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Autumn 1941: In a shabby hotel off the place Clichy, the course of the war is about to change. German tanks are rolling toward Moscow. Stalin has issued a decree: All partisan operatives are to strike behind enemy lines—from Kiev to Brittany. Set in the back streets of Paris and deep in occupied France, Red Gold moves with quiet menace as predators from the dark edge of war—arms dealers, lawyers, spies, and assassins—emerge from the shadows of the Parisian underworld. In their midst is Jean Casson, once a well-to-do film producer, now a target of the Gestapo living on a few francs a day. As the occupation tightens, Casson is drawn into an ill-fated mission: running guns to combat units of the French Communist Party. Reprisals are brutal. At last the real resistance has begun. Red Gold masterfully re-creates the shadow world of French resistance in the darkest days of World War II.
- Sales Rank: #96608 in Books
- Published on: 2002-01-08
- Released on: 2002-01-08
- Original language: English
- Number of items: 1
- Dimensions: 8.00" h x .70" w x 5.20" l, .52 pounds
- Binding: Paperback
- 256 pages
Amazon.com Review
If you enjoy mysteries set against the rich background of World War II Europe (Philip Kerr's Berlin Noir trilogy and the fine French series by J. Robert Janes are prime examples), you should also know about Alan Furst. He began by writing such excellent, original books as Dark Star and Night Soldiers, all set in Eastern Europe. The locale then moved to Paris for The World at Night, where we first met the enigmatic film producer and reluctant Resistance hero Jean Casson.
Casson returns in fascinating form in Red Gold, washing up broke and depressed in his home city, now totally ground down by its German occupiers. Recruited by a sympathetic cop, Casson joins a group of officers working undercover inside the Vichy government to help de Gaulle. Casson's job is to convince justifiably skeptical French communists to cooperate; to do so he must organize a complicated, extremely dangerous transfer of weapons. There's nothing glamorous about the work or its result, but Furst is such a persuasive writer that we come to realize what a success it is for Casson just to stay alive. This innovative and gripping novel eloquently transports us back to a different era and a different world. --Dick Adler
From Publishers Weekly
From the atmosphere established in his fifth novel's first sentence ("Casson woke in a room in a cheap hotel and smoked his last cigarette") to the knock on the door at the denouement, Furst again proves himself the master of his chosen terrain?behind the lines of Nazi occupation in France during WWII. His previous novel, The World at Night, opened in May 1940, with French film producer Jean Casson setting out to take newsreels of the defense of France's Maginot line and becoming swamped in the German invasion. It is now September 1941, and Casson, broke and hiding under a false name, is about to commit fully to the Resistance. As a man of indeterminate political affiliation, he's chosen to negotiate between the Resistance and the French Communists, who, with the German army on the verge of taking Moscow, have orders from Stalin to sabotage the Nazis in any way possible. The "red gold" SS looters try to steal in Russia is a metaphoric payment in blood, while in Paris informers are everywhere and collaboration is still rampant. Furst's textured plot?exhibiting shifting loyalties and betrayals; lone, often hopeless acts of heroism; and lovers bravely parting?makes for spellbinding drama. (In one scene, a clandestine radio operator broadcasts a few moments too long, and hears soldiers' boots racing up the stairs to get him.) Furst, who deserves the comparisons he's earned to Graham Greene and Eric Ambler, seems to be settling into a franchise here, rather than reaching for the fire he caught in his third novel, The Polish Officer. Casson's story unfolds convincingly, however, and as it continues here to April of 1942, promises a few more episodes to come from this author's tried and true brand of masterfully detailed espionage.
Copyright 1999 Reed Business Information, Inc.
From Library Journal
Veteran novelist Furst's second effort featuring former film producer Jean Casson is just as good as his first (The World at Night, LJ 5/15/96) and exerts the marvelous emotional pull of a world-weary postwar French film. The time is 1941; the place, occupied Paris. Reluctantly, Casson becomes involved in the French Resistance as an intermediary between feuding factions of partisans. An associate exclaims, "Well, Casson, you're in luck.... You may not have found patriotism, but it appears...to have found you." Communists and loyalists jockey for advantage against each other; no one trusts anyone. Casson is a wonderful character under pressure, outwardly cynical but intensely romantic at heart. An officer asks, "What's Casson like?" The response: "Intelligent, a good heart, some professional success, some failure." Comparison with Eric Ambler and Graham Greene is inevitable. A classy thriller, strong on mood and action; highly recommended.
-?David Keymer, California State Univ., Stanislaus
Copyright 1999 Reed Business Information, Inc.
Most helpful customer reviews
0 of 0 people found the following review helpful.
Does not fulfill the promise of the first 3 books
By Trap49
It's hard to give a mediocre review to an Alan Furst book; his first 3 books were 5+ stars, off-the-charts great reading. But somewhere along the line, he seems to have gotten a little fatigued. His 4th book was a shorter volume, told in a bit of a different style, and just didn't hold my attention as well as the first 3 books. Not to mention, I hated the ending of the 4th book. To my great surprise, the story of the 4th book continued in the 5th book: the same characters, picked up right where the 4th book ended. Why would Furst do this? It bears a very strong resemblance to the practice of many movie producers, who take a popular book and turn it into TWO movies, a Part 1 and Part 2, solely to maximize profits. While I have no idea if this is what Furst's intentions were, I do know that the 4th book was 324 pages and this book was a scant 272 pages. His first book, the fantastic Night Soldiers, was 516 pages of riveting reading. Couldn't he have combined books 4 and 5 for a single, epic 596 page volume? I wish he had.
One star deduction for this.
As for the writing itself, this book had the feel of a screenplay to me. Instead of sticking with the main character for an entire chapter, Furst decided to switch scenes abruptly many times within a chapter. And there frequently was no pause between scenes, no double space or line of asterisks, nothing. You finished one paragraph with one character in a specific place, and the next paragraph is describing a different character in a different place. I had to read halfway into the paragraph before I realized it was a different scene. This never happened in the first three books, and to be honest, I don't like this style. Also making it feel like a screenplay was the frequency of the main character "almost" getting caught by the Gestapo, the French Police, or a rival faction. It felt like I was watching a TV show and the character is in jeopardy, so we go to commercial. Then, after the commercial, it turns out that it was a false alarm, or he talks his way out of it, or escapes in some other way. Just too many of those scenes, placed at appropriate intervals. Another star deducted for this. Oh, and finally: I hated the ending of this book as much as the 4th book.
I hope that Furst went back to the style from the first 3 books after this, but I'll have to read book 6 and find out....
7 of 7 people found the following review helpful.
Jean Casson, part 2
By Frank J. Konopka
This work is a worthy sequel to "The World At NIght", and continues the story of Jean Casson, the French film producer, and now a, somewhat reluctant, member of the resistance movement in occupied France during World War II. The author has, once again, recreated the atmosphere of a country under the governance of another power, and the lives of the everyday people in reaction to that power, some submitting helplessly, some collaborating, and some, some few, taking steps to avenge themselves on the conqueror. There are the usual, for Furst, finely drawn characterizations, and the feeling of moral ambiguity constantly present in his writings. This book only takes Jean Casson to the latter part of 1942. I certainly hope the author continues his story, possibly until the end of the occupation: I like this man, and want to know how his story continues to go on as the years, dark and dangerous, pass for him and his associates.
0 of 0 people found the following review helpful.
I like his books - Furst has copious research and has ...
By Souzana D. Steverding
I like his books - Furst has copious research and has a good feel for the time
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