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The Return of the Native (Modern Library Classics), by Thomas Hardy
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One of Thomas Hardy's most powerful works, The Return of the Native centers famously on Egdon Heath, the wild, haunted Wessex moor that D. H. Lawrence called "the real stuff of tragedy." The heath's changing face mirrors the fortunes of the farmers, inn-keepers, sons, mothers, and lovers who populate the novel. The "native" is Clym Yeobright, who comes home from a cosmopolitan life in Paris. He; his cousin Thomasin; her fiancé, Damon Wildeve; and the willful Eustacia Vye are the protagonists in a tale of doomed love, passion, alienation, and melancholy as Hardy brilliantly explores that theme so familiar throughout his fiction: the diabolical role of chance in determining the course of a life.
As Alexander Theroux asserts in his Introduction, Hardy was "committed to the deep expression of [nature's] ironic chaos and strange apathy, even hostility, toward man."
- Sales Rank: #378066 in Books
- Brand: Hardy, Thomas/ Theroux, Alexander (INT)
- Published on: 2001-02-13
- Released on: 2001-02-13
- Original language: English
- Number of items: 1
- Dimensions: 8.01" h x .94" w x 5.16" l, .70 pounds
- Binding: Paperback
- 448 pages
Review
"This is the quality Hardy shares with the great writers...this setting behind the small action the terrific action of unfathomed nature."
--D. H. Lawrence
From the Inside Flap
One of Thomas Hardy's most powerful works, The Return of the Native centers famously on Egdon Heath, the wild, haunted Wessex moor that D. H. Lawrence called "the real stuff of tragedy." The heath's changing face mirrors the fortunes of the farmers, inn-keepers, sons, mothers, and lovers who populate the novel. The "native" is Clym Yeobright, who comes home from a cosmopolitan life in Paris. He; his cousin Thomasin; her fiance, Damon Wildeve; and the willful Eustacia Vye are the protagonists in a tale of doomed love, passion, alienation, and melancholy as Hardy brilliantly explores that theme so familiar throughout his fiction: the diabolical role of chance in determining the course of a life.
As Alexander Theroux asserts in his Introduction, Hardy was "committed to the deep expression of [nature's] ironic chaos and strange apathy, even hostility, toward man."
From the Back Cover
"This is the quality Hardy shares with the great writers...this setting behind the small action the terrific action of unfathomed nature."
--D. H. Lawrence
Most helpful customer reviews
33 of 35 people found the following review helpful.
The narrative genius of Hardy
By A.J.
There are two and a half sets of lovers in Thomas Hardy's "The Return of the Native," which, if your math is correct and your idea of the number of lovers in a set concurs with mine, makes five people. Romance, deceit, misunderstanding, and misfortune affect their destinies, and those to whom the novel is cruelest come to tragic ends because they refuse to forgive themselves or others for mistakes.
The central tragic figure is Eustacia Vye, a young woman who has come to live on Egdon Heath with her cantankerous grandfather. Despising the dreariness of the heath and generally secluding herself from the local populace, she is somewhat of an outsider and not well liked by some in the community. She was in love with Damon Wildeve, a former engineer who now owns an inn and is not too happy about it; but their affair has since cooled and Wildeve has turned his attention to a girl named Thomasin Yeobright. Wildeve and Thomasin's wedding is aborted when the marriage license turns out to be invalid, and Thomasin, running home to her aunt in shame and anger, is caught on the rebound by Diggory Venn, her long-time admirer. A word about Venn's profession is in order: He is a "reddleman," who, not unlike the ice cream man in the summertime, rides around the heath in a van selling a strange product that shades its vendor most memorably.
Completing the quintet is Thomasin's cousin Clym Yeobright, an Egdon Heath native who is returning permanently after living for some time in Paris as a diamond merchant. Destiny eventually unites Clym and Eustacia in love, but Clym's mother does not approve of the union; she doesn't like Eustacia, and she fears their being married would prevent or discourage Clym from returning to his lucrative career in Paris. They get married anyway, as do Wildeve and Thomasin on a second try, leaving Venn as the fifth wheel but still not out of the running.
The catalyst for the tragedy of the novel involves an attempted reconciliation between Clym's mother and Eustacia, which results in the kind of ugly situation that could be cleared up by simple explanations and apologies but instead is exacerbated by normal circumstances. On top of this, Wildeve realizes he still loves Eustacia and is willing to help her in any course of action, no matter how lacking in judgment, that she thinks is an appropriate response to her plight.
This novel swells with Hardy's typical narrative genius, but no less impressive than the plot, the characters, the dialogue, and the prose, is the barren but hauntingly beautiful setting of Egdon Heath. Like the famous Casterbridge of his later novel, it is a world unto itself, defined by its own peculiar topography and populated by denizens who, with their own special jargon, customs, and folklore, act as a sort of Greek chorus towards the drama of the principal characters, commenting on events with humor and gravity. The heathmen and women don't much mind the hardships of life; they're the kind of people that will joyfully dance around their bonfires on the barrows even without musical accompaniment.
16 of 17 people found the following review helpful.
'A face on which time leaves little impression'
By A Customer
Egdon Heath is the wild and hostile environment in which Hardy's tale of love and loss takes place. The setting of the novel is inescapable and its influence so strong that the heath is almost a character in itself. The action of the novel focusses around three men and three women; Clym Yeobright, Diggory Venn and Damon Wildeve and Mrs Yeobright (Clym's mother), her niece Thomasin whom she has adopted and Eustacia Vye. The other charcters in the novel are the heath people who form a greek chorus to the novel and are occasionally used as instigators of the action. The main theme of the novel is doomed love and the way in which the characters are unable to escape their destiny. It is also interesting to note that the ending to the novel was not the one Hardy inteneded, he had intended to end it after the scene by Shadwater weir. However, his publishers demanded a more positive ending and one which I feel slightly undermines the power of the novel. Most editions have a footnote at the point where Hardy had intended to finish, allowing readers to choose which ever ending they prefer.
Hardy's characterisation is highly realistic in that the boundaries between 'good' and 'bad' characters are somewhat fluid. He also explores the idea of the 'fatal flaw' and how people inevitably destroy themselves and those they hold most dear. If you're looking for a 'feel-good' novel this is not the one to go for but if you enjoy enjoy novels like Wuthering Heights and Tess of the Durbervilles then place your order now...
26 of 30 people found the following review helpful.
Read it again!
By L. Dann
I didn't pay attention to much in high school but this book, and the tools by which to grasp it, has stayed with me through a lifetime. The heath and the people who were more of it than of the world, has remained vivid and powerfully romantic to keep me coming back to Hardy and other English authors of the 19th and early 20th centuries. The result has been part of the greatest joys in a life of reading.
Eustacia Vye is a magnificent heroine, and her power, ardor and ultimate destiny as perhaps in excess of the more common neighbors is intense and pagan and unforgettable. The heath is a pre-christian place, remote not only from civilization but from all that is ordinary. In a small country, with massive social rules, the heath is alive and in posession of a soul. They keep the ancient traditions of festivals and bonfires, the people even speak their own language. The book has enhanced battles with the elements that seem to be offended and punishing ill-fated love. No one who reads this book will forget the red man, seeming to be a favorite of those pagan gods.
This is a romance that is eternal. Read it again, or read it with an inner openness and it will repay your time and soul.
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