worthy finale. Action-packed scenes, narrated in Ellroy's trademark staccato prose, hurl the reader along towards a shocking conclusion, but this is no conventional thriller. Ellroy dissects people and events familiar to history buffs and reinvents them within the sordid underbelly of the mid-20th century, interspersing the narrative with invented police statements, transcripts, and FBI reports. While some critics complained of flat characters and repetitive plot twists, nearly all enjoyed this conspiracy- and carnage-filled tale of power and corruption. Ellroy's blunt language, raw depictions of violence, and relentless pessimism may not be to everyone's taste, but those with stronger stomachs will be amply rewarded.

Most helpful customer reviews

70 of 78 people found the following review helpful.
Malice in Wonderland
By The Ginger Man
The Underworld USA trilogy began in 1995 with publication of American Tabloid and covered events in the early sixties. Five years passed before readers could dig into The Cold Six Thousand. Blood's a Rover (title taken from a poem by Houseman) begins shortly after the King and Kennedy assasinations in 1968 and takes us through the Chicago riots and Nixon's elections. Like previous entries, the book delivers an alternate, underground history of the partnership between Hoover's FBI and various criminal elements. Ellroy entices us through the looking glass to demonstrate the impact of that unsavory alliance on modern political history. Characters from previous books abound (Dwight Holley, Wayne Tedrow) as well as public figures both significant (Nixon, Howard Hughes) and obscure (Sal Mineo)

Ellroy's Hoover is not much concerned with organized crime. Instead he is obsessed with student protesters, civil rights demonstrators, non-existant domestic Reds, and any politician he believes to be aligned with these groups. In this dark world, former cop Wayne Tedrow meets with mob heads after a drop off of cash to candidate Nixon and notices on the wall, a photo showing one of the gangsters playing golf with Pope Pius.

The author's style is stacatto, high-adrenaline narrative alternating with newspaper headlines and supposed excerpts from personal journals. A chapter begins: "Dwight read files. A radio spritzed the news. Nixon and Humphrey grubbed for votes and see-sawed poll-wise. Jimmy Ray and Sirhan Sirhan fermented in custody." Using this approach, Ellroy packs a great deal of action and emotional impact into a few paragraphs. Over hundreds of pages, the result can be exhausting.

I found all 3 books hugely entertaining as literature and utterly unnerving as political myth-making. The reader dismisses much of it as bizarre speculation. However, after years of journalistic revelations such as White House sanctioned Mob attempts on Castro's life, the reader finds himself asking if parts of Ellroy's story sounds more real than various official histories.

The fictional narrator begins this final nightmare volume by telling us "This book derives from stolen public files and usurped private journals. It is the sum of personal adventure and forty years of scholarship...I did what I did and I saw what I saw and learned my way through the rest of the story." Conspiracy tales such as this can be oddly comforting. They replace the horror which results from chance and the grand indifference of the universe with tragedy that is the product of the guiding hand of malice. Evil, while monstrous and frightening, can be opposed. Accident must be endured.

The immense appeal of the Underworld Trilogy derives as much from this replacement of chaos with dark design as it does from Ellroy's unique narrative gifts. It is an appeal that produces excitement if it is understandably light on comfort.

47 of 54 people found the following review helpful.
Brilliant conclusion to the trilogy plays with the reader's expectations
By Stuart Neville
First off, I'll admit some bias here. I'm a big Ellroy fan, and American Tabloid is neck-and-neck with Tom Wolfe's Bonfire of the Vanities for my favourite novel of all time. There appear to be a couple of Ellroy haters among the reviewers so far, and fair enough, he's a love-or-hate writer. If you don't like Ellroy, you won't like Blood's a Rover. If, like me, you do like Ellroy, then this book will fulfil yet confound your every expectation.

I won't bother with outlining the plot other than to say it's as tangled and propulsive as you'd expect from Ellroy. What some may want to know is how it compares to American Tabloid and The Cold Six Thousand. It's probably closer in tone to the former, lacking the latter's highly stylised presentation. It's a smoother read, in other words, but still requires some investment on the reader's part. That investment is rewarded many times over, however, and things barrel along at a wonderful page-turning rate.

There are two main distinctions between this and Ellroy's earlier work. The first is his portrayal of women. While there are some recognisable tics, such as the younger male characters' borderline oedipal fixations on older women, and a tendency for those same women to be physically or pschologically scarred, Ellroy this time gives his female characters more room to breathe and develop. They are more than objects of obsession there to torture the male characters.

The other difference is the heart of the piece; one could argue Ellroy's work perhaps lacked emotional depth, but not so with Blood's a Rover. Oddly for an author of his vintage, this is perhaps the most mature book of his career.

It's also his most personal novel since The Black Dahlia. One character, Don Crutchfield, is ostensibly based on a real life private eye still alive and working today, but the character on the page is clearly based on Ellroy's young self. The book may also leave you questioning your idea of the author's politics. He has wilfully played up his right wing public persona, but the politics of Blood's a Rover (and when looking at the trilogy as a whole) skew left of centre.

Some might accuse Ellroy of putting style over substance, but one aspect of this novel clearly illustrates his skill as a straight-up storyteller. It's when he starts playing with your expectations of the book, turning the story on its head so that you can't even take the narrative itself at face value, that you realise why he is the greatest living crime writer. It's virtuoso stuff.

I was lucky enough to read an advance copy of this book back in April, and it has stuck with me since then. It's a brilliant conclusion to the Underworld USA trilogy, and any Ellroy fan will be seduced once again by the master of the hard word.

37 of 44 people found the following review helpful.
Third Best of the Trilogy
By T. Karr
In this final installment of the "Underworld U.S.A." trilogy Wayne Tedrow, Dwight Holly and the boys are back carrying out their portion of an American history that might have been. They have their hands in the cover ups of the Robert Kennedy and Martin Luther King assassinations, Howard Hughes' purchase of Vegas casinos, and the mob's Caribbean connections. And that's just for starters.

The plot loosely centers around an armored car heist in Los Angeles involving emeralds and millions of dollars. Holly, L.A. police officer Scotty Bennett, and a young wheelman named Donald "Peeper" Crutchfield are all trying to figure out the robbery (when they are not carrying out CIA directives, mob directives, or trying to figure out the mysterious women in their lives).

I really liked "American Tabloid." I loved "The Cold Six Thousand." I cannot say the same for "Blood's A Rover." This novel just doesn't quite have the energy level of the first two. It is an amazing piece of work, but there is just so much going on and there is just too much repetition. (How many times does the reader have to be told that a character is getting amped up to read through their heist files one more time? My guess is that I saw that scene played out at least a dozen times.)

The characters even seem somewhat repetitious. Despite varying backgrounds and ethnicities, they all have the same amazingly vast vocabularies for people who are essentially self-centered, schemers who are prone to extreme violence.

Really, I wanted to like "Blood's A Rover," but it is just okay. I can only recommend this novel to those who have read AND enjoyed "American Tabloid" and "The Cold Six Thousand."

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"Alaska, in its way, demands your full attention. Like a slap in the face, the assault of the weather, the landscape, the sheer physical effort of enduring forces memories further and further away." In Outside Passage Julia Scully regathers the memories of her childhood, and, like the strange territory and time they cover--the isolated far western Alaskan frontier before and during World War II--these memories demand our full attention. They begin with her immigrant parents' efforts to make a living during the Depression in California and the Pacific Northwest. Faced with illness and despair, Julia's father commits suicide when she is seven, and she and her older sister, Lillian, discover his body. Julia's mother then leaves her daughters in a San Francisco orphanage and goes to Alaska, searching for an economic toehold at the edge of the continent.
        Julia seeks comfort in the rituals of the orphanage--learning how to knit and darn, roller-skating outside after dinner, listening to One Man's Family on the radio. Trying to adapt, she submerges her memories: "It's not that I can't remember my mother or what it was like before . . . but I don't think about any of it because, when I do, my chest aches." Eventually, her mother buys a roadhouse--the only public place in Taylor, Alaska, it serves the settlement's small-time gold miners--and at last sends for her daughters to rejoin her.
        Despite the cold and isolation of Alaska, there are small blessings for Julia to count: secretive summer wildflowers and berries on the seemingly barren landscape, and the wild animals--reindeer, fox, and wolves--that roam the endless tundra. The young Julia serves whiskey to the rough customers who play poker at the ramshackle roadhouse, pans gold with a beguiling prospector, kisses her first boyfriend--one of the soldiers ordered to Alaska to defend against a possible Japanese invasion. As she begins to understand the mysteries of sexuality and her parents' secrets, she also begins to build the privations and the minor pleasures and the perceptions of her childhood into a platform for a wider and fuller life. In the same way, she has transformed her memories of that childhood into a written record sometimes as painful but always as beautiful as the cold, clear streams under which the gold lay hidden.

• Sales Rank: #2253101 in Books
• Published on: 1999-04-20
• Released on: 1999-04-20
• Original language: English
• Number of items: 1
• Dimensions: 8.50" h x .50" w x 5.50" l,
• Binding: Paperback
• 236 pages

Amazon.com Review
Outside Passage is notable as much for what it doesn't say as for what it does. As this memoir opens, 11-year-old Julia Scully and her 13-year-old sister, Lillian, arrive alone in Nome, Alaska, circa 1940--a town notable for its barren extremes. Then, with the force of a jump cut, Scully rushes us further back in time and place. In San Francisco, four years earlier, on a brilliant October day, she discovers her father's dead body in their dark apartment. The instant is forever imprinted on her mind, yet the ever-reticent narrator leaves us to imagine the scene and her reaction. "I don't know what happened next or even if I saw my father there on the kitchen floor. I just remember my sister and me running ... back to the coffee shop, back to my mother, who didn't need to ask what we had found."

From the start, the author makes it clear that her recollections may well differ from others' and that she has actually changed names to protect people and their survivors. As a memoir strategy, this has a pleasing restraint. In fact, however, pain and embarrassment figure heavily in Outside Passage, as the title's pun reveals. Scully knows full well the heavy price she and her sister and mother, Rose, paid for familial silence as they searched for a livelihood and safe home in the frozen north. The author is adept at conveying bewilderment, deprivation, and above all, the sense of being stranded. And in a book filled with freighted moments, mysteries, and secrets, she clearly leads us to conclusions inaccessible to her younger self. Her sister, for example, claims to have no memory at all of their childhood. "And so I realize that I was alone," Scully writes of her teenage self. "For if she remembers none of it, then, in a way, she wasn't really there, and so there's no one, no one in this whole world, who can tell me if it is true, no one who can tell me if I remember things the way they really happened." Outside Passage paradoxically tells far more--and is far more modern--than its gushing, revelation-crammed counterparts.

From Publishers Weekly
When the author was 11, she and her 13-year-old sister, Lillian, left San Francisco's Pacific Hebrew Orphan Asylum, where they had spent the previous two years, to join their mother, Rose, who had opened a road house in the mining town of Taylor Creek, Alaska. In beautifully written, understated prose, Scully, a former editor of Modern Photography, describes an unusual domestic life in the early 1940s peopled with poker players, reindeer herders and her mother's married lover, set against the landscape of the tundra. The author describes vividly her mother's determined spirit that could not be crushed either by the suicide of her husband, whose body was discovered by the children, or the difficulties of caring for Julia and Lillian during harsh economic times. Through the distorted prism of time, Scully also remembers and struggles to understand what she and her sister felt, and denied feeling, about their anguished time in the orphanage. A perceptive and sensitive account. Author tour.
Copyright 1998 Reed Business Information, Inc.

From Booklist
Will this be the Angela's Ashes of Alaska? With a large first printing and author appearances scheduled for New York and the West Coast, Random House is clearly banking on Scully's spare, difficult memoir hitting the same nerve that Frank McCourt's autobiographical phenomenon did. Despite its title, the book is not exactly about Alaska, for more than half the action takes place in California and Seattle. It is really about a family's struggle to survive--terrain explored more emotionally by Natalie Kusz in Road Song (1990), which is mostly set in Alaska. But Alaska--Nome, in particular--is central to Scully's story. Her father lived there, lost the family fortune there, and killed himself because of that loss. Her mother put Scully and her sister in an orphanage, while she retreated northwards to get back on her feet, financially and psychologically. In short, bleak chapters, Scully relates the vicissitudes of life as a child in a California orphanage and then as a teenager in wartime Alaska. A memorable expression of a difficult life. Patricia Monaghan

Most helpful customer reviews

2 of 2 people found the following review helpful.
beautifully written memoir of childhood in Alaska
By W. Shute
A terse, elegantly written account of childhood in California and then Alaska in the 1930's and 1940's. The reader can visualize, hear, taste, and smell the environment in each scene.
My only complaint is that the book left me with a somewhat unsatisfied feeling when it was over, like a film with beautiful
cinematography and fine acting, but no passion or climax. That the author is a distinguished photographer is no surprise--the understated yet precise images, the richness of the background detail, and the masterful use of perspective (voice in writing) are worthy of a fine photograph.
Also, the final three paragraphs seem to be an artificial "ending" grafted onto the work at the suggestion of
an unimaginative editor.
Otherwise, the time spent reading this deeply felt and wonderfully re-created childhood memoir is time well spent.
Those who like this book might want to also read a very different but equally fine childhood memoir called A PLACE IN EL PASO by Gloria Lopez-Stafford, dealing with growing up in the
El Paso/Juarez area during the same period of late 1930's/early 1940's.

2 of 2 people found the following review helpful.
A different world!
By rannoon
What really affected me reading this book is this cold shattered childhood with restraint feelings and emotions which resembles the places where she grew and moved. I didn't feel any warmth, the severe cold of Alaska spread all over the novel even when she found stability for a short period of her childhood.
Life is an open never ending experience with its ups and downs, and this is what the story is all about. Each person has his own story to tell, but what made this one different is that you actually grow with Julia, from the little girl's point of view, seeing the world through her eyes, reading her own words, to the teenage girl who tries to find answers, who expresses her wonder of certain people and behaviors, and then the woman, you sense her growth, her helplessness and her quest to understand life.

4 of 5 people found the following review helpful.
It is an awesome book!
By A Customer
I think that this book shows how hard it is to grow up in these conditions as a young child and teen. I think that Julia showed a great deal of courage even though she was the youngest. It's hard enogh to get through life without having the burden of moving a lot and going through numerous situations where her strengh was tested. I really enjoyed the book and would like to see her write another. I've read it once and I think I'll read it again. :)

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? Download Ebook Kingdom of Shadows, by Alan Furst

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In spymaster Alan Furst's most electrifying thriller to date, Hungarian aristocrat Nicholas Morath—a hugely charismatic hero—becomes embroiled in a daring and perilous effort to halt the Nazi war machine in eastern Europe.


From the Hardcover edition.

• Sales Rank: #143278 in Books
• Brand: Furst, Alan
• Published on: 2001-10-09
• Released on: 2001-10-09
• Original language: English
• Number of items: 1
• Dimensions: 7.96" h x .58" w x 5.15" l,
• Binding: Paperback
• 288 pages

Amazon.com Review
Penzler Pick, January 2001: The thrillers of Alan Furst usually take place in the dark days preceding World War II, but while the main participants in that war are of course portrayed, Britain, France, Germany, and the United States do not usually star in Furst's novels. He prefers instead to focus his stories on the citizens of those countries whose allegiances and roles in that particular theater of operations are much more contradictory and conflicted.

Kingdom of Shadows is set in Paris during 1938 and 1939. It is unclear at that time what the fate of Hungary will be if Hitler has his way, but a small group of expatriates would like to insure that events turn out in their country's favor. Nicholas Morath is an Hungarian aristocrat who fought bravely in the Great War. He is now part owner of an advertising agency in Paris, while his uncle, Count Janos Polanyi, is a minor diplomat stationed in Paris. Polanyi calls on Nicholas to take part in missions against the Hungarian Fascists: carrying letters or bringing individuals back across the border in the course of his business trips.

As Nicholas's dinner parties, business deals, and dalliances with his mistress start to take a back seat to the escalating crisis in Europe, his tasks become more complicated, dangerous, and bewildering to him. He knows far less than the reader, who understands that his actions will have far-reaching consequences even beyond the fate of Hungary. Nicholas just does what he can without the luxury of historic hindsight.

Furst has fashioned here an elegant gem that vividly portrays the city of Paris during the last peaceful days of 1938 and the menace of Hitler's ambitions in the Sudetenland and beyond. Nicholas Morath is a charismatic and sympathetic figure who will come to understand, as the war progresses, the consequences, both good and bad, of his smallest actions during that turbulent time. --Otto Penzler

From Publishers Weekly
The desperation of "stateless" people trying to escape the Nazi redrawing of the European map in the late 1930s pervades Furst's (Night Soldiers; Red Gold, etc.) marvelous sixth espionage thriller. On a rainy night in 1938, the train from Budapest pulls into Paris bearing Nicholas Morath, a playboy Hungarian expatriate and sometime spy for his uncle, a wealthy Hungarian diplomat based in the French capital. Morath, a veteran hero of the Great War and a Parisian for many years, now finds himself forced to rely on former enemies to try to rescue Eastern European fugitives displaced by Hitler's aggression. His eclectic circle includes a Russian gangster, a pair of destitute but affable near-tramps, and a smooth-talking SS officer. Smuggling forged passports, military intelligence documents and cash through imminent war zones, Morath time and again returns in thankless triumph to the glittering salons of Paris. Furst expertly weaves Morath's apparently unconnected assignments into the web of a crucial 11th-hour international conspiracy to topple Hitler before all-out war engulfs Europe again, counterbalancing scenes of fascist-inspired chaos with the sounds, smells and anxieties of a world dancing on the edge of apocalypse. The novel is more than just a cloak-and-dagger thrill ride; it is a time machine, transporting readers directly into the dread period just before Europe plunged into its great Wagnerian g tterd mmerung. This is Furst's best book since The Polish Officer, and in it he proves himself once again a master of literary espionage. (Jan. 19)
Copyright 2000 Reed Business Information, Inc.

From Library Journal
Debonair Nicholas Morath, a Hungarian ?migr?, is living the high life in Paris until the Hungarian Resistance taps him to help counter Hitler's growing threat.
Copyright 2000 Reed Business Information, Inc.

Most helpful customer reviews

75 of 75 people found the following review helpful.
Hungarian Diplomat turned Spy
By Prauge Traveler
Nicholas Morath, a wealthy Hungarian diplomat residing for years in France experiences the early years of WW2 as he quickly becomes involved in espionage against a rising tide of Nazi aggression directed toward his homeland. Furst makes good use of the railway system across Europe to evoke some great scenes as Morath travels to and from eastern Europe. A aspect of this novel that I liked is that Furst returns to the lesser known peoples and places of Europe in the late 30's, and does so to great effect. This book is probably the best one Furst has written since "The Polish Officer".

Although this novel can easily be read as a stand-alone book, some readers will enjoy beginning their foray into Furst's world with "Night Soldiers", his original and possibly best spy novel. This book introduces several characters who make appearances throughout Furst's other novels set in the same period of time and general geographical local. Because of this fact, I highly recommend reading this novel first, although those that follow can typically be read in any particular order (the exception being the stories involving Jean Casson - World at Night and Red Gold).

What makes Furst's loosely structured series so compelling is that 1; they are very well researched and historical very accurate, especially with regard to spy craft - as I understand it through academic experience only. 2; the characters are extremely flawed, very believable and interesting to empathize with - all of the characters and their adventures provoke much thought. 3; the novels do not attempt to achieve a false sense of conclusion at their end - they always allow the reader to decide for him/herself what happens, and they rarely resolve the feeling of tension that pervades Furst's works. 4; the secondary characters are always very well developed and much more interesting than their sometimes small roles would have the reader believe- so one is always off balance (who will live, who will die - who can be trusted, who cannot?). 5; Furst does an excellent job of setting the atmosphere of terror that resulted from the conflict between fascism and stalinism during the secret wars preceding the outbreak of the Second World War.

You cannot go wrong with this novel. For anyone interested in reading and enjoying spy stories, or stories of world war two, this book is a must read.

0 of 0 people found the following review helpful.
Hail Ruthenia!
By Tony Martyr
This is classic Furst - you could almost smell the coffee shops of dying Mittel-Europ, taste the harsh tobacco. That dark Romanian /Hungarian netherworld deserves a bard, and Furst delivers in spades.

0 of 0 people found the following review helpful.
Four Stars
By Kindle Customer
Amazing collection of interesting characters who enter story and disappear just as fast.

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