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"If 2001 has stirred your emotions, your subconscious, your mythological yearnings, then it has succeeded."--Stanley Kubrick
Stanley Kubrick's extraordinary movie 2001: A Space Odyssey was released in 1969. The critics initially disliked it, but the public loved it. And eventually, the film took its rightful place as one of the most innovative, brilliant, and pivotal works of modern cinema. The Making of 2001: A Space Odyssey consists of testimony from Kubrick's collaborators and commentary from critics and historians. This is the most complete book on the film to date--from Stanley Kubrick's first meeting with screenwriter Arthur C. Clarke to Kubrick's exhaustive research to the actual shooting and release of the movie.
- Sales Rank: #250671 in Books
- Published on: 2000-03-07
- Released on: 2000-03-07
- Original language: English
- Number of items: 1
- Dimensions: 8.50" h x .75" w x 5.50" l, .98 pounds
- Binding: Paperback
- 352 pages
From the Inside Flap
"If 2001 has stirred your emotions, your subconscious, your mythological yearnings, then it has succeeded."--Stanley Kubrick
Stanley Kubrick's extraordinary movie 2001: A Space Odyssey was released in 1969. The critics initially disliked it, but the public loved it. And eventually, the film took its rightful place as one of the most innovative, brilliant, and pivotal works of modern cinema. The Making of 2001: A Space Odyssey consists of testimony from Kubrick's collaborators and commentary from critics and historians. This is the most complete book on the film to date--from Stanley Kubrick's first meeting with screenwriter Arthur C. Clarke to Kubrick's exhaustive research to the actual shooting and release of the movie.
About the Author
Stanley Kubrick (1928-1999) was born in the Bronx but lived and worked for most of his life in England. He made fifteen films including Lolita, A Clockwork Orange, Barry Lyndon and Full Metal Jacket.
Editor Stephanie Schwam has produced many documentary films and most recently worked with Peter Jennings on The Century Project.
Excerpt. © Reprinted by permission. All rights reserved.
SK
Jay Cocks
MGM is turning to real-estate parcels all around us, and that night I am facing Stanley Kubrick across the hood of a rented car in Culver City, and he is smiling at me, a little anxiously and still very proudly, and he is saying, "Yes, but did you like it?"
He means 2001. We have just seen it for the first time, he and I and perhaps a dozen others, in the cavernous studio screening room. Stanley's wife, Christiane, is with us. His attorney; the president of Cinerama; the film's editor, Ray Lovejoy, and a few others are also at the screening, but I am the only pair of fresh, disinterested eyes there. I am also, by at least two decades, the youngest member of the audience, an unelected representative of a generation that will eventually rescue this great film from critical infamy and claim it for its own. I am twenty-three years old, very lucky to be here, knowing it, sensing I have just seen something seismic whose full measure I can't take, reaching for something to say that will encompass all this, as well as my startled excitement at the wit and majesty of the movie. I am also trying to say something deeper and more memorable than "Wow"
I start to talk to Stanley and Christiane about the early days of silents, when movies were shown on rooftops, and audiences, watching a train on the screen come straight at them, ducked and screamed at the newness of the experience and, without knowing it, at intimations of the future. The experience of 2001 was, for me, just like that.
"Yeah," said Stanley, still smiling at my excitement, "but did you really like it?"
I told him it was one of the greatest things I'd ever seen, and he laughed, and we all drove to dinner.
Most helpful customer reviews
51 of 52 people found the following review helpful.
Not Bad - But Look For Better "Making of '2001' Books
By Edward B. Driscoll, Jr.
This isn't a bad book about the making of "2001: A Space Odyssey", one of the great films of the 20th century. But there are a couple of better books to look for on this subject.
The first is Jerome Agel's original, "The Making of Kubrick's 2001", released in the late 60s, soon after from the film. The other is Piers Bizony's "2001: Filming The Future", released in 1995. Brozney's book is more conventional, Agel's is a very "McLuhan-esque" collage of reviews, interviews, and dozens of photographs.
Stephanie Schwam has edited together articles and excerpts from both books for her "Making of" book. Dedicated Kubrick-ologists may find an interview or two with The Master that they haven't read before, but the Agel and Bizony's books both do a much more thorough job of telling the story of how this great film was made, and unlike Schwam's book include stills and production photos.
11 of 11 people found the following review helpful.
Interesting Read but Inaccurately Titled
By P. B. Fey
If you're looking for a diary detailing the day-to-day, year-to-year production of Stanley Kubrick's magnificent film, this is not quite it. Which is not to say that this book is not a fascinating read. It is a compilation of articles, reviews, and commentaries that touch on the genesis of the project and its groundbreaking special effects, while devoting a few too many pages to the initial reviews. After four or five of these, it's clear that most film reviewers don't have a clue. The sections done by those directly involved with the film (Lightman, Trumbull, et al) are the most compelling; they often provide a better insight into Mr. Kubrick's approach than the lengthy and rambling Playboy interview that concludes the book. Excellent intro by Jay Cocks--would've liked more about his time spent with Kubrick. If this book seems occasionally disappointing, it's only because there are so many interesting anecdotes and observations.
9 of 9 people found the following review helpful.
A Great Glimpse into the Past
By Bruce Aguilar
This small 300 page book offers an intriguing glimpse into the past in which 2001 was made. The title is a bit misleading as the focus here isn't on the actual production of the film and the nature of it's construct, but an examination of the period which developed it. It's quite facinating and offers intriguing new tidbits of information. The book presents the original Arthur C. Clarke short stroy on which the film is based, The Sentinal, in it's entirety giving insight as to how much had to be extrapolated from it to make a feature. Other highlights are; a production calander wich details not only script writings and screenings, but significant scientific developments as well (such as the first space walk, the launching of probes), essays on the building of the various ships, a discussion of the special effects, testimonies from various scientists, consultants, art directors and more on their experiences with the film, the full original press release, multiple reviews from 1968-69, and interviews with Arthur C. Clarke and Stanley Kubrick himself. What more could you ask for? It's breathtaking! I'm confounded by some the the harsher reviews. So much is presented, all in one book, that this is easily the most complete collection of information on 2001 : A Space Odyssey I've ever come across.
The book succeeds in giving the reader a sense of time and placement in history for 2001 as well as revealing some of the production secrets and offering some film analyzation. The film reviews alone were incredible in their revelation of reactions to the film. If you want to more about the actual process of the 2001 production, Filming The Future by Piers Bizony is a better choice. Get this book for a clear understanding of where 2001 came from, how it came to be and what effect it had. If you come to it with this in mind, I'm sure any film fan, and certainly any 2001 fan, will be blown away by the amount of information and insight presented. Don't pass this up!
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