Rabu, 26 Agustus 2015

>> Download PDF The World at Night: A Novel, by Alan Furst

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The World at Night: A Novel, by Alan Furst

The World at Night: A Novel, by Alan Furst



The World at Night: A Novel, by Alan Furst

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The World at Night: A Novel, by Alan Furst

Paris, 1940. The civilized, upper-class life of film producer Jean Casson is derailed by the German occupation of Paris, but Casson learns that with enough money, compromise, and connections, one need not deny oneself the pleasures of Parisian life. Somewhere inside Casson, though, is a stubborn romantic streak. When he’s offered the chance to take part in an operation of the British secret service, this idealism gives him the courage to say yes. A simple mission, but it goes wrong, and Casson realizes he must gamble everything—his career, the woman he loves, life itself. Here is a brilliant re-creation of France—its spirit in the moment of defeat, its valor in the moment of rebirth.

  • Sales Rank: #108635 in Books
  • Brand: Furst, Alan
  • Published on: 2002-01-08
  • Released on: 2002-01-08
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x .68" w x 5.13" l,
  • Binding: Paperback
  • 268 pages

Amazon.com Review
Alan Furst has written three excellent thrillers set in unexpected corners of World War II: Dark Star, Night Soldiers and The Polish Officer. Now he continues his exploration of courage under fire with this haunting story of a film producer caught inside Nazi-occupied France, and what he has to do not only to survive but also to come out with his personal ideas of honor intact.

From Publishers Weekly
With uninspired plotting, Furst makes disappointing use of a vividly evoked wartime Paris in his latest WWII espionage novel (The Polish Officer; Dark Star; Night Soldiers). Hedonistic Parisian film producer Jean Casson thrives in Paris's active film industry, enjoying the colorful social scene, the posh restaurants and the beautiful, available women. But this world he knows so well all but disappears when Germans march into France and seize the city. At first, Casson strives merely to survive, but he's soon drawn into duty as an amateur intelligence operative and finds himself in a precarious position, buffeted by British Intelligence, resistance forces and the Gestapo. In the process, Casson discovers two powerful forces within himself?his patriotism and his consuming passion for an old lover, the beautiful actress Citrine. Furst brings this fascinating, historic Paris to life with his usual masterful use of period detail. But while Casson makes an intriguing protagonist, his relationships with other characters are presented rather schematically?in particular, his affair with Citrine, which ultimately proves so influential, is never satisfactorily developed. More importantly, Casson's career as a spy, marked by mixed success on missions that seem insignificant, is anticlimactic and a bit confusing. In the end, the novel never attains the dramatic pitch of Furst's recent The Polish Officer.
Copyright 1996 Reed Business Information, Inc.

From Library Journal
Jean-Claude Casson lives a hedonistic Paris existence as a low-budget film producer until the Germans invade France in 1940. Casson's need to continue working almost leads him into collaborating with the enemy. He is saved, temporarily, by the intervention of a group he thinks is British intelligence. He decides to work for the French Resistance only to have the Gestapo try to coerce him into betraying them. Furst, who has written several other World War II espionage tales, masterfully conveys a sense of daily life in occupied Paris, where even finding a newspaper was an ordeal. While the atmosphere is strong, Furst's storytelling skills are weak, shifting uneasily among the novel's many strands without always making the connections necessary for following the convoluted, often arbitrary, developments. The author also spends too much time on the producer's complicated love life, though he paints a vivid picture of the casualness of sexual relations in wartime. Stephen Thorne reads with a genteel English accent when a more earthy narration is called for. Recommended only for collections where Furst's works are popular.AMichael Adams, CUNY Graduate Ctr.
Copyright 2000 Reed Business Information, Inc.

Most helpful customer reviews

58 of 59 people found the following review helpful.
A Solid Novel, but not Furst's Greatest
By Prauge Traveler
For the first time in his well crafted series of espionage novels set amid the interwar years and opening acts of WW2 taking place in Eastern Europe, Furst departs from his usual stomping grounds in "The World at Night". Firstly, the story takes place in France, and its main character, Jean Casson, is French. Secondly, the timeline is from the invasion of France into World War 2- often occurring only in the final chapters of Furst's other novels.

His accomplishment is varied in its quality; at first I was not so interested in reading this book because the originality of his others seemed to be replaced by a run-of-the-mill WW2 spy novel. However, Jean Casson holds his own as an interesting and conflicted protagonist. As he converts his skills in media production to resisting Nazi rule, Casson is torn between the life of affluence he knew, and the desire to fight for the memory of France that seems to be fading all around him. Additionally, Casson's love interest adds another layer of complexity to the story.

"The World at Night" has an ending that left me waiting for more, and a little unsatisfied, which is my biggest critique of the story. I think Furst himself must have realized this, and he returns to Jean Casson's plight in the only direct sequel he has written to date (April, 2006), and the continues the tale in "Red Gold".

Although this novel can easily be read as a stand-alone book, some readers will enjoy beginning their foray into Furst's world with "Night Soldiers", his original and possibly best spy novel. This book introduces several characters who make appearances throughout Furst's other novels set in the same period of time and general geographical local. Because of this fact, I highly recommend reading "Night Soldiers" first, although those that follow can typically be read in any particular order (the exception being the stories involving Jean Casson - World at Night and Red Gold).

What makes Furst's loosely structured series so compelling is that 1; they are very well researched and historical very accurate, especially with regard to spy craft - as I understand it through academic experience only. 2; the characters are extremely flawed, very believable and interesting to empathize with - all of the characters and their adventures provoke much thought. 3; the novels do not attempt to achieve a false sense of conclusion at their end - they always allow the reader to decide for him/herself what happens, and they rarely resolve the feeling of tension that pervades Furst's works. 4; the secondary characters are always very well developed and much more interesting than their sometimes small roles would have the reader believe- so one is always off balance (who will live, who will die - who can be trusted, who cannot?). 5; Furst does an excellent job of setting the atmosphere of terror that resulted from the conflict between fascism and the resistance in France during the Second World War.

You cannot go wrong with this novel. While not Furst's best spy novel, for anyone interested in reading and enjoying spy stories, or stories of world war two, this book is a must read.

0 of 0 people found the following review helpful.
Furst - an author of "resistence stories"
By Mark Kamleiter
I am interested in this period of history and Furst seems to be knowledgeable. He writes with a rather laid back style, which does not necessarily create a great amount of suspense and angst. I would say that the author is more interested in a realism in mood and fidelity in story and actions, than in the high suspense of a historical thriller. Still, with my personal interest in this period of history, Furst books are probably more accurate and historically faithful, than books where the point is high dramatic suspense.

0 of 0 people found the following review helpful.
can Furst write a four star book?
By Bruce A. Mcallister
In my very enjoyable search so far, I have yet to find less than five. The slowly terrifying atmosphere of Europe in the '30's (why do we love it so?), the breathtaking near escapes, the world-weary characters (ourselves in clever guise), perfectly timed for this election year....

See all 128 customer reviews...

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Selasa, 25 Agustus 2015

? Free Ebook Business School Essays that Made a Difference (Graduate School Admissions Gui), by Princeton Review

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Essays That Scored

What makes business school applications so brutal? For most applicants, it’s the number, length, and complexity of the essays they have to write. Most top schools require multiple essays, and this book is your best bet for acing them all.

1. Forty-four real-life essays critiqued by admissions
officers from Tuck, Chicago, MIT, Michigan, Babson, and more

2. Eight case studies of b-school applicants–what worked
and what didn’t

3. Essay question translations–what they’re really asking

4. Insider advice from admissions officers and current MBA students at the following schools: Columbia Business School; Freeman School of Business, Tulane; Haas School of Business, UC Berkeley; Olin Graduate School of Business, Babson; University of Chicago’s Graduate School of Business

Inside you’ll find application essays from the following business schools:

Freeman School of Business, Tulane
Kenan-Flagler Business School, UNC–Chapel Hill
McCombs School of Business,
U Texas–Austin
Olin Graduate School of Business, Babson College

Peter F. Drucker Graduate School of Management, Claremont Graduate University
Rutgers Business School
Simon Graduate School of Business Administration,
U of Rochester
Sloan School of Management, MIT
Tippie School of Management, University of Iowa

Tuck School of Business, Dartmouth
University of Chicago’s Graduate School of Business
University of Michigan
Business School
Weatherhead School of Business, Case Western Reserve

  • Sales Rank: #4691058 in Books
  • Published on: 2003-09-09
  • Released on: 2003-09-09
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.98" h x .58" w x 5.98" l,
  • Binding: Paperback
  • 256 pages

From the Inside Flap
Essays That Scored

What makes business school applications so brutal? For most applicants, it?s the number, length, and complexity of the essays they have to write. Most top schools require multiple essays, and this book is your best bet for acing them all.

1. Forty-four real-life essays critiqued by admissions
officers from Tuck, Chicago, MIT, Michigan, Babson, and more

2. Eight case studies of b-school applicants?what worked
and what didn?t

3. Essay question translations?what they?re really asking

4. Insider advice from admissions officers and current MBA students at the following schools: Columbia Business School; Freeman School of Business, Tulane; Haas School of Business, UC Berkeley; Olin Graduate School of Business, Babson; University of Chicago?s Graduate School of Business

Inside you?ll find application essays from the following business schools:

Freeman School of Business, Tulane
Kenan-Flagler Business School, UNC?Chapel Hill
McCombs School of Business,
U Texas?Austin
Olin Graduate School of Business, Babson College

Peter F. Drucker Graduate School of Management, Claremont Graduate University
Rutgers Business School
Simon Graduate School of Business Administration,
U of Rochester
Sloan School of Management, MIT
Tippie School of Management, University of Iowa

Tuck School of Business, Dartmouth
University of Chicago?s Graduate School of Business
University of Michigan
Business School
Weatherhead School of Business, Case Western Reserve

About the Author
The Princeton Review is the fastest growing test-preparation company in the country, with over 60 franchise offices in the nation. Each year, we help more than 2 million students prepare for college, grad school, professional licensing exams, and successful careers.

Most helpful customer reviews

2 of 17 people found the following review helpful.
Great way for preparation
By Ursula U.
It helps me in preparation my own esey:) The instructions are very clear and useful. I hope it will work for my apllication.

The advice is simple - I have to present my concrete plans for future.

See all 1 customer reviews...

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Senin, 24 Agustus 2015

! Fee Download Cracking the AP Chemistry Exam, 2004-2005 Edition, by Princeton Review

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The Princeton Review realizes that acing the AP Chemistry Exam is very different from getting straight A’s in school. We don’t try to teach you everything there is to know about chemistry–only what you’ll need to score higher on the exam. There’s a big difference. In Cracking the AP Chemistry Exam, we’ll teach you how to think like the test makers and
-Score higher by reviewing key chemistry concepts
-Earn more points by familiarizing yourself with the format of the test
-Safeguard yourself against traps that can lower your score
-Perfect your skills with review questions in each chapter
This book includes 2 full-length practice AP Chemistry tests. All of our practice questions are like the ones you’ll see on the actual exam, and we fully explain every answer.

  • Sales Rank: #3477935 in Books
  • Published on: 2004-01-13
  • Released on: 2004-01-13
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.86" h x 1.03" w x 8.37" l,
  • Binding: Paperback
  • 448 pages

From the Inside Flap
The Princeton Review realizes that acing the AP Chemistry Exam is very different from getting straight A?s in school. We don?t try to teach you everything there is to know about chemistry?only what you?ll need to score higher on the exam. There?s a big difference. In Cracking the AP Chemistry Exam, we?ll teach you how to think like the test makers and
-Score higher by reviewing key chemistry concepts
-Earn more points by familiarizing yourself with the format of the test
-Safeguard yourself against traps that can lower your score
-Perfect your skills with review questions in each chapter
This book includes 2 full-length practice AP Chemistry tests. All of our practice questions are like the ones you?ll see on the actual exam, and we fully explain every answer.

About the Author
The Princeton Review is the fastest growing test-preparation company in the country, with over 60 franchise offices in the nation. Each year, we help more than 2 million students prepare for college, grad school, professional licensing exams, and successful careers.

Most helpful customer reviews

17 of 17 people found the following review helpful.
Various Reviews for AP Chem books
By A.L.
So, being this the first year I took AP courses, I went a little over zealous and purchased 3 AP Chem books. Furthermore, a friend lent me another, and I skimmed through a few more. Let me say right out I got a 4. I was a bit disappointed, but I know I should have started studying harder and more rigorously. Even so, I believe that this book (Princeton's) positively contributed to my score.

Princeton Review
If you purchase only one review book, this is definately the one to get. This was the only one I really read through. The content was worthwhile, not too long, and fairly easy to read. I did most of the questions at the end of the chapters, but only took a quick look at the MC and Free Response questions at back of the book. I was a bit pressed for time. I finished reading the book the day right before the AP test. Really bad, I know. However, I had been preparing for a few weeks by doing old AP tests and tons and tons of old FR questions. I did almost all of the FR's on collegeboard' website. This book is definately not enough to get a 5, or even a four on. You should definately get a hold of old tests and do them! Also, try to keep up with the text book during the year to make sure you at least have some idea of what's going on. With that said, I can add one more high point of this book... the REACTIONS SECTION. The best I've seen. Very thorough, and much better than the other books. There are a few more rules than those in the books though, so make sure you ask a teacher or do enough to recognize patterns.

Barrons
This is definately one of the worse ones out of the lot. (Second worse.) I had read AP Euro review books before(since the test was a few days before) and was in the process of reading Princeton's chem book. How is this relavent you ask? Well, I've heard that some review books are notorious for huge, massive errors. I had personally never experienced this before and didn't notice any in the ones I had already read. Then there was the Barron's book. I looked at a few pages, and knew this was not worth the time. Specifically, I looked at the reactions questions at the end of the book. Some of the answers were WRONG! Very discouraging and wasted my time. Don't even bother with this book.

REA
The absolute worst one out of all of them. A friend lent this to me since she had it laying around. Please note that this book was from a couple years back (though review books don't change too much). I read about 1/4 of the book. Waste of time. Hard to read, wierd diagrams, doesn't contain what's need for the test. Really makes me leary from buying more of their review books in the future.

Kaplan
One of the better ones. The periodicity section in particular stands out. It was well written. I did not read this as I had absolutely no time, but it looks like a good, reliable, review. Seems a lot thicker than Princeton's, but would probably be more thorough. The reactions section though is definately inferrior.
This would be a good backup/ supplement to Princeton's version. Now I wish I did not procrastinate and instead spent time reading Kaplan's review.

Petersons
I did not have personal experience, but a friend owned this review guide. I did however have a brief skim through it. Every thing looked correct, and I liked the format and tone. It reminded me of Kaplan's (around the same thickness too), and my friend expressed that this was quality. There weren't any reviews for this on Amazon, so unfortunately, I did not get this.

All in all, I think I scored a solid 4 and not a 5 just because of the tricky multiple choice (I should have spread my time more evenly, but I did finish). And some dues go to my crazy chem teacher. He expected us to learn the material from reading just the really, really long text books and doing questions in the back. Most people didn't, and he often said he knew most of us would not pass. He gave a few lectures and stuff but not too indepth. I never comprehended the labs we did, but luckily there weren't specific questions on them. Also he said that some sections, like organic chemistry, weren't on the test. Except they were, and it wasn't just one question. Maybe if I had spent time doing the Princeton Reviews 2 tests, and reading through it again I could have gotten a 5.

5 of 5 people found the following review helpful.
A VERY worthwhile study tool
By Janet
This book definitely saved my life. I was expecting barely a 3 on the exam; I got a 5, almost 95% due to buying this book. With barely a month left before the exam, with a teacher who had never taught the class before and an absolutely AWFUL, overcomplicated textbook, I bought this book and began looking through its sample questions and reading its review.

Not only did the review contain information that showed up directly on the exam, the sample questions were formatted in nearly exactly the same way.

My recommendation- DEFINITELY get this book, then study like mad. Do as many problems as you possibly can, and make sure to read over the explanations, since they REALLY help.

Good luck, and don't stress too much!

5 of 6 people found the following review helpful.
Excellent Preparation Guide
By Rajiv
This book is an excellent preparation guide for the AP chemistry exam, it includes hundreds of practice AP questions similar to the national exam itself. It is a quick read if you are preparing late for the exam and has a very organized and user friendly format dividing the sections in to the main concepts covered by the AP exam and offerring excellent preparation questions in those areas. The difficulty level of the questions however is open to discussion as some questions in the book are slightly less difficult or complex as the questions asked on the actual national exam, however the majority are equivalent in difficulty to the exam. As for the free response section of the exam, this book provides excellent sample essay questions very similar to the exam in its intricacies and meticulous detailing of the questions forcing one to think deeply in to an answer. The book however does not provide answers that explain the answer to the question in great depth however with the information provided by the answer, one who is knowledged in chemistry can conclude what a proper AP exam answer would read. A main dividing factor between the free response section of exams in this book and of the real exam is that the real exam's "equilibrium problem" has many more parts to complete than that of the samples. The samples provide only 4 or 5 parts to the mathematical problems, whereas on the exam you can expect to find problems with 7 to 8 parts, and some of the types of questions encountered in the 4 extra parts are never discussed in this book. The exam takes the mathematical questions to a higher level than this book and requires one to analyze further the situation of a problem and provide further calculations to demonstrate understanding, this princeton review book does not discuss this. However, all together this book has great value and i highly reccomend it for any brave enough to challenge the AP chemistry exam, it is an essential material for its practice questions and was a cornerstone for me to score my 5 on the AP chemistry national exam. My advice to those aspiring AP chemistry exammers is to buy as many books with practice exams as you can and take as many full length exams as possible, they are the most helpful tool that you can find, and the princeton review offers this exceptionally.

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^^ PDF Download Reading Pictures: What We Think About When We Look at Art, by Alberto Manguel

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Reading Pictures: What We Think About When We Look at Art, by Alberto Manguel

This profoundly illuminating, entertaining book could well change the way we "read" the visual world around us, and certainly help open our eyes and minds to its astonishing riches. The language in which we speak about art has become steadily more abstruse, a jargon that only art critics and con-artists can understand, though for thousands of years this was not the case. Today, we live in a kaleidoscopic new world of images: Is there a vocabulary we can learn in order to read these images? Is there something we can do so as not to remain passive when we flip through an illustrated book, or download images on a screen? Are there ways in which we can "read" the stories within paintings, monuments, buildings and sculptures? We say "every picture tells a story" - but does it?

Taking a handful of extraordinary images - photographed, painted, built, sculpted - Alberto Manguel explores how each one attempts to tell a story that we, the viewer, must decipher or invent. A History of Love and Hate is not about art history or theory - it is about the astonishing pleasures and surprises of stories.


From the Hardcover edition.

  • Sales Rank: #236095 in Books
  • Published on: 2002-10
  • Released on: 2002-10-15
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.06" h x .81" w x 6.06" l, 1.15 pounds
  • Binding: Paperback
  • 352 pages
Features
  • ISBN13: 9780375759222
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

Review
"Alberto Manguel is an expert explorer of what the French call the imaginaire -- a word that combines imagination, imagery and the formation of images in the mind. He is the author of a very practical Dictionary of Imaginary Places. His History of Reading is a brilliant account of the ways in which reader and writer meet and change each other. He understands the logic of Lewis Carroll's world of wonderland and mirrors better than almost anyone else. His own imagination is supple and generous, and his work is full of surprises…. he is in fact someone who works accurately and idiosyncratically in ordinary language, to our delight.… Each chapter ranges widely and sure-footedly around its chosen subject, using Manguel's wide learning to make new connections.…It is the scrupulous, high-powered conversation of a learned man, rather than professional "criticism," and the better for it….his own reflections, so unconstricted, so clear, so strange, are so very satisfying to his readers." -- A.S. Byatt, Washington Post, Sunday, October 28, 2001

“All of it is fascinating.” -- Calgary Herald

“A fascinating treat.” -- Today

“Invaluable…. Marvellously informed…. Alberto Manguel is an entertaining guide to the world of art [who] offers remarkable insights.” -- The Gazette (Montreal)

“Insightful and entertaining.” -- The Toronto Star

“For an absolutely gorgeous gift this December…Manguel’s latest work is the answer…. A beautifully crafted achievement, filled with hundreds of works of art.” -- FFWD (Calgary)

“A worthy companion to his bestselling book, A History of Reading. Reading Pictures succeeds admirably [as] a guide for us to follow as we learn to look at, think about, and appreciate art again.” -- The Edmonton Journal

“Magnificent…. If you care about art, let the one book you give (or receive) this Christmas be Reading Pictures.” -- The New Brunswick Reader

“Eclectic and intriguing.” -- Ottawa Citizen

“A readable romp through a visual landscape.” -- Maclean’s

“Fascinating…. Alberto Manguel looks at art and finds stories and parallels that might give us a whole new perspective…this may be the ultimate visual self-help book…With many stunning images from our pre-computer-enhanced past, it manages to coax us into looking at them in ways we may have forgotten….Each of the book’s 12 chapters could stand alone as an essay…. Be changed and enriched.” -- The Vancouver Sun

“This is a book that demands all our attention, and, for all its richness, deserves to get it.” -- The Times-Colonist (Victoria)

“Manguel knows the value of books, and the art of reading them.... The result is delightful.” -- The Times U.K.

"Alberto Manguel (is) a keeper of the word and a guardian of the book.” -- The Globe and Mail (Dec. 5/98)

"Alberto Manguel is a tireless champion of the written word. He cares about books...with a deep, unswerving passion because he believes they are -- still, despite our electronic progress -- essential links between the individual and the world." -- The Vancouver Sun

"Like Pablo Neruda wrote regarding the Argentinian Julio Cortazar, one could say that not to read Alberto Manguel is an invisible and serious illness that, in time, might have terrible consequences.... Not to accompany Manguel on a jubilatory and salutary stroll through the world of words, museums and books, would be nothing short of madness." -- Sud-Ouest Dimanche

“As a teacher, [Manguel] is profound and unpredictable, world-wise and erudite…. The artists Manguel chooses are surprising and fresh, and his sidetracks occasionally ignore standard biography. But the book provides plenty of appropriate visual images -- only some of them familiar -- alongside lovely, compassionate sentences.” -- Quill & Quire, starred review, December 2000

“A book for readers who enjoy virtuoso performances…. Manguel leads the reader on a merry chase through the worlds of art history, literature…and philosophy….[A] splendid meander through his fascinating mind.” -- Smithsonian

“There is so much in this book to admire, the sheer sweep and soar of ideas is invigorating. The writing, for all Manguel’s erudition, is quick and clear, stimulating in the extreme….This may be one of the best books you will read this year.” --The Independent

“Quite the most entrancing aspect of this rich, venturesome book is its authors humility in the face of all he knows and his generosity in sharing it with us.” --The Spectator

“This delightful book will fascinate anyone who enjoys looking at pictures….In his charmingly calm, unruffled way, Manguel forces you to reexamine your own assumptions and convictions about art. This is a book to cherish.” --The Sunday Telegraph


From the Hardcover edition.

From the Inside Flap
This profoundly illuminating, entertaining book could well change the way we "read" the visual world around us, and certainly help open our eyes and minds to its astonishing riches. The language in which we speak about art has become steadily more abstruse, a jargon that only art critics and con-artists can understand, though for thousands of years this was not the case. Today, we live in a kaleidoscopic new world of images: Is there a vocabulary we can learn in order to read these images? Is there something we can do so as not to remain passive when we flip through an illustrated book, or download images on a screen? Are there ways in which we can "read" the stories within paintings, monuments, buildings and sculptures? We say "every picture tells a story" - but does it?
Taking a handful of extraordinary images - photographed, painted, built, sculpted - Alberto Manguel explores how each one attempts to tell a story that we, the viewer, must decipher or invent. "A History of Love and Hate is not about art history or theory - it is about the astonishing pleasures and surprises of stories.

"From the Hardcover edition.

From the Back Cover
"Alberto Manguel is an expert explorer of what the French call the imaginaire -- a word that combines imagination, imagery and the formation of images in the mind. He is the author of a very practical Dictionary of Imaginary Places. His History of Reading is a brilliant account of the ways in which reader and writer meet and change each other. He understands the logic of Lewis Carroll's world of wonderland and mirrors better than almost anyone else. His own imagination is supple and generous, and his work is full of surprises…. he is in fact someone who works accurately and idiosyncratically in ordinary language, to our delight.… Each chapter ranges widely and sure-footedly around its chosen subject, using Manguel's wide learning to make new connections.…It is the scrupulous, high-powered conversation of a learned man, rather than professional "criticism," and the better for it….his own reflections, so unconstricted, so clear, so strange, are so very satisfying to his readers." -- A.S. Byatt, Washington Post, Sunday, October 28, 2001

“All of it is fascinating.” -- Calgary Herald

“A fascinating treat.” -- Today

“Invaluable…. Marvellously informed…. Alberto Manguel is an entertaining guide to the world of art [who] offers remarkable insights.” -- The Gazette (Montreal)

“Insightful and entertaining.” -- The Toronto Star

“For an absolutely gorgeous gift this December…Manguel’s latest work is the answer…. A beautifully crafted achievement, filled with hundreds of works of art.” -- FFWD (Calgary)

“A worthy companion to his bestselling book, A History of Reading. Reading Pictures succeeds admirably [as] a guide for us to follow as we learn to look at, think about, and appreciate art again.” -- The Edmonton Journal

“Magnificent…. If you care about art, let the one book you give (or receive) this Christmas be Reading Pictures.” -- The New Brunswick Reader

“Eclectic and intriguing.” -- Ottawa Citizen

“A readable romp through a visual landscape.” -- Maclean’s

“Fascinating…. Alberto Manguel looks at art and finds stories and parallels that might give us a whole new perspective…this may be the ultimate visual self-help book…With many stunning images from our pre-computer-enhanced past, it manages to coax us into looking at them in ways we may have forgotten….Each of the book’s 12 chapters could stand alone as an essay…. Be changed and enriched.” -- The Vancouver Sun

“This is a book that demands all our attention, and, for all its richness, deserves to get it.” -- The Times-Colonist (Victoria)

“Manguel knows the value of books, and the art of reading them.... The result is delightful.” -- The Times U.K.

"Alberto Manguel (is) a keeper of the word and a guardian of the book.” -- The Globe and Mail (Dec. 5/98)

"Alberto Manguel is a tireless champion of the written word. He cares about books...with a deep, unswerving passion because he believes they are -- still, despite our electronic progress -- essential links between the individual and the world." -- The Vancouver Sun

"Like Pablo Neruda wrote regarding the Argentinian Julio Cortazar, one could say that not to read Alberto Manguel is an invisible and serious illness that, in time, might have terrible consequences.... Not to accompany Manguel on a jubilatory and salutary stroll through the world of words, museums and books, would be nothing short of madness." -- Sud-Ouest Dimanche

“As a teacher, [Manguel] is profound and unpredictable, world-wise and erudite…. The artists Manguel chooses are surprising and fresh, and his sidetracks occasionally ignore standard biography. But the book provides plenty of appropriate visual images -- only some of them familiar -- alongside lovely, compassionate sentences.” -- Quill & Quire, starred review, December 2000

“A book for readers who enjoy virtuoso performances…. Manguel leads the reader on a merry chase through the worlds of art history, literature…and philosophy….[A] splendid meander through his fascinating mind.” -- Smithsonian

“There is so much in this book to admire, the sheer sweep and soar of ideas is invigorating. The writing, for all Manguel’s erudition, is quick and clear, stimulating in the extreme….This may be one of the best books you will read this year.” --The Independent

“Quite the most entrancing aspect of this rich, venturesome book is its authors humility in the face of all he knows and his generosity in sharing it with us.” --The Spectator

“This delightful book will fascinate anyone who enjoys looking at pictures….In his charmingly calm, unruffled way, Manguel forces you to reexamine your own assumptions and convictions about art. This is a book to cherish.” --The Sunday Telegraph


From the Hardcover edition.

Most helpful customer reviews

5 of 5 people found the following review helpful.
Not what I expected, but not without merit
By Caleb Hanson
This book wasn't exactly what I expected when I bought it--Amazon recommended it based on my previous purchases, and it looked interesting so I went for it. I had hoped it would be about how *I* could get more out of looking at art, but really it's about what Manguel thinks about when *he* looks at a dozen particular pieces--paintings mostly, but also photographs, sculpture, monuments, etc.

My mis-expectations aside, he does know stuff and he writes it well. Each chapter is an essay about one piece; some talk about the composition of the piece, others more about the artist's career as a whole, others about other things that the piece reminds Manguel of. I was a bit disappointed that the rather interesting picture on the cover is never even mentioned, neither the photo nor the painting within it.

Not easy to rate: not what I was looking for, but interesting enough I finished reading it, but then again I don't know the field so I can't really tell if he's full of it or not. Hence the indecisive three stars. (Takeaway lesson: Picasso was an incredible dick.)

2 of 2 people found the following review helpful.
another good read by Alberto Manguel
By Amazon Customer
Manguel continues to discover new ways to look at how we process what we read and see. I highly recommend this book or anything by Alberto Manguel.

0 of 0 people found the following review helpful.
Five Stars
By Linn
Another wonderful book by Manguel.

See all 3 customer reviews...

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Minggu, 23 Agustus 2015

## Ebook Download Genes, Girls, and Gamow: After the Double Helix, by James D. Watson

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Genes, Girls, and Gamow: After the Double Helix, by James D. Watson

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Genes, Girls, and Gamow: After the Double Helix, by James D. Watson

In the years following his and Francis Crick’s towering discovery of DNA, James Watson was obsessed with finding two things: RNA and a wife. Genes, Girls, and Gamow is the marvelous chronicle of those pursuits. Watson effortlessly glides between his heartbreaking and sometimes hilarious debacles in the field of love and his heady inquiries in the field of science. He also reflects with touching candor on some of science’s other titans, from fellow Nobelists Linus Pauling and the incorrigible Richard Feynman to Russian physicist George Gamow, who loved whiskey, limericks, and card tricks as much as he did molecules and genes. What emerges is a refreshingly human portrait of a group of geniuses and a candid, often surprising account of how science is done.

  • Sales Rank: #2494602 in Books
  • Published on: 2003-01-07
  • Released on: 2003-01-07
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.98" h x .63" w x 5.12" l, .66 pounds
  • Binding: Paperback
  • 336 pages

Amazon.com Review
Readers unfamiliar with James D. Watson's previous memoir, The Double Helix: A Personal Account of the Discovery of the Structure of DNA, may be surprised that his new one pays as much attention to his pursuit of the perfect woman as to the pursuit of knowledge. But Watson's 1968 book wasn't a bestseller because of its scientific material (though it was lucidly written for the general public); it was his candid portrait of professional rivalries, consuming ambition, and personal eccentricities that made it both popular and controversial. Even today, Watson's lively prose and decidedly frank opinions are still far from the norm. Oh sure, Girls, Genes, and Gamow contains plenty of information about his efforts (with colleagues ranging from bongo-playing Richard Feynman to the free-spirited George Gamow) to unravel the complexities of the RNA molecule from 1953 to '56. But Watson--still in his 20s at the time--also devotes pages to hard drinking, bitter marital breakups, and unwanted pregnancies among his not-so-high-minded peers, and his own anguished affair with a Swarthmore undergrad who left him for a German engineering student. It's not every Nobel Prize-winning biologist who would admit he was thrilled to have his photo in Vogue because it would "make 'with it' American girls more eager to know me," but that boyish openness gives Watson's book its charm. --Wendy Smith

From Publishers Weekly
This classy memoir reads like a Who's Who of 20th-century science and picks up where the author left off in his classic book, The Double Helix. In 1953, Watson, then 25, and colleague Francis Crick discovered the structure of DNA, a historic achievement that won them both the Nobel Prize in Physiology or Medicine. Here Watson, who quickly became an icon for biology students worldwide, gives a detailed, journal-writer's account of the aftermath, recalling with subtle humor his younger self's professional and equally pressing amorous ambitions. Professionally, the goal was to unravel the structure of a then still-mysterious molecule called ribonucleic acid, or RNA. Watson's scientific highs and lows are mingled with his adventures in academic high society, some of which have the flavor of Wodehousian lark, as when Wilson and fellow pranksters "temporarily absconded with the experimental lobsters" belonging to a boorish lecturer at Woods Hole Oceanographic Institution on Cape Cod. Readers also encounter the "pope-like" figure of Caltech chemist Linus Pauling, the bongo-playing genius physicist Richard Feynman and of course Russian theoretical physicist George Gamow, the "zany," card-trick playing, limerick-singing, booze-swilling, practical-joking "giant imp" who founded with Watson the RNA-Tie Club. Reading Watson is a delight, an opportunity to breathe the rarefied air of his generation's greatest scientists and to crash a faculty cocktail party or two along the way.

Copyright 2002 Cahners Business Information, Inc.

From Library Journal
This second autobiographical work by Nobel prize winner Watson provides additional details of his personal life and experience during and after his and Francis Crick's discovery of the double helix as the model for DNA structure in 1953. His first work, The Double Helix, has been widely read and republished in different editions. That work focused on the discovery of the structure of the DNA molecule; the current work uses the same conversational style to fill in more of the story and talk about what happened after the discovery was announced. Watson includes many personal details, devoting a sizable portion of the book to his romantic life. He also discusses his encounters with the likes of Linus Pauling, Richard Feynman, and Russian physicist George Gamow. Because of the wide appeal of The Double Helix and the extensive publicity on current genetic research, this work will likely be popular as well. Accessible to many levels of readers, it is recommended for public and academic libraries. Eric D. Albright, Duke Univ. Medical Ctr. Lib., Durham, NC
Copyright 2002 Reed Business Information, Inc.

Most helpful customer reviews

33 of 39 people found the following review helpful.
Life After the Discovery of the Double Helix
By George Webster, Ph.D.,
I was a research fellow in CalTech's Kerckhoff Laboratories of Biology when Jim Watson arrived in the autumn of 1953 to join us as a research fellow. Everyone was curious about the person who had come from nowhere to make, along with Francis Crick, one of the great discoveries of the twentieth century. I found him to be very bright, friendly, and bubbling with ideas. Genes, Girls, and Gamow describes the ferment in biology at that time, and his attempts to apply intuition to the problem of how information in DNA translates into proteins. But much of the book is a candid account of his search for the perfect girl to marry. We go through his attempts to woo a string of CalTech girls - all failures. I once suggested to a pretty, intelligent lab assistant that he would be a good catch, since he was sure to get a Nobel prize. She gave me a look that would have frozen melted steel, so I kept silent after that. The account of his pursuit of undergraduate student Christa Mayr is almost painful to read, since he loves her, but she is only lukewarm. It all comes out well, however, when he finally finds the girl of his deams. The third part of the book's title, the physicist George Gamow, flits in and out of the story in the same way that he would appear at CalTech and then disappear. The book reminds me a bit of The Diary of Samuel Pepys, since we read where Watson went, with whom, and what they discussed. If you would like to read an insider story of the way that much of our current biology developed explosively in the 1950's, this story gives you a month by month diary. Jim Watson's candor makes it fascinating reading.

19 of 22 people found the following review helpful.
Slight and boring
By Robin C. Smith
The Double Helix is a classic (even if it was a rather hyped up embellishment of the way it was), but this is nowhere near it in quality. One suspects that any publisher would have leapt at a chance to publish JDWs "next" book, after all the Double Helix must have made everyone concerned rich. Big mistake - poor Knopf. This is a rather bizarre book really - mainly all rather painful accounts of JDWs awkward contacts with girls and superficial accounts of various interactions with often famous scientists. The narrative thread is completely aimless and, frankly, rather boring. Never really do you get a real feel of what it was actually JDW and his colleagues were doing day to day to earn their salaries. There are also some somewhat awkward moments when JDW tries to make up for criticisms of the Double Helix (being nice about Rosalind Franklin and saying it was not him who coined the phrase "I have never seen Francis Crick in a modest mood" and so on). The book meanders through the middle fifties until JDW gets his job at Harvard (quite why anyone would give him a job is rather beyond the reader to understand when reading about his endless perigrinations), but I think we can say that Watson has a lot more to give than this book indicates. Completely unlike Francois Jacob's account of his life this book gives very little away about the author's inner life. His love for Christa Mayr is all rather embarrassing and very sophomoric. It makes you almost feel more sorry for her. The book does not even finish well. It just fizzles out. A final chapter of postcript catches up to the late sixties.
I am very interested in this material, but this is a poor book by anyone's standards. I am not really blaming Watson. Knopf published the book and they were foolish enough to do so. It is all rather a shame as JDW is a seminal figure and the book perhaps could have been another tour de force.

14 of 17 people found the following review helpful.
More than you want to know
By A. J. Sutter
Normally I wouldn't take the time to add to a chorus of negative reviews, but this book was a doozy. The contrast between the author's reputation and what he reveals about himself is breathtaking.

The best part of this book: seeing how so many brilliant people wandered into so many dead ends while trying to figure out the structure of RNA and the genetic code in the 1950s. This is much more interesting than the usual presentation of scientific discoveries as faits accomplis.

Many physicists were drawn into this quest, including Richard Feynman. But it was the intuitions of (ex-physicist) Francis Crick that were right on the money, including his predictions of "RNA adaptors" much like transfer RNA, and of a triplet code with multiple reading frames (with S. Brenner). And unlike Watson and many others, he hadn't even been working on the problem full-time.

You do need to know at least a little about virology and molecular biology to enjoy this aspect of the book, because the text leaves a lot unexplained. So one wonders whom Watson intended as an audience - if he was thinking about his audience at all.

Watson certainly does think a great deal about, and of, himself. In his prologue he describes a 1986 visit to his old Cambridge office, where he found a grad student "who had no idea who I was ... The manners that Cambridge so long ago instilled in me did not let me reveal my identity." Later, describing a 1956 trip to Israel, he mentions his "relief" at "finding hosts who knew who I was."

His self-infatuation informs the "girls" aspect of the book too. Watson doesn't only kiss and tell, he holds hands and tells, hugs and tells, exchanges long meaningful glances with wives of friends and tells, and guides "once-ripe" mothers of friends on the dance floor and tells. He freights the slightest incidents with unspoken meaning -- but ultimately comes across like the virginal Eric Idle character in the "Nudge, nudge" Monty Python routine. Thankfully, we never hear if he ever made it to second base or beyond.

How could he recall all this 50 years later? According to the introduction, his former heartthrob, Christa Mayr Menzel, gave him access to 60 letters he'd sent her during this period. (He started pursuing her when she was a 17-year-old high school senior, and he was a Ph.D. of 25 or so.) But if his letters really detailed every time he walked on the beach with some other girl after a drunken party before a chaste good-night, it's no wonder Ms. Mayr grew cold to him. Watson thinks it appropriate to include reproductions of two banal postcards from her (one of which is signed "love, Christa", as if he has something to prove to us), plus the text of the whining letter he wrote to her father after she dumped him.

By the book's epilogue it becomes clear that even after his Nobel Prize, Watson pursued only women who worked in his lab or were undergraduates. The water pistol comment quoted by a reviewer below leads one to suspect that they were nonetheless more mature than he.

The "happy ending" is his marriage to a Radcliffe sophomore less than half his age, a few days before his 40th birthday. His celebratory postcard to a Harvard colleague, "19 year old now mine," is creepy and chilling. Watson claims this has been a happy and durable union, and there's no grudging him that. But one wishes he'd kept some aspects of his life known only to his intimate circle, instead of sharing them with the unsuspecting reader.

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Jumat, 21 Agustus 2015

^^ Ebook Free Ghost Light: A Memoir, by Frank Rich

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Ghost Light: A Memoir, by Frank Rich

There is a superstition that if an emptied theater is ever left completely dark, a ghost will take up residence. To prevent this, a single "ghost light" is left burning at center stage after the audience and all of the actors and musicians have gone home. Frank Rich's eloquent and moving boyhood memoir reveals how theater itself became a ghost light and a beacon of security for a child finding his way in a tumultuous world.

Rich grew up in the small-townish Washington, D.C., of the 1950s and early '60s, a place where conformity seemed the key to happiness for a young boy who always felt different. When Rich was seven years old, his parents separated--at a time when divorce was still tantamount to scandal--and thereafter he and his younger sister were labeled "children from a broken home." Bouncing from school to school and increasingly lonely, Rich became terrified of the dark and the uncertainty of his future. But there was one thing in his life that made him sublimely happy: the Broadway theater.

Rich's parents were avid theatergoers, and in happier times they would listen to the brand-new recordings of South Pacific, Damn Yankees, and The Pajama Game over and over in their living room. When his mother's remarriage brought about turbulent changes, Rich took refuge in these same records, re-creating the shows in his imagination, scene by scene. He started collecting Playbills, studied fanatically the theater listings in The New York Times and Variety, and cut out ads to create his own miniature marquees. He never imagined that one day he would be the Times's chief theater critic.

Eventually Rich found a second home at Wash-ington's National Theatre, where as a teenager he was a ticket-taker and was introduced not only to the backstage magic he had dreamed of for so long but to a real-life cast of charismatic and eccentric players who would become his mentors and friends. With humor and eloquence, Rich tells the triumphant story of how the aspirations of a stagestruck young boy became a lifeline, propelling him toward the itinerant family of theater, whose romantic denizens welcomed him into the colorful fringes of Broadway during its last glamorous era.

Every once in a while, a grand spectacle comes along that introduces its audiences to characters and scenes that will resound in their memories long after the curtain has gone down. Ghost Light, Frank Rich's beautifully crafted childhood memoir, is just such an event.

  • Sales Rank: #664132 in Books
  • Brand: Rich, Frank
  • Published on: 2001-10-09
  • Released on: 2001-10-09
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x .80" w x 5.20" l, 2.00 pounds
  • Binding: Paperback
  • 352 pages

Amazon.com Review
When Frank Rich was an anxious, unhappy kid marooned in the suburbs of Washington, D.C., the fact his parents were divorced was discussed "only in the whisper that Grandma Ross used when talking about being Jewish or having cancer." Like so many others who feel painfully different, Frank found refuge in the theater, particularly the classic musicals of Broadway's golden age. After an enchanted trip to see Bells Are Ringing in 1956 when he was 7, Rich writes, "I was now destined to trace my childhood almost exclusively through an accelerating progression of plays, good and bad, that would captivate and kidnap me." Many of the tickets came from his stepfather, who was sometimes generous and fun but often frighteningly abusive. Once again, the theater helped him cope: when Frank saw Gypsy, its portrait of troubled family relations "made me feel less lonely." Similarly, when chronicling his attendance at such legendary shows as Bye Bye Birdie, Fiddler on the Roof, and A Funny Thing Happened on the Way to the Forum, among many others, Rich concentrates on his responses rather than the productions themselves. What interests him most here is the theater's power to shape lives. Paying tribute to the men who both shared and cultivated his passion for the theater, Rich draws touching portraits of Scott Kirkpatrick, manager of Washington's National Theatre, who hired young Frank as a ticket taker, and of Clayton Coots, a company manager who befriended him. Those who admired (or excoriated) Rich's work as drama critic for The New York Times will find Ghost Light an intriguing look at the personal history that lies behind his critical judgments. --Wendy Smith

From Publishers Weekly
Two intertwined themes propel this evocative memoir of growing up in the 1950s and '60s by a former drama critic and current op-ed columnist for the New York Times. The first is the pain and confusion of being the child of divorced parents at a time when most families remained intact. The second is how the allure of theater softened that pain and gave the author a new way of understanding the world. Rich's world changed radically when his middle-class Jewish parents divorced in 1956, and the comfortable everyday routine of The Mickey Mouse Club and family dinners disappeared. It was during this time that Rich's parents introduced him to Broadway musical comediesAPajama Game, Damn Yankees, Most Happy FellaAwhich became both a passion and a private imaginative world for him. Rich's prose can revel in nostalgia, as when he conjures up his anticipation of going to his first Broadway show or meeting Jack Benny in a restaurant. It can also be effectively frightening, as when he recounts physical and emotional abuse at the hands of his new stepfather. Rich offers some wonderful insights, for example when he realizes, upon seeing and reading Who's Afraid of Virginia Woolf, that the American theater is maturing along with him; or when he writes about how his older gay male mentor (who eventually died of AIDS) prepared him to face problems in his personal life as well as to embrace his life in the theater. In the end, Rich's story resonates with the pain and triumph of everyday life. (Oct.)
Copyright 2000 Reed Business Information, Inc.

From Library Journal
Many know Rich through his fine theater reviews that appeared in The New York Times from 1980 to 1994, but his love for the stage developed much earlier. From the time his parents brought home cast recordings of South Pacific and The Pajama Game to the day he attended his first show, Damn Yankees, at Washington's National Theatre, Rich increasingly hungered for bigger doses of this magical world. After his parents' divorce, the theater offered solace. It was a common interest he shared with his mother and the only real bridge between himself and an abusive stepfather. The young Rich reconstructed theater sets in miniature, collected discarded Playbills from garbage baskets, dreamed of the stories and the music, reveled in New York theater trips, and studiously devoured Variety from an early age. Set in the Fifties and Sixties, this engrossing memoir is threefold: the story of a boy who found refuge in the theater during family turmoil, a mini-history of contemporary productions, and an informal observation of events and culture of the day. Readers will be enchanted with the young Rich. The tale of his early life, with its personal distresses and theatrical passions, is astonishing, and it is well toldDas haunting as the specter that the "ghost light" left on at the theater all night is meant to dispel. For circulating libraries, particularly those with large theater collections.
-DCarol J. Binkowski, Bloomfield, NJ
Copyright 2000 Reed Business Information, Inc.

Most helpful customer reviews

19 of 21 people found the following review helpful.
Smart and touching memoir
By Michael Schau
During his reviewing days at The New York Times, Frank Rich's love of the theatre was evident and contagious. Now we learn why: How could he not love an institution that had given him so much solace, excitement and escape when he was growing up? His remembrance of his 1950s childhood and the theatre (mainly musicals) that paralleled that troubled boyhood is special. It has much in common with Moss Hart's "Act One," another autobiography that traces redemption and lifelong devotion to the theatre. Rich's book will resonate most with people who recall musicals that thrilled and with grown-ups who began life in "broken homes" before divorce was as ordinary as an Andrew Lloyd Weber score.

8 of 8 people found the following review helpful.
Thanks for the memories
By D. Clancy
Frank Rich's memoir "Ghost Light" is a painful reenactment of a lonely childhood. His parents divorced and he found solace in the wonderful world of the theatre. His stepfather shared his passion for this although he was abusive and difficult to live with. Personally, it was painful for me to read but I understood so much about my own childhood. Like Mr. Rich I found comfort in the wonderful world of cast albums, dreaming of seeing a Broadway show,keeping a vast collection of programs, etc. Mr. Rich proved to me that there were other kids like me and he had the guts to write about it. My one criticism of the book is that it tends to plod in places. Particularly in the beginning. He describes his bucolic childhood before his parents divorced with a little too much detail. Mr. Rich I salute you. Thanks for the memories

20 of 24 people found the following review helpful.
Ghost Light Shimmers!
By Eric Price
Fifty years ago, legendary playwright and director Moss Hart published an authobiography entitled Act One that instantly became a classic and held its place among the greatest theatrical memoirs ever written. This month, former New York Times Chief Drama Critic Frank Rich published his own story, full of passion, literacy, and wonder, that at once pays homage to Act One and transcends it. Rich has crafted the definitive stagestruck story, and there is no more significant book on growing up in the theatre. Rich's boyhood becomes a spellbinding play, a story that is joyous, crushing, funny, moving, and indelible. Anyone who cares for the American theatre, who has ever been shaken by the pulse of an orchestra begining an overture, who can find in himself even a glimmer of the passion bursting from Rich on every page, must read this book.

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Kamis, 20 Agustus 2015

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Paying for College without Going Broke, 2008 Edition (College Admissions Guides), by Princeton Review

As the cost of college steadily increases, paying for it requires insider strategies to maximize financial aid and minimize college costs. Paying for College Without Going Broke 2008 is thoroughly revised and updated to take the stress, confusion, and guess-work out of applying for financial aid.

The only book to include the latest financial aid forms and lists of annual changes in tax laws, it also shows students and their parents how to calculate their aid eligibility before applying to college and plan ahead to improve their chances of receiving aid. The book also includes advice on how to negotiate with financial aid offices, handle special circumstances (for single parents or independent students), and receive educational tax breaks. It is a must have for anyone concerned about the soaring costs of college tuition.

  • Sales Rank: #3944847 in Books
  • Published on: 2007-10-16
  • Released on: 2007-10-16
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.17" h x .88" w x 7.77" l,
  • Binding: Paperback
  • 352 pages

Most helpful customer reviews

2 of 2 people found the following review helpful.
Very helpful, needed to read sooner
By TennisFan
This book had great advice in it and it made the process of filling out financial aid paperwork a lot easier. It helps you understand how to set up your finances so you don't sabotage your childs chances of getting scholarhips, grants & financial aid. The only problem is I should have read this years earlier instead of when my son was in 11th grade. Even then, I was still able to find helpful information and apply it to our situation. Advice - read when your child is young and then read the updated version every couple of years to see what has changed with the laws surrounding aid, trusts, 529's, etc.

11 of 16 people found the following review helpful.
Princeton Review and Random House Both Goofed!
By User
Princeton Review and Random House both goofed with the 2008 edition: My copy of this book is missing pages, some are printed twice and some pages are out of sequence. The URL provided in this book for content updates and corrections by Princeton Review is bogus and returns a "page removed" error, not to mention that the overall maintenance of the Princeton Review website is very sloppy (...several dead links and much outdated content). For example, the Princeton Review bookstore website currently lists and sells only the 2004 edition of this book. With some 2008 college financial aid rules still in flux, Chany, Martz, Random House, and Princeton Review are letting buyers of the 2008 edition book down with poor quality control and by promising needed content updates online but providing a website link to nowhere instead.

0 of 1 people found the following review helpful.
Too cumbersome...
By Sno-Bum
Absolute drudgery reading for all the commoners out there.
It's like reading the tax code! Many other simple, common
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