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Shutterbabe: Adventures in Love and War, by Deborah Copaken Kogan
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Fresh out of college and passionate about photography, Deborah Copaken Kogan moved to Paris in 1988 and began knocking on photo agency doors, begging to be given a photojournalism assignment. Within weeks she was on the back of a truck in Afghanistan, the only woman—and the only journalist—in a convoy of mujahideen, the rebel “freedom fighters” at the time. She had traveled there with a handsome but dangerously unpredictable Frenchman, and the interwoven stories of their relationship and the assignment set the pace for Shutterbabe’s six chapters, each covering a different corner of the globe, each linked to a man in Kogan’s life at the time.
From Zimbabwe to Romania, from Russia to Haiti, Kogan takes her readers on a heartbreaking yet surprisingly hilarious journey through a mine-strewn decade, seamlessly blending her personal battles—sexism, battery, life-threatening danger—with the historical ones—wars, revolution, unfathomable suffering—it was her job to record.
- Sales Rank: #457139 in Books
- Brand: Random House Trade Paperbacks
- Published on: 2002-01-08
- Released on: 2002-01-08
- Original language: English
- Number of items: 1
- Dimensions: 7.90" h x .70" w x 5.20" l, .59 pounds
- Binding: Paperback
- 336 pages
- Great product!
From Publishers Weekly
To pursue her dream to cover wars as a photojournalist, Kogan moved to Paris upon graduation from Harvard in 1988. Pretty and petite, with a sharp eye for good-looking, virile colleagues who, incidentally, could help her career, she embarked on a series of adventures that she breezily chronicles with a somewhat disingenuous na?vet?. Although her publisher compares her to Christiane Amanpour, readers may find more similarities with Candace Bushnell in these episodic vignettes describing both her far-flung assignments and intimate relationships with colleagues. She traveled with Pascal to Afghanistan and Pierre to Amsterdam; Julian helped her in Zimbabwe, but forbade further intimacies; Doru was with her in Romania. When she met Paul, her husband-to-be, Kogan's commitment to photojournalism waned: she blames her distaste on the wartime horrors she witnessed. Calling photojournalists vultures who feed on other people's misery, she conflates paparazzi with photojournalists, expressing disgust at their role in Princess Diana's fatal accident. Upon her return with Paul to the U.S., she began a new career as assistant producer for NBC's Dateline, which she eventually left to become a full-time mother. Kogan's swiftly paced story easily holds the reader's interest as she moves from her carefree days as an aspiring photojournalist to the responsibilities and dilemmas facing a working mother. First serial rights to Talk magazine in the February issue should boost interest in this sassy debut. First serial to Talk. Agent, Jennifer Rudolph Walsh at The Writers Shop. (Jan. 25)
Copyright 2000 Reed Business Information, Inc.
From Library Journal
Christiane Amanpour meets Melissa Banks! So says the publicist. Actually, Kogan is a top photojournalist who recounts her coverage of the world's hot spots while battling discrimination in the ranks.
Copyright 2000 Reed Business Information, Inc.
From Booklist
Hedonist, thrill-seeker, and collector of men are just a few of the words Kogan pastes on herself in this exhibitionist memoir of her stint in international photojournalism. Born in 1966, and of late married and mothering in Manhattan, Kogan exercised her freedoms when in her early twenties, boldly decamping for Paris to freelance her way into the employ of Gamma, Magnum, or Contact. Thereafter she was hit by shrapnel in Afghanistan, knifed in Switzerland, and beaten by a lover in Pakistan. She ducked gunfire in Moscow, slept with numerous men, and in general led a high-risk lifestyle. She holds nothing back about the awful things done to her, or about her attraction to the social danger zones inhabited by strippers, heroin mainliners, rhino poachers, and guerrillas. With attitude, energy, and edge, she also records the chauvinistic world of photojournalism as she experienced it. Her account will elicit reactions ranging from censoriousness to approbation. But it seems meant to attract attention, as Talk magazine's decision to serialize it attests. Gilbert Taylor
Copyright © American Library Association. All rights reserved
Most helpful customer reviews
5 of 11 people found the following review helpful.
Very Gutsy!
By A Customer
I throughly enjoyed this book! It is a great read about following dreams and self-discovery. "Thank You" to Deborah Copaken Kogan for taking a huge risk and sharing such an intimate portrait of your life with the world.
5 of 8 people found the following review helpful.
Shudderbabe
By A Customer
Hmmm.. I think I understand why some like or even love this memoir. It's certainly a window into the life of a chick photog covering scary wars - how often does one get to glimpse into that scene? Her beginning is so great - there's a war on and I'm bleeding. Refreshingly irreverent. But then she said she was homecoming queen. all those old biases surface. Reading the nitty gritty details of her lovers got to be a bit dull. I felt like a voyeur and I had no sympathy for her. I found myself asking why did she publish transcripts of her therapy sessions? What really got to me is how self-aggrandizing she is - she saw the poor Romanian orphans first, she was in Moscow at the coup, she almost went to Tianamen sq., etc. I guess that's what memoir writing is - me, me, me. I think if she waited another five years she could have written the first part of this differently, better. I felt sad reading about Gad and some others and the orphanage section is troubling and affected me. But what's her point? Life is dangerous, I could have died and people I know did die, so now i'm going to hibernate forever with my children. I remind myself that she was young at the time and in the beginning of the book she does come from a young person's point of view. think later. i just can't relate to that - protect yourself, i say. my favorite part - something about the 'padded walls of suburbia' - yes, life in Potomac didn't prepare her for the big bad world
4 of 7 people found the following review helpful.
A modern-day Annie Oakley trading gun for camera
By Katherine W. Cobbs
As a child I loved the story of a gun-slinging Annie Oakley simply because it was the tale of an adventurous female spirit who excelled at a sport little girls rarely took interest in if they were even allowed access to it in the first place. For me, Deborah Copaken Kogan was Annie Oakley all over again in that she proved herself adept not only at shooting a camera, but at doing it in what is typically a male-dominated field--photojournalism. While at first I found myself cringing at what I perceived as a never-ending aggrandisement of her sexual exploits, I came to realize how guilty I was of the double standard so prevalent in our society that allows men greater sexual freedom than women. By the end of the book, I felt like giving her a high-five for being so brutally honest about every aspect of her life at that time. One of my first jobs out of college years ago was as a copy girl or "twigger" at National Geographic which put me in the vicinity of many a world-class photographer, most of them men and many of them exactly as she describes. While her experience as a photojournalist was brief it was action-packed, and I think she captures beautifully her experience and presents it in a way that makes putting her book down (in either regard) quite difficult. When my two daughters are old enough, I'll put on Kogan's book on their shelf alongside many other classic tales about strong women.
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