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The Crisis Reader: Stories, Poetry, and Essays from the N.A.A.C.P.'s Crisis Magazine (Modern Library Paperbacks), by Dr. Sondra Kathryn Wi
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After its start in 1910, The Crisis: A Record of the Darker Races magazine became the major outlet for works by African American writers and intellectuals. In 1920, Langston Hughes's poem "The Negro Speaks of Rivers" was published in The Crisis and W. E. B. Du Bois, the magazine's editor, wrote about the coming "renaissance of American Negro literature," beginning what is now known as the Harlem Renaissance.
The Crisis Reader is a collection of poems, short stories, plays, and essays from this great literary period and includes, in addition to four previously unpublished poems by James Weldon Johnson, work by Countee Cullen, Langston Hughes, Jessie Fauset, Charles Chesnutt, W. E. B. Du Bois, and Alain Locke.
- Sales Rank: #1449667 in Books
- Published on: 1999-01-26
- Released on: 1999-01-26
- Original language: English
- Number of items: 1
- Dimensions: 8.50" h x 1.00" w x 5.50" l, 1.27 pounds
- Binding: Paperback
- 464 pages
- ISBN13: 9780375752315
- Condition: New
- Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
Amazon.com Review
When the towering African American intellectual W.E.B. Du Bois helped found the National Association for the Advancement of Colored People in 1909, he also launched a magazine as a literary extension of the organization. The Crisis: A Record of the Darker Races was first published in 1910, articulating the social, political, and economic concerns of blacks on a national and international scale--and showcasing many Afro-American writers, playwrights, and intellectuals who later became household names. This collection--drawn mostly from material published in the 1920s--contains the race-examining fiction of Charles Chestnutt and Jessie Fauset; an early personal essay on racial relations from sociologist E. Franklin Frazier; Du Bois and philosopher Alain Locke's critique "The Younger Negro Movement"; and "The Work of a Mob," by activist Walter White, whose ability to pass for "white" enabled him to deliver chilling eyewitness accounts of lynching. As its editor, Sondra Kathryn Wilson, writes, "This rich collection ... written during some of the most egregiously racist times in American history, will be an affirmation that black American literature has long been the most sophisticated in the world." --Eugene Holley Jr.
Review
"The world does not know that a people is great until that people produces great
literature and art." --James Weldon Johnson
"Until The Crisis Reader, no broad collection of writings from one of America's most influential journals of opinion existed. Sondra Kathryn Wilson has remedied this amazing lacuna with her excellent edition. It will be an indispensable source from the moment of issue."
--David Levering Lewis, author of the Pulitzer Prize-winning biography W. E. B. Du Bois
"The Crisis Reader offers riches from the heyday of black America' s most significant journal. Here are all the now famous names and their now famous poems and articles, and others undeservedly unknown today. Any serious student of black literature and politics will want this volume, as will those many others who long for a look at yesterday, when black bards sang." --Julian Bond, chairman of the board, N.A.A.C.P.
From the Inside Flap
After its start in 1910, The Crisis: A Record of the Darker Races magazine became the major outlet for works by African American writers and intellectuals. In 1920, Langston Hughes's poem "The Negro Speaks of Rivers" was published in The Crisis and W. E. B. Du Bois, the magazine's editor, wrote about the coming "renaissance of American Negro literature," beginning what is now known as the Harlem Renaissance.
The Crisis Reader is a collection of poems, short stories, plays, and essays from this great literary period and includes, in addition to four previously unpublished poems by James Weldon Johnson, work by Countee Cullen, Langston Hughes, Jessie Fauset, Charles Chesnutt, W. E. B. Du Bois, and Alain Locke.
Most helpful customer reviews
9 of 10 people found the following review helpful.
Best Guide for Studying the Harlem Renaissance
By PermaStudent
Editor Sondra K. Wilson's collection of stories, poetry, and essays culled from the archives of W.E.B. DuBois/NAACP's Crisis Magazine are among the best and most influential in shaping the direction of the Harlem Renaissance and the Jazz Age. The poetry includes some of the most outspoken and radical members: Sterling Brown, Countee Cullen, Arna Bontemps (a close friend of Langston Hughes), Hughes, Fauset, McKay... The list goes on. The fiction is one of my favorite collections and I reread it often for pleasure even though I originally bought the book to supplement the reading material for a college course on the Harlem Renaissance. Of particular interest are the stories of Marita O. Bonner, Jessie Fauset, and Rudolph Fisher's "High Yaller".
The most important aspect of the book, however, is the literary, cultural, and social essays. W.E.B. DuBois's firebomb essay "Criteria of Negro Art" is a highlight as is James Weldon Johnson's essay "Negro Authors and White Publihsers" which gets to the heart of the relationship between many of the white patrons from downtown Manhattan and their black artist counterparts.
This guide is as much a Who's Who of the Harlem Renaissance as it is a cornerstone to Black Studies. It is difficult to find back issues of Crisis in local libraries outside of New York or college libraries and even when looking through archives, it was difficult to separate the influential articles over the everyday. Sondra Wilson deserves high praise for this outstanding collection.
0 of 0 people found the following review helpful.
A Must Read!
By Perhaps
Awesome and gives a since of time period. Should be required reading to understand the history African-Americans. We must know from whence we came
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