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The Cold Six Thousand, by James Ellroy
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In this savagely audacious novel, James Ellroy plants a pipe bomb under the America in the 1960s, lights the fuse, and watches the shrapnel fly. On November 22, 1963 three men converge in Dallas. Their job: to clean up the JFK hit’s loose ends and inconvenient witnesses. They are Wayne Tedrow, Jr., a Las Vegas cop with family ties to the lunatic right; Ward J. Littell, a defrocked FBI man turned underworld mouthpiece; and Pete Bondurant, a dope-runner and hit-man who serves as the mob’s emissary to the anti-Castro underground.
It goes bad from there. For the next five years these night-riders run a whirlwind of plots and counter-plots: Howard Hughes’s takeover of Vegas, J. Edgar Hoover’s war against the civil rights movement, the heroin trade in Vietnam, and the murders of Martin Luther King, Jr. and Bobby Kennedy. Wilder than L. A. Confidential, more devastating than American Tabloid, The Cold Six Thousand establishes Ellroy as one of our most fearless novelists.
- Sales Rank: #310552 in Books
- Published on: 2002-06-11
- Released on: 2002-06-11
- Original language: English
- Number of items: 1
- Dimensions: 8.00" h x 1.22" w x 5.12" l,
- Binding: Paperback
- 688 pages
Amazon.com Review
With its hypnotic, staccato rhythms, and words jostling, bumping, marching forward with edgy intensity (like lemmings heading toward a cliff of their own devising), The Cold Six Thousand feels as if it's being narrated by a hopped-up Dr. Seuss who's hungrier for violence than for green eggs and ham. In spinning the threads of post-JFK-assassination cultural chaos, James Ellroy's whirlwind riff on the 1960s takes nothing for granted, except that absolute power corrupts absolutely.
Hurtling from Las Vegas to Vietnam to Cuba to Memphis and back again (and all points in between), from Dealey Plaza to opium fields to smoke-filled back rooms where the mob holds sway, the novel traces the strands of complicity, greed, and fear that connect three men to a legion of supporting characters: Ward Littell, a former Feeb whose current allegiance to the mob and to Howard Hughes can't mask his admiration for the Kennedy brothers and Martin Luther King; Pete Bondurant, a hit man and fervent anti-Communist who splits his time between Vegas casinos and CIA-sponsored heroin labs in Saigon; and Wayne Tedrow Jr., a young Vegas cop who's sent to Dallas in late November 1963 to snuff a black pimp, and who is fighting a losing battle against his predilection for violence: "Junior was a hider. Junior was a watcher. Junior lit flames. Junior torched. Junior lived in his head."
And behind these three, J. Edgar Hoover is the master puppeteer, pulling strings with visionary zeal and resolute pragmatism, the still point around whom the novel roils and tumbles. At once evil and comic, Hoover predicts that LBJ "will deplete his prestige on the home front and recoup it in Vietnam. History will judge him as a tall man with big ears who needed wretched people to love him," and feels that Cuba "appeals to hotheads and the morally impaired. It's the cuisine and the sex. Plantains and women who have intercourse with donkeys."
The Seussian comparison isn't that far-fetched: Ellroy's novel, like the children's books (and like the very decade it limns), is flexible, spontaneous, and unabashedly off-kilter. Weighing in at a hefty 700 pages, The Cold Six Thousand is a trifle bloated by the excesses of its narrative form. But what glorious excess it is, as Ellroy continues to illuminate the twin impulses toward idealism and corruption that frame American popular and political culture. He deftly puts unforgettable faces and voices to the murkiest of conspiracy theories, and simultaneously mocks our eager assumption that such knowledge will make a difference. --Kelly Flynn
From Publishers Weekly
Clipped, stylized, hard-nosed and repetitive, this novel cuts like a dark, 24-hour Beat poem and sounds like Jack Webb on crack. Ellroy's latest noir tale is full of his trademark violence, sex and rough language. Readers follow five years in the life of Las Vegas police officer Wayne Tedrow Jr., who begins the novel making a trip to Dallas to kill a pimp for $6,000. From there, Tedrow is inadvertently mixed up with practically every cultural and political event and figure of the 1960s: Vietnam, Cuba, the Kennedy assassinations, Oswald, Ruby, Sirhan Sirhan, James Earl Ray, Sonny Liston, mobster Carlos Marcellos, Martin Luther King Jr. and J. Edgar Hoover. Craig Wasson does an excellent job of translating the written page into a day-length rap of short phrases, peppering listeners with rapid cuts and jabs until they are exhausted yet exhilarated.
Copyright 2001 Cahners Business Information, Inc.
From Library Journal
Ellroy's latest novel looks at the dark side of American life during the 1960s, focusing on a Las Vegas police officer, Wayne Tedrow Jr., and his inadvertent role in the cover-up of John F. Kennedy's assassination. The narrative spans a five-year period and traces Tedrow's dealings with the Mafia, the Ku Klux Klan, and various political and cultural icons of that time period. Ellroy's fast-paced tale takes the reader on a breathtaking ride through the underbelly of America. It is readable yet complex in its character development and critical examination of U.S. public policy. Like most of Ellroy's works among them L.A. Confidential and The Crime Wave it is graphic in its description of violence and should be reserved for a mature audience. Recommended for public and academic libraries.
- Thomas Auger, Georgia Inst. of Technology, Atlanta
Copyright 2001 Reed Business Information, Inc.
Most helpful customer reviews
4 of 5 people found the following review helpful.
I get it. I got it ...
By Dave Goldberg
No commas. A world record. Just 47 commas in 672 pages. Not 700 pages. Some would have you believe that. Not so. 672 pages. The few commas could be colons. As in "Somebody yelled, 'limos!Somebody yelled, 'Him.' ''
No. Not that "Him.'' Howard Hughes, who thought of himself as more powerful than that "Him.''
But seriously.
I've been an Ellroy fan since "Black Dahlia, and the rest of the LA Noir series, which was actually written in prose, not stacatto. But after being originally turned off by his new style in "White Jazz,'' I've gotten used to it. And once you get by it, both this "novel'' and "American Tabloid'' become a brutal and (perhaps) fairly accurate portrayal of the late '50s and '60s. (At least Oliver Stone would think so.
The best of Ellroy's heroes have always been flawed. But this bunch outdoes them. I'm not sure how he generates sympathy for a corrupt ex-FBI man and mob lawyer or a stone anti-Castro killer, but he manages. My feeling: Compared to J. Edgar, the real-life figure around whom the book revolves, they're up front about who and what they are. Hoover never was.
Overall: worth reading if you can get through 672 pages with just 47 commas.
0 of 0 people found the following review helpful.
Assasinations of JFK,RFQ, MLK
By Alexander ULMANN
American Tabloid and the Cold Six thousand tell The real story behind the assassinations of JFK, RFK, MLK,Marilyn Monroe, Lee Harvey Oswald and the takeover of the Vegas Casinos by Howard Hughes.
7 of 9 people found the following review helpful.
The Cold Six Thousand
By David P Yah!
Ellroy's latest kick is taking a slice of history and twisting it to his satisfactions; the man has a brilliant imagination. In the Cold Six he blends the aftermath of the Bay of Pigs invasion, the JFK Assassination, the Civil Rights Movement, Vietnam and Howard Hughes takeover of Las Vegas.
What makes Ellroy's books so interesting are his characters. You may not like all of them but they leave enough of an impression that you will have strong opinions about them. Every one of his characters battle personal demons that dictate their actions. They are not static figures, changing throughout, you never get the feeling that you know exactly what side of the fence they are playing and even if you do, their actions can be very unsettling.
Once you get used to Ellroy's stacatto style, he uses as few words as possible, you should get caught up in a frenetic pace where it becomes very difficult to put the book down. In many ways similar to his last, "American Tabloid", "A Cold Six Thousand" still has enough new angles to keep the reader guessing where he is going next. I was very satisfied with Ellroy's latest effort and cannot wait for his next one.
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