Minggu, 12 Oktober 2014

!! Download PDF The Selfish Giant, by Oscar Wilde, Fiona Waters, Fabian Negrin

Download PDF The Selfish Giant, by Oscar Wilde, Fiona Waters, Fabian Negrin

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The Selfish Giant, by Oscar Wilde, Fiona Waters, Fabian Negrin

The Selfish Giant, by Oscar Wilde, Fiona Waters, Fabian Negrin



The Selfish Giant, by Oscar Wilde, Fiona Waters, Fabian Negrin

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The Selfish Giant, by Oscar Wilde, Fiona Waters, Fabian Negrin

While the giant is away, the local children fill his garden with their games and laughter, spilling over the green grass and colorful flowers, perching in the peach trees, and singing with the birds. When the giant returns, he throws them out, declaring that the garden is his and only his to enjoy. Quickly, the garden withers and winter takes hold, only to be broken by the return of a solitary child longing to play in what used to be paradise. The child's sadness melts the giant's heart, and he realizes what a selfish giant he has been. He opens up his garden but must wait a lifetime to once again see the fragile boy who reminded him about generosity and love.

  • Sales Rank: #1475811 in Books
  • Published on: 2000-02-22
  • Released on: 2000-02-22
  • Original language: English
  • Number of items: 1
  • Dimensions: 12.25" h x 9.75" w x .25" l,
  • Binding: Hardcover
  • 32 pages

From Publishers Weekly
An inventive manipulation of perspective and subtle shifts in palette mark Negrin's (Dora's Box) haunting paintings for this smooth retelling of Wilde's Christian allegory. Otherworldly in its angularity, the art intensifies the mystical quality of the narrative. The eponymous giant builds a high wall to keep children from playing in his lush garden. A dark, seemingly endless winter settles in, until the children return through a small hole in the wall, bringing spring with them as they climb into the trees. Yet winter still reigns in one far corner of the garden; there the giant spies a small boy who can't reach the lowest branches of a tree. Contrite, the giant lifts the tiny child into the tree, which then "burst[s] into blossom." The giant destroys the wall and welcomes the children back into his garden, but this one boy does not return. At tale's end, many years later, the child reappears (with "two wounds on the palms of his hands and two in his little feet. They were the prints of nails") to repay the now elderly giant's kindness: "A long time ago you let me play in your garden. Now I have come to take you to my garden, which is called Paradise." Despite its loud redemptive note, children will probably need adult guidance in interpreting this classic story; fortunately, the handsome production welcomes young readers and the tale itself warrants the effort. Ages 5-8. (Feb.)
Copyright 2000 Reed Business Information, Inc.

From School Library Journal
Grade 1-3-A picture-book retelling of Wilde's classic fable about a giant who returns from an extended trip to discover children playing in his garden. Unhappy with his visitors, the miserly creature builds a high wall to exclude them. His garden then grows bleak and wintry; it is only when the youngsters sneak back in that springtime returns. Regretting his selfishness, he befriends the smallest child and then welcomes them all back inside. He knocks down the wall and, for years after, delights in their visits. Though he yearns to see his favorite little boy again, the child doesn't return. As the giant nears the end of his life, he finally sees the missed boy who rewards his friend's repentance with an invitation to Paradise. This retelling replaces the spare elegance of the original with descriptive text and prosaic language. While they add dimension to characters and detail to settings, the pacing slows as a result and the dialogue ambles. The large, mostly double-page illustrations are sinuous and surreal, and the palette ranges from pink and peach pastels to the somber grays of winter. Perspective is employed to excellent effect but composition is sometimes flat and static. Both the Victorian-style version illustrated by S. Saelig Gallagher (Putnam, 1995; o.p.) and Lisbeth Zwerger's ethereal edition (S & S, 1991) retain the original text to better effect. This is, at best, an additional purchase.
Carol Ann Wilson, Westfield Memorial Library, NJ
Copyright 2000 Reed Business Information, Inc.

From Kirkus Reviews
PLB 0-375-90319-4 Waters's retelling of this tale feels overly precious and disjointed, with the figure of the Christ child made curiously heavy by its artless inclusion. As those familiar with the story know, the giant is a big lout who returns to his paradisiacal garden after an extended absence to find it overrun with children having the time of their lives. He can't stand their noise, so he boots them out and builds a wall. Spring comes to the garden late that year, and only arrives in the company of the children, plus one special child. That child brings with him the warmth of the sun and the joys of the season, and for that the giant is grateful; he is woebegone when that child, of all the children, does not return to the groundsat least not until it is time for the giant to ascend into the child's garden, Paradise. Negrin's stylized paintings, with elaborate fabrics, elongated forms, and sculptured landscapes, are studied but arresting. They are unhampered by the stiff storytelling, which never makes clear the giant's change of heart: from walling the children out to missing their laughter. (Picture book. 6-11) -- Copyright ©2000, Kirkus Associates, LP. All rights reserved.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Music Doesn't Match
By daniel a bassano
The story is, of course, wonderful. However, the music fell short of wonderful. I was comparing it with Prokofiev's Peter and the Wolf, and it did nothing to enhance the story. For one thing, the musical interludes were way too long. The story and music were just not a great match.

9 of 9 people found the following review helpful.
A New Telling of The Selfish Giant
By Robin Friedman
In 1888, Oscar Wilde wrote a series of children's stories called "The Happy Prince and other Tales." Most of Wilde's (1854 -- 1900) famous plays, essays and other writings for adults would come later. Among the stories in the book is "The Selfish Giant." It became famous and has been adapted, I discovered, many times in different formats including opera, ballet, and separate illustrated editions. Unfortunately, I don't remember knowing the story as a child, and I never read it to my daughter when she was growing up.

I was delighted to discover Wilde's story belatedly when composer Dan Goeller and Noteworthy Books kindly offered me this new edition of "The Selfish Giant" for review. It was an unexpected treat as I got to know the story, Goeller's enchanting music, and Chris Beatrice's illustrations at the same time. From my knowledge of Wilde's later writings, I was surprised that he wrote this children's fable which speaks of the power of love in redeeming a selfish, self-centered life. The little story is about a giant who owns a beatiful garden in which the local children play while he is away. When the giant returns, he forbids the children to use his garden and builds a wall around it. Then, perpetual cold and winter reign over the garden as a result of the giant's meanness. Only when the children discover a crack in the wall and enter the garden to play does spring return. The giant's heart melts when he sees the children and he repents. On the far side of the garden, he helps a young boy to sit in the boughs of a tree and receives a kiss in gratitude. Over the years, the giant allows many children to play in the garden, but he misses the first young boy. Only many years later, when the giant is old and dying, does the mysterious boy return, bringing the tale to a religious close.

Wilde's story is beautiful, and it is enchanced by the 28-minute CD of Goeller's music which accompanies actor Marvin Jarvis' expressive reading of the story. The music, performed by members of the Nashville Symphony, is in the line of "Peter and the Wolf" in which musical motifs and instruments illustrate the themes of the story. The music is accessible to children. I found it endearing as Goeller captures the dancing innocence of the children, the lumbering, gruff nature of the giant, the twittering of the birds, the growth of the flowers, and the ice and chill of the winter and the giant's heart before his redemption. The music concludes with an imaginatively arranged orchestration of familiar nursery rhymes. In the book, Chris Beatrice's illustrations are clear and colorful in their portrayals of flowers, the playing children, the winter cold, and the fearsome giant and his change of character and redemption.

This book and CD proved to be a surprise and a lovely gift, even taking into account that it was sent to me for review. It is difficult to say with these matters, but Goeller's music could well become a children's classic. In any event, parents and small children will love this book in what is a highly competitive field. I intend to order this book for my daughter and my two young granddaughters who, alas, live far from me. I also plan on passing my review copy along to a friend who has recently become a grandmother. I was happy to become acquainted late in life with Wilde's story and this new retelling by Goeller, Beatrice, and Jarvis.

Robin Friedman

4 of 4 people found the following review helpful.
This magnificent, classic tale of the selfish Giant has once again come to life in this smashing reenactment!
By Deb
The Giant's garden was a magical place where the children could romp, play, hold hands and twirl around in the circular maze of its setting in front of the castle. The garden was a beautiful sight to behold and there were even things like "twelve peach-trees that in the spring-time broke out into delicate blossoms of pink and pearl, and in the autumn bore fruit." It was a wonderfully happy place for children to be, that is until the Giant decided to return home. His step was long, his jaw was set, and as soon as he saw the intruders in his garden he shouted, "What are you doing here?" Frightened, all the children ran away and to make certain they would not return he walled it in with brick and mortar and posted a sign: "TRESPASSERS WILL BE PROSECUTED."

The children were sad and only could remember their happy times in the Giant's magnificent garden. But alas, the garden itself began to change because the joyousness it once felt was gone and in its place was a very selfish Giant. The birds no longer sang in the branches of the trees and flowers refused to blossom. Snow and Frost were happy and set up home where there was once vibrant life. "Spring has forgotten this garden," they cried, "so we live here all the year round." The winds whipped around the castle turrets and the slate began to fall to the ground. Wintry beings came to play in the garden and the Giant wondered what could possibly be wrong.

One morning, the wondrous rays of spring peeked through the Giant's window and some music tickled his ears as he lay resting in bed. What could it be? Could spring have come back to his garden? He rose from his bed and peered through a window overlooking his garden. The Giant was pleased to see the children once again playing in his blooming garden. They were running through the soft grasses and climbing his trees. Doves flew between the blossoming peach tree branches and butterflies flitted among the flowers, but something was terribly wrong. A little boy stood beneath the branches of a lone tree still covered with snow, "wandering all round it, crying bitterly." Why was he so sad? Would the garden once again be the joyous place it had once been? What could the Giant do to help?

This magnificent, classic tale of the selfish Giant has once again come to life in this smashing reenactment. This is undoubtedly one of the best all around remolded fairy tales I've read in some time. The tale is still told in Oscar Wilde's words, but they are magnified and enhanced by not only the artwork, but also an orchestral accompaniment. When I first saw the illustrations and listened to some of the tracks on the CD it was simply awe inspiring. The narrator, Martin Jarvis, brings excitement to the tale in a Disneyish, Broadway manner only he can do. The dark, serious illustration of the Giant returning home to his castle immediately brought to mind the illustrations of N. C. Wyeth. Wilde's original tale, which can be read on many online sources, carries with it religious overtones. This is a sizzling, ~hot~, fairy tale that will undoubtedly become a classic unto itself!

NOTE: Please visit Feathered Quill Book Reviews and check out an interview with the author on the blog.

This book courtesy of Dan Goeller.

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