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Paradise Lost (Modern Library Classics), by John Milton
PDF Ebook Paradise Lost (Modern Library Classics), by John Milton
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Edited by William Kerrigan, John Rumrich, and Stephen M. Fallon
John Milton’s Paradise Lost, an epic poem on the clash between God and his fallen angel, Satan, is a profound meditation on fate, free will, and divinity, and one of the most beautiful works in world literature. Extracted from the Modern Library’s highly acclaimed The Complete Poetry and Essential Prose of John Milton, this edition reflects up-to-date scholarship and includes a substantial Introduction, fresh commentary, and other features—annotations on Milton’s classical allusions, a chronology of the writer’s life, clean page layouts, and an index—that make it the definitive twenty-first-century presentation of John Milton’s timeless signature work.
- Sales Rank: #191885 in Books
- Brand: Milton, John/ Kerrigan, William (EDT)/ Rumrich, John (EDT)/ Fallon, Stephen M. (EDT)
- Published on: 2008-09-09
- Released on: 2008-09-09
- Original language: English
- Number of items: 1
- Dimensions: 8.00" h x 1.00" w x 5.10" l, .80 pounds
- Binding: Paperback
- 512 pages
Review
“In this landmark edition, teachers will discover a powerful ally in bringing the excitement of Milton’s poetry and prose to new generations of students.”—William C. Dowling, Rutgers University
“This magnificent edition gives us everything we need to read Milton intelligently and with fresh perception.”—William H. Pritchard, Amherst College
From the Publisher
This is the first fully-annotated, old-spelling edition of Paradise Lost to be published in this century. It surveys in its introduction and incorporates in its notes the large amount of criticism published between 1965 and the present--not to mention the criticism that began with Dryden, Addison, Samuel Johnson, and William Blake--and it reflects critical perspectives from New Criticism to Deconstruction, from Philology to New Historicism and Feminism. On the page, the book combines the look and feel of original editions with the convenience of wide margins and thorough annotation.
About the Author
John Milton (1608-74) was one of England’s greatest poets and a master of polemical prose. He was a private tutor and served as Secretary for Foreign Tongues under Oliver Cromwell.
William Kerrigan, former president of the Milton Society of America and recipient of its award for lifetime achievement, is professor emeritus at the University of Massachusetts.
John Rumrich is the author of Matter of Glory and Milton Unbound. He is Thaman Professor of English at the University of Texas at Austin.
Stephen M. Fallon, author of Milton’s Peculiar Grace and Milton among the Philosophers, is professor of liberal studies and English at the University of Notre Dame.
Most helpful customer reviews
75 of 78 people found the following review helpful.
An excellently annotated version
By Shane Cappuccio
When John Milton set out to write Paradise Lost, he had every intention of writing a masterpiece of the English language. He felt he was destined for greatness, and his creation does not disappoint. With over 9000 lines of some of the greatest poetry every written, Milton does an incredible job of using classical and biblical allusions within a classical format to create a surprisingly modern and incredibly poignant look at the nature of God and man. Add on to this the fact that he was blind when he composed it, and you cannot call PL anything less than a work of genius.
What separates this version from all the others available? The incredibly detailed work of the editors. The annotations of this edition are absolutely fantastic. They are plentiful (sometimes taking up as much as half a page), extremely informative, and surprisingly fun to read. Most annotated works such as this merely clarify antiquated vocabulary, but in this case the editors point out classical allusions, references to current events, and references to Milton's prose works. In addition to the prose and poetry associated with the text, the editors routinely mention the critical discourse (of which there is an unholy amount) associated with Milton. There are even moments where I laughed out loud at their comments. There is also a subtle touch to the annotations, in that there is no indication of annotations within the line. What I mean by this is that there are no bubbles or footnote marks in the body of the poem. The annotations at the bottom of the page simply point to a line number. This allows the reader to ignore the annotations if they choose to do so.
Another nice characteristic of this edition is the artwork and illustrations included. There's some really fantastic stuff in there.
All in all, this is an excellent edition of an excellent poem.
243 of 264 people found the following review helpful.
Great edition, except. . .
By Alcofribas Nasier
I love Norton Critical Editions. Or I try to. Gordon Teskey's new edition of Paradise Lost is for the most part worthy of the praise it has received in other reviews on this site. However, it has one unpardonable flaw, which is the editor's tampering with Milton's poetic line. Teskey and the Norton editors have for some reason decided to make it "easy to read" by adding parentheses to complex syntactical passages that Milton wrote on purpose to be. . . I dunno. . . hard? This move to simplify the syntax alters not only the experience of the poem but, worse, its meaning. Take for example these famous lines of Satan's from Book I, the first words spoken in Hell:
If thou beest he but O how fall'n! how changed
From him who in the happy realms of light
Clothed with transcendent brightness didst outshine
Myriads, thought bright! if he whom mutual league,
United thoughts and counsels, equal hope. . .
The meaning of the lines is confusing because Satan himself is confused, and now speaking for the first time a fallen language. The "he" from line one gets dropped until line four, when Satan remembers what he's talking about after wandering through a few memories of his life before the fall. The reader is supposed to feel the confusion and torment of this run-on sentence. But Teskey uses parentheses to clean up the very mess Milton wanted Satan to make of the sentence:
If thou beest he (but O how fallen! how changed
From him who in the happy realms of light
Clothed with transcendent brightness didst outshine
Myriads, though bright) if he whom. . .
This effectively dumbs down the poem and drastically changes it. And there is way too much of it in this edition. It is common enough to modernize spelling and syntax in editions of early modern poetry, but this is a bit too much. Readers don't buy this book because they want an easy read; most readers, even students, don't mind if it is a little hard and confusing in parts. Mostly, I bet they want to see what Milton and not his editors wrote.
90 of 95 people found the following review helpful.
Very Handsome Devil of a Book
By Akimon Azuki
I have other editions of Paradise Lost, many with lengthy and preachy introductions, but this one has become my favourite. The design is beautiful, with a great cover, blood red inside covers and red ribbon marker. The original engravings that illustrate the story are a unique feature and look great.
The introduction and notes on all chapters written by Philip Pullman are short, refreshing and suprisingly funny. Even if you studied Paradise in depth, his comments may shed new light on this classic work. As he reminds the readers, these are his views as a fan rather than a scholar, and he tries to clear some cobwebs that gathered on Milton's opus and bring it closer into focus for the modern readers. Among his references are Alfred Hitchcock's movies and novels of Frederick Forsyth. And he tackles that age old dilema- if he is so evil, why do we find Lucifer so damn likeable...?
If you want to read Paradise Lost for the first time, possibly after/before devouring Pullman's own Dark Materials trilogy, look no further than this beautiful edition. And even if you have other copies, this is a great addition to your home library. Nothing wrong with a good looking book, when the content matches the design in quality, as it is the case here.
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