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Eleventh Month, Eleventh Day, Eleventh Hour: Armistice Day, 1918 World War I and Its Violent Climax, by Joseph E. Persico

Eleventh Month, Eleventh Day, Eleventh Hour: Armistice Day, 1918 World War I and Its Violent Climax, by Joseph E. Persico



Eleventh Month, Eleventh Day, Eleventh Hour: Armistice Day, 1918 World War I and Its Violent Climax, by Joseph E. Persico

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Eleventh Month, Eleventh Day, Eleventh Hour: Armistice Day, 1918 World War I and Its Violent Climax, by Joseph E. Persico

November 11, 1918. The final hours pulsate with tension as every man in the trenches hopes to escape the melancholy distinction of being the last to die in World War I. The Allied generals knew the fighting would end precisely at 11:00 A.M, yet in the final hours they flung men against an already beaten Germany. The result? Eleven thousand casualties suffered–more than during the D-Day invasion of Normandy. Why? Allied commanders wanted to punish the enemy to the very last moment and career officers saw a fast-fading chance for glory and promotion.

Joseph E. Persico puts the reader in the trenches with the forgotten and the famous–among the latter, Corporal Adolf Hitler, Captain Harry Truman, and Colonels Douglas MacArthur and George Patton. Mainly, he follows ordinary soldiers’ lives, illuminating their fate as the end approaches. Persico sets the last day of the war in historic context with a gripping reprise of all that led up to it, from the 1914 assassination of the Austrian archduke, Franz Ferdinand, which ignited the war, to the raw racism black doughboys endured except when ordered to advance and die in the war’s last hour. Persico recounts the war’s bloody climax in a cinematic style that evokes All Quiet on the Western Front, Grand Illusion, and Paths of Glory.

The pointless fighting on the last day of the war is the perfect metaphor for the four years that preceded it, years of senseless slaughter for hollow purposes. This book is sure to become the definitive history of the end of a conflict Winston Churchill called “the hardest, cruelest, and least-rewarded of all the wars that have been fought.”



From the Hardcover edition.

  • Sales Rank: #1062251 in Books
  • Published on: 2005-10-12
  • Released on: 2005-10-11
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.30" h x 1.10" w x 6.10" l, 1.55 pounds
  • Binding: Paperback
  • 458 pages

From Publishers Weekly
A tight focus—the activities of the British and American troops on the final morning of WWI—has yielded a somewhat sprawling study for Persico, who coauthored Colin Powell's My American Journey and whose Roosevelt's Secret War made the cover of several book reviews. Some soldiers laid down their arms and waited quietly for 11 a.m.; others suffered heavy casualties (a total of about 10,000) because aggressive commanders (including General Pershing) insisted on launching assaults right up to the last minute. Incidents of the final morning are sandwiched between an episodic overview of the Anglo-American experience on the Western Front (to the detriment of other nations and theaters of war) and capsule biographies of prominent and ground-level players in the war. The narratives of battles are something of a mixed bag, but more than commonly readable for the lay reader. Although not satisfyingly organized, the book is a good introduction to what it covers for new students of WWI.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
For readers who may be new to the chronology and character of World War I, popular historian Persico (Nuremburg: Infamy on Trial, 1994) illustrates the struggle by treating its last day as typifying the war. About 2,700 Allied and German soldiers died in combat on November 11, 1918, about the average daily toll for the war. The difference is that many perished under officers knowledgeable of the imminent armistice. Why? That is the fundamental question Persico's story poses. Although there are explanations (French Marshal Foch and American General Pershing opposed terminating the war and let their existing offensives continue), Persico contrasts them with the actual results. Implicitly, he is instilling the dominant historical conception of WWI as mindless wastage as he sutures personal memoirs into a two-level narrative. One level tracks the last-minute attacks of that last day, and another traces the trench experiences of several soldiers through the length of the war. The latter technique permits Persico to chronicle the war's principal campaigns via the experiences of generals and down the organizational chain to corporals and privates. Effectively marshaling his source material, Persico powerfully reconstructs Armistice Day as an emblem of the war. Gilbert Taylor
Copyright © American Library Association. All rights reserved

Review
Praise for Eleventh Month, Eleventh Day, Eleventh Hour

“The days preceding November 11, 1918, featured a deadly minuet involving exhausted armies conditioned to fight, yet desperate to avoid still more futile bloodshed. Joe Persico recreates this twilight struggle with heartbreaking intimacy. His pointillist portrait is at once harrowing and heroic. Written with a narrative elegance and factual command reminiscent of David McCullough or William Manchester, this is much more than a poignant account of the road to armistice. It is the single finest work I have read on the Great War.”
–RICHARD NORTON SMITH, executive director, Abraham Lincoln Presidential Library and Museum

“Once again Joe Persico has brought us an unforgettable moment in history. At a time when our own world is changing, Americans are increasingly understanding how we are still affected by World War I, and Persico takes us into the experience of how that war ended–the violence, sacrifice, frustration, and hope.”
–MICHAEL BESCHLOSS

“Joe Persico has done the impossible–he has written an original book on World War I. By starting with the last day, he has found a way to see the nightmare as a separate world, something that became for all the participants a totally consuming passion.”
–THOMAS FLEMING, author of The Illusion of Victory: America in World War I

“A compelling account of the dramatic final moments of World War I that not only captures the tragedy that marked the final hours of the Great War but brings to life the remarkable stories of its participants. This is a splendid book by a born storyteller and a superb historian.”
–CARLO D’ESTE, author of Eisenhower: A Soldier’s Life and Patton: A Genius for War


From the Hardcover edition.

Most helpful customer reviews

27 of 29 people found the following review helpful.
Uneven, but Required Reading for WWI
By David M. Dougherty
The author's point concerning the sheer stupidity and callousness of Pershing and other allied commanders in continuing to attack German positions AFTER THE ARMISTICE HAD BEEN SIGNED is earthshaking and almost incomprehensible to today's reader. Yet there it is; probably 6,500 additional American, Canadian, French and British soldiers gave their lives in the six hours between 5:00 AM when the armistice was signed and 11:00 AM when the cease fire took effect. And this was not because of German perfidy or perverseness -- it was due to our own commanders continuing to send troops over the top to attack German trenches.

The French and British can be almost forgiven for ordering Americans to die up to the last moment; they looked upon the US troops as Johnny-come-latelys who were going to grab the spoils without paying their butcher's bill. But nothing can excuse Pershing, Bullard, and other American commanders for ordering their troops to attack and die. It is impossible to read Persico's treatise without experiencing mounting anger, but this last date, at whom or what?

I will be eternally grateful to author Persico for making this imformation public -- like probably most others I had accepted official reports of casualties (woefully understated for 11/11 in a cover-up) and did not realize the abject criminality of those involved. There were many rationalizations, and Persico offers them all, but to little effect. For this I would give the author 5 stars.

Unfortunately, the author flits back and forth from the morning of November 11th, 1918, to other days in the war starting with its beginning. Most of the coverage is through ancedotes from letters and works by participants, but the overall effect detracts from the book's main theme and makes for confusing reading. On this basis the book becomes a personalized narrative, rating only three stars. With respect to learning about the war in a wider context, the book is simply unsuitable.

The concluding chapters feature probably the author's best work. His provocative questions and thoughts concerning the armistice of 1918 as leading to World War Two are worth reading. Some of it is light, such as overlooking that the British continued their blockade of Germany until the Versailles Treaty was signed (in a very large sense, continuing the war after the armistice), and the proffered idea that the war needed to be fought through to Germany's total defeat to eliminate any chance of resurgent militarism. It needs to be remembered in this context that no European War had been fought at that time since the Romans to the complete and unconditional surrender of a nation. Prior to WWI, wars were fought to acquire land, resources, hegemony, or to place a particular ruler on a throne, and negotiated treaties had been the norm.

Another item treated lightly was that had Wilson not brought the US into the war through propaganda and pretense, the parties most probably would have had to negotiate a peace after fighting to exhaustion on both sides. Clearly this point was reached in 1918, and it was only the American intervention that brought about the German collapse. One is tempted to believe that Hitler would not have come to power and World War Two would not have occurred had the US stayed out of WWI. Unfortunately, Persico does not expound on this thesis.

There were a few minor problems such as saying the Germans said, "Der Krieg ist ueber." That's a literal translation for "The war is over", but a German would have said, "Der Krieg ist vorbei" or something more idiomatic. Overall, however, the prose is excellent and well-edited and the author's writing style is crisp and engaging.

In conclusion, author Persico makes many valid points and has produced an important work that adds to the World War One literature. At this late date, that is an achievement in itself. I recommend purchasing this book.

15 of 16 people found the following review helpful.
A Captivating Book, Well Worth Reading
By Aussie Reader
"11th Month, 11th Day, 11th Hour" by Joseph Persico is an interesting and captivating book covering not only the final moments of the Great War but also offering a general history of the war from its beginning in 1914. The author follows a number of characters, great and small, throughout the narrative. We follow the paths and final fate of a number of soldiers from America, Britain, France, and Germany. We also get glimpses of those who control their destiny, Foch, Haig, Hindenburg and Pershing.

The story is well told and you'll find yourself following the lives of these men and women intensely, mostly with the knowledge of what is to come but still drawn into the final agonising moments before the end. The book can jump about a little, from 1914 to 1918, as mentioned by previous reviewers, however I did not find that this detracted from the story and felt it worked well enough.

The book has received a few negative reviews in my country (Australia), mainly for the fact that the author tends to miss the other allies (Australia & New Zealand) who were fighting along side the Americans. The Australian Imperial Force (AIF) served from 1915 to 1918 on the Western Front and as a whole suffered a casualty rate of 65%, the highest of any Allied army in WW1. However I can see that this book has been written mainly for an American audience and I think it has done well.

The author's intent, to show the terribly tragedy of that final day, the waste of soldiers lives by Generals in an attempt to comply with criminal inept and stupid orders from higher up comes through strongly. Regardless of which nation those soldiers served, it's a well-told story and one that needed to be told.

I have read a quite a number of books on the Great War but this is one of the first to bring home the futility of some of the actions carried out by supposedly intelligent leaders & commanders. I hope that we never forget the sacrifice made by all the combatants, willing or not, in this most terrible War.

8 of 8 people found the following review helpful.
"In Flanders fields..."
By Frank J. Konopka
Everyone seems to know the exact time and date of the end of the Great War, but very few realize that the Allies were fighting right up until the last minute. This book examines the stupidity that condemned more than 6500 men to death, and thousands more to permanent injury, after it had been determined that the war was going to end at a certain time. There really was no good excuse for action up to the last minute, as this book very ably shows, but that's what happened, and it's a story that doesn't always get told. I do agree with the conclusion of the author: the only consequence of the Great War was that it led directly to World War II. Read this book, and you will once again be astounded by the utter stupidity of the way-behind-the -front -lines generals and their staffs.

See all 53 customer reviews...

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@ Download PDF Shadow Divers: The True Adventure of Two Americans Who Risked Everything to Solve One of the Last Mysteries of World War II, by Robert Kur

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Shadow Divers: The True Adventure of Two Americans Who Risked Everything to Solve One of the Last Mysteries of World War II, by Robert Kur



Shadow Divers: The True Adventure of Two Americans Who Risked Everything to Solve One of the Last Mysteries of World War II, by Robert Kur

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Shadow Divers: The True Adventure of Two Americans Who Risked Everything to Solve One of the Last Mysteries of World War II, by Robert Kur

In the tradition of Jon Krakauer’s Into Thin Air and Sebastian Junger’s The Perfect Storm comes a true tale of riveting adventure in which two weekend scuba divers risk everything to solve a great historical mystery–and make history themselves.

For John Chatterton and Richie Kohler, deep wreck diving was more than a sport. Testing themselves against treacherous currents, braving depths that induced hallucinatory effects, navigating through wreckage as perilous as a minefield, they pushed themselves to their limits and beyond, brushing against death more than once in the rusting hulks of sunken ships.
But in the fall of 1991, not even these courageous divers were prepared for what they found 230 feet below the surface, in the frigid Atlantic waters sixty miles off the coast of New Jersey: a World War II German U-boat, its ruined interior a macabre wasteland of twisted metal, tangled wires, and human bones–all buried under decades of accumulated sediment.
No identifying marks were visible on the submarine or the few artifacts brought to the surface. No historian, expert, or government had a clue as to which U-boat the men had found. In fact, the official records all agreed that there simply could not be a sunken U-boat and crew at that location.

Over the next six years, an elite team of divers embarked on a quest to solve the mystery. Some of them would not live to see its end. Chatterton and Kohler, at first bitter rivals, would be drawn into a friendship that deepened to an almost mystical sense of brotherhood with each other and with the drowned U-boat sailors–former enemies of their country. As the men’s marriages frayed under the pressure of a shared obsession, their dives grew more daring, and each realized that he was hunting more than the identities of a lost U-boat and its nameless crew.

Author Robert Kurson’s account of this quest is at once thrilling and emotionally complex, and it is written with a vivid sense of what divers actually experience when they meet the dangers of the ocean’s underworld. The story of Shadow Divers often seems too amazing to be true, but it all happened, two hundred thirty feet down, in the deep blue sea.

  • Sales Rank: #17858 in Books
  • Brand: Random House Trade Paperbacks
  • Published on: 2005-05-24
  • Released on: 2005-05-24
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x .90" w x 5.30" l, .70 pounds
  • Binding: Paperback
  • 416 pages
Features
  • Great product!

From Publishers Weekly
Kurson's chronicle of an extraordinary deep-sea discovery makes for a captivating audio experience. In 1991, divers John Chatterton and Rich Kohler came across the buried remains of a German submarine just off the coast of New Jersey. Unable to identify the ship and mystified as to its origins, the two men became obsessed with learning where the U-boat came from and what brought it to the bottom of the sea. Although the story's set-up, which comprises most of the first disc, drags, the pace picks up when the partners begin traveling the world, digging up clues. Reader Scott uses character voices but keeps them subdued, even when dealing with the salty language of the seamen. This is a wise move, since there's plenty of drama inherent in the text; lengthy and detailed passages describing deep-water dives, and the horrible things that can go wrong with them, evoke mental pictures that are atmospheric and downright claustrophobic at times. A segment featuring interviews with Chatterton and Kohler rounds out this satisfying audio edition.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From The New Yorker
Deep-wreck divers are used to operating with almost no headroom and in zero visibility, navigating by touch alone; it is a compliment to be told "When you die, no one will ever find your body." Despite the dangers, wreck divers are typically weekend warriors, men who leave families and jobs behind to test themselves at two hundred feet down. Kurson's exciting account centers on two divers, John Chatterton and Robert Kohler, who in 1991 found an unidentified U-boat embedded in the ocean floor off the coast of New Jersey. The task of identifying it leads them to Germany, Washington, D.C., and the darkest corners of the submarine itself. Some of the most haunting moments occur on land, as when the divers research the lives of the doomed German sailors whose bones they swim among. Once underwater, Kurson's adrenalized prose sweeps you along in a tale of average-guy adventure.
Copyright © 2005 The New Yorker

From Bookmarks Magazine
The “U-Who” and German soldiers’ stories “have settled,” Kurson writes, at the bottom of the sea, “where one uncovers the freeze-frames of final human experience.” Critics compare Shadow Divers, a danger-filled adventure story that blends action, mystery, science, and military history, to Jon Krakauer’s Into Thin Air and Sebastian Unger’s Perfect Storm. Like these true-adventure authors, Kurson, contributing editor to Esquire, definitely knows how to tell a story (some parts were previously covered in a PBS “Nova” segment). In vivid prose, he writes,+“It is one thing … to slither in near-total darkness through a shipwreck’s twisted, broken mazes, each room a potential trap of swirling silt and collapsing structure. It is another to do so without knowing that someone did it before you and lived.”Chatterton and Kohler both lived, though others died along the way. Kurson brings all the players back to life, recounting their perilous dives, jealousies, and life-threatening dangers with heart-stopping detail. The best parts recreate the lives of the German sailors aboard the “U-Who.” Despite the book’s riveting topic, a few critics complain that Chatterton and Kohler, whom Kurson made into business partners, hyped up their stories. But the most serious issue involves questions about the divers’ ethics and motives, which Kurson doesn’t address. These flaws, however, barely undermine a remarkable story about two men who risked their lives to uncover a lost piece of World War II history.

Copyright © 2004 Phillips & Nelson Media, Inc.

Most helpful customer reviews

57 of 57 people found the following review helpful.
Breakout work by a gifted Storyteller
By Michael D. Trimble
This retelling of true events is as good and as close as you can get to the excitement of made up fiction. Admittedly the author, Robert Kurson, had good material with which to work, but a writer of lesser talent could have easily botched this little gem of an opportunity. As it is, Kurson's ability to grab the reader and maintain his/her full attention throughout a story that spans more than six years, is a testament to his writing prowess.

Kurson puts us in the center of the action as we learn about the discovery of a mysterious submarine shipwreck--not one of ours--just 60 miles east of Pt. Pleasant, NJ. In nautical terms this is literally in our backyard. Resting on the bottom of the ocean at 233 feet, it is a depth that is tantalizingly close, yet dangerously deep and accessible to all but a few of the most experienced deep diving specialists.

Central to the story are the truly larger than life main characters: hard drinking rough hewn John Nagle, Captain of the dive-boat and world renowned wreck diving legend; two peas in opposing pods, John Chatterton and Richie Kohler, wreck diving enthusiasts who idolize Nagle and only hope to share in some of the excitement that he has experienced in the past; and a rather odd assortment of other players who come and go at different times. Along the way we witness relationships destroyed, marriages ruined, jobs forfeited, sanity questioned, and even lives tragically lost, all in the single minded pursuit to solve a seemingly unsolvable puzzle.

Kurson pulls it all together nicely, and without revealing the end, I will just say that this book is a richly rewarding experience for the reader. Good books like this leave me wanting to know so much more about the characters, sort of "where are they now?" Fortunately, the adventures experienced by these fascinating men don't end with the telling of this story; John Chatterton, and to a lesser extent Richie Kohler, can be seen quite regularly on the History Channel as the hosts of the Deep Sea Detectives docudrama television series.

2 of 2 people found the following review helpful.
I liked the way author Kurson explained in easy-to-understand language the ...
By Amazon Customer
I typically do not read non-fiction, but was fascinated by this story. I liked the way author Kurson explained in easy-to-understand language the concept/dangers of deep sea diving, particularly for those of us who don't have (and never will) experience doing it. That helped give some context to the risks taken by the main subjects of the book. I wanted to read this book because the great uncle of my niece's husband was one of the unfortunate casualties of the sunken U-boat. To that end, my niece's husband's grandfather was interviewed for and mentioned in the book several times. I had the opportunity to meet the author and his wife at my niece's wedding, and Mr. Kurson was kind enough to sign my copy. After reading this book, I also read Mr. Kurson's book called "Pirate Hunters", which is about one of these same gentlemen diving to find a pirate ship. It was also a good read.

1 of 1 people found the following review helpful.
Heard some of this on Chapter A Day (NPR/WPR) and had to buy it
By J. Bake
Most of the way through this book. Very interesting story so far, great look into the diving community. Author tries really hard to glorify the people and smooth over details in their lives. Gives some of them more credit than they probably deserve (life choices, personalities, etc.) since of course the author wants you to like these individuals. Otherwise it's an accurate account of history and really carries along.

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^ Ebook Free Macaroni & Cheese: 52 Recipes from Simple to Sublime, by Joan Schwartz

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Macaroni & Cheese: 52 Recipes from Simple to Sublime, by Joan Schwartz

Simple and perfect, macaroni and cheese is the ultimate comfort food, a classic dish that's reassuring and familiar, yet, with the addition of a bit of truffle oil or salsa, it kicks into high gear with an unexpected burst of flavor. Now, for the first time in one collection, dozens of well-known chefs, including Bobby Flay, Rocco DiSpirito, Charlie Palmer, David Burke, Matthew Kenney, Katy Sparks, and Rick Bayless, share favorite recipes, from both their childhood memories and their award-winning restaurants. Here are recipes for Macaroni with Wisconsin Asi-ago, Baked Four-Cheese Pasta, Penne with Roquefort, Macaroni and Cheese Croquettes, Green Chile Mac and Cheese, and Chunks of Lobster Swimming in Cheesy Macaroni. While the basic concept of pasta and cheese remains the same, each recipe has its own taste and personality, blending and balancing flavor, texture, and presentation for a bold Mac and Cheese experience.

Simple enough for the novice cook yet sophisticated enough to impress the experienced home chef, Macaroni and Cheese is a fun-filled cookbook that will be enjoyed for years to come.

  • Sales Rank: #442594 in Books
  • Published on: 2001-10-09
  • Released on: 2001-10-09
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.98" h x .40" w x 7.99" l,
  • Binding: Paperback
  • 160 pages

Amazon.com Review
Macaroni and cheese is the ultimate, all-American comfort food. Most Americans, especially children, are familiar with the version that comes out of the blue cardboard box, but acclaimed cookbook author Joan Schwartz has something to say about that in her collection Macaroni & Cheese. Schwartz has compiled over 50 original and inventive recipes from many well-known chefs and restaurants. Most of the recipes start off with a basic béchamel sauce (milk whisked into a roux) and add various domestic and foreign cheeses to the hot mixture, but some find room for more exotic ingredients, like truffles, duck prosciutto, oysters, sausage, and codfish. In addition, there's a glossary of almost 40 milk and goat cheese varieties that appear within the recipes. After sampling some of the more unusual recipes with such fascinating and complementary flavors, it will be time to put your standard assumptions about mac and cheese to rest, and put the blue box at the back of the pantry shelf. --Teresa Simanton

From Library Journal
What a great idea a whole cookbook devoted to one of everybody's favorite comfort foods. Schwartz, coauthor of chef Bobby Flay's books, among others, collected recipes from well-known chefs around the country and added a half-dozen or so of her own. There are lots of versions of "classic" macaroni and cheese, along with recipes for what she calls "International Mac" such as Pastitsio and Rigatoni al Forno and "Mac and Cheese Today" Fontina and White Truffle Macaroni, Mascarpone and Noodle Pudding, and more. For most collections.
Copyright 2001 Reed Business Information, Inc.

From Booklist
Is there a dish more quintessentially American and basically comforting than macaroni and cheese? Whether made from scratch or out of a box, it's a favorite for many, from the very youngest eaters through the elderly. Joan Schwartz has come up with enough variations of macaroni and cheese to serve a different version each week for a full year. There's a Greek rendition, served as a salad with olives, radishes, and feta cheese. There's even a sweet kugel version with cottage cheese and raisins. Noted American chefs have contributed their recipes to augment Schwartz's own creations.

To relieve the tedium of simple boiled, mashed, or baked potatoes, Roy Finamore and Molly Stevens offer some 300 recipes for making potatoes star in any part of a meal: appetizer, entree, side, or even dessert. One Potato, Two Potato covers both regular and sweet potatoes and offers numerous inspirations, from traditional dishes on the order of Shepherd's Pie to Salade Nicoise and Aligot, a rich, elegant mashed-potato and melted-cheese dish from central France. This is a practical cookbook with both simple and unusual recipes for the common, often underrated kitchen staple. Mark Knoblauch
Copyright © American Library Association. All rights reserved

Most helpful customer reviews

22 of 22 people found the following review helpful.
Mac & Cheese!?!? Not in the 'Blue Box' Anymore!!
By Daniel F. Moore
Is there any food dish that is more American than Macaroni and Cheese? Many of us, myself included, grew up with the 'blue box' and as our tastes developed, so did our disdain for this dish. I tended to equate 'Mac & Cheese' with that meat product that comes in the blue can.
But Joan Schwartz has exploded the low-brow image of America's comfort food. This book is incredible! There are so many varieties of this dish from the 'classic' dishes to international flavors to what Ms. Schwartz calls 'Mac and Cheese Today'. And don't think that the cheese is that orange stuff. Swiss, Fontina, Mascarpone, Feta and Mozzarella are just a few of the varieties that you will use in your recipes. And just when you thought that the cheeses were a stretch, recipes with lobster, prosciutto, artichoke hearts, portabello and crimini mushrooms and chiles and chipotle peppers to mention a few, will delight your tastes.
I'll admit that I bought this book with a great deal of skepticism. A few bites of the 'Chunks of Lobster Swimming in Cheesy Macaroni' dispelled my reservations. Other favorites include 'Farfalle with Fontina, Tasso Ham and Baby Spinach' and Mac and Smoked Cheddar with Ham and Chipotles'. Imagine the look on guests' faces when you announce that you are serving them Mac and Cheese and their surprise when you serve a dish approaching haute cuisine.
Let's admit it...we liked the 'blue box' growing up and most of us are ashamed to reveal our love of this American staple. Now we can proudly bring this long demeaned dish back to the table and rekindle our fondness for it. Buy the book....it's a keeper!

0 of 0 people found the following review helpful.
Five Stars
By Lady Val
AMAZING COOKBOOK.....Especially if you like to Switch up Mac-N-Cheese ..Great recipes & pictures..YUMMY !

6 of 6 people found the following review helpful.
A mac and cheese lover's must-have!
By A Customer
Clearly written, with easy to follow instructions, and guide to ingredients, including definitions and sources. I love the 50's style art and kitchy-ness of this wonderful comfort food book. The recipes go from simple and basic to complex and gourmet. Even my husband loved this book so much, he followed a recipe and made a decent meal from scratch for the first time in his life.
I plan to attempt most of the recipes in this book.

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~ Get Free Ebook Verbal Workout for the GRE, 2nd Edition (Graduate School Test Preparation), by Princeton Review

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Verbal Workout for the GRE, 2nd Edition (Graduate School Test Preparation), by Princeton Review

Verbal Workout for the GRE teaches students how to think like the test makers. They will learn to solve analogies without knowing all the words in the problem, use contextual clues to answer sentence completion problems, and manage time strategically on the reading comprehension section.

  • Sales Rank: #4278567 in Books
  • Published on: 2005-06-07
  • Released on: 2005-06-07
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.85" h x .82" w x 8.43" l, 1.09 pounds
  • Binding: Paperback
  • 288 pages

Most helpful customer reviews

5 of 6 people found the following review helpful.
Good tools
By Minh H. Tran
Definitely worth looking at! After receiving a low score, I also look at alternative books to the Kaplan. This book is clearly written and has easy to follow instruction (Whereas Kaplan may packs overwhelming notes into a single page). Some of its verbal strategies are not founded in Kaplan as well; that's what makes it worth reviewing. Although it lacks the opulence in vocabulary words, its strategies and examples are used in layman terms.

The question remains, is it worth buying? Why not, it gives me alternative methods to approach the GRE which Kaplan did not. If I get stuck on a question, it gives me hasty solution to eliminate apparent wrong answer and to guess more intelligently rather than to guess blindly when I confronted an alien vocabulary.

While this is a good book, I still utilize on Kaplan for its profusion on vocabulary skills and study methods.

1 of 2 people found the following review helpful.
Excellent test prep
By Sba Kee
After taking the GRE and not being satisfied with my verbal score, I turned to this book. I used it everyday for about five weeks and improved my score the next time around. Pay specific attention to the vocab, it's the key to doing well on the GRE.

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First published in 1844, Alexandre Dumas's swashbuckling epic chronicles the adventures of D'Artagnan, a gallant young nobleman who journeys to Paris in 1625 hoping to join the ranks of musketeers guarding Louis XIII. He soon finds himself fighting alongside three heroic comrades—Athos, Porthos, and Aramis—who seek to uphold the honor of the king by foiling the wicked plots of Cardinal Richelieu and the beautiful spy "Milady." As Clifton Fadiman reflected, "We read The Three Musketeers to experience a sense of romance and for the sheer excitement of the story. In these violent pages all is action, intrigue, suspense, surprise—an almost endless chain of duels, murders, love affairs, unmaskings, ambushes, hairbreadth escapes, wild rides. It is all impossible and it is all magnificent."

  • Sales Rank: #949668 in Books
  • Published on: 2001-02-13
  • Released on: 2001-02-13
  • Original language: French
  • Number of items: 1
  • Dimensions: 8.00" h x 1.10" w x 5.20" l,
  • Binding: Paperback
  • 640 pages

From School Library Journal
Grade 6 Up-With swelling musical background, the clash of swordplay, and the occasional thump of a head being cut off, the St. Charles Players bring back the feeling of radio theater in their rendition of the classic tale by Alexandre Dumas. The players' voices emit every nuance required to let listeners experience the swashbuckling deeds of the famous heroic threesome and the boy called D'Artagnan who wants to join their ranks. When the young man arrives in Paris with the wish to enlist with the King's Musketeers, he finds himself challenged to three duels in his first afternoon in the city by men who turn out to be Porthos, Aramis, and Athos-the Three Musketeers. Instead of fighting against them, the twists of fate have D'Artagnan battling for them against the evil Cardinal Richelieu's guards. After demonstrating his worth with a sword, D'Artagnan proves more of his mettle by journeying to England to foil a plot to embarrass France's Queen Anne, the former Anne of Austria. D'Artagnan saves his queen but loses the woman he loves, so he seeks vengeance and, in turn, instills himself firmly in the ranks of the Musketeers. The flavor of the original is evident even though this abridged version includes only highlights in its retelling.
Joanne K. Hammond, Chambersburg Area Middle School, PA
Copyright 1999 Reed Business Information, Inc.

From Library Journal
A perennial favorite, this work continues to hold appeal for adventure lovers. Full of intrigue, swordplay, and revenge, it is the story of d'Artagnan, a young nobleman who travels to Paris in hopes of joining the Musketeers, a group of swashbuckling adventurers who serve King Louis XIII. His wit and fighting ability make d'Artagnan a welcome addition to their ranks, and together the four young men work to foil the King's evil rival, Cardinal Richelieu. Despite the period setting and constant violence, the story captures and sustains the listener's interest as the Musketeers vanquish the villains. Michael York reads superbly, his rich baritone voice giving each role convincing clarity. The audio format is particularly suited to the tale. The production quality is excellent. Recommended for general collections.
- Nancy R. Ives, SUNY at Geneseo
Copyright 1994 Reed Business Information, Inc.

Review
"I do not say there is no character as well-drawn in Shakespeare [as D'Artagnan]. I do say there is none that I love so wholly."
—Robert Louis Stevenson

Most helpful customer reviews

115 of 124 people found the following review helpful.
Huzzah!
By Stephen Balbach
An "endless adventure" breathlessly moving from one scene to the next: sword-fighting, court espionage, sex scandals, poisonings, assassinations, undying love and so on.

'Les Trois Mousquetaires', first published in 1844, was soon translated into three English versions by 1846. One of these, by William Barrow, is still in print and fairly faithful to the original, available in the Oxford World's Classics 1999 edition. However all of the explicit and many of the implicit references to sexuality had been removed to conform to 19th century English standards of morality, thus making the scenes between d'Aragnan and Milady, for example, confusing and strange. The most recent and new standard English translation is by award-winning translator Richard Pevear (2006). Pevear says in his translation notes that most of the modern translations available today are "textbook examples of bad translation practices" which "give their readers an extremely distorted notion of Dumas's writing." Thankfully we have high quality translations like this one now available.

40 of 41 people found the following review helpful.
Both entertaining and insightful.
By Michael J. Skarpelos
All translators must struggle with two competing goals: 1) being faithful to the original author and 2) making the translated text accessible to the reader. In this translation of _The Three Musketeers_, the translator, Richard Pevear, generally gravitates towards the first goal. His vocabulary choices almost always favor the original French usage rather than modern English usage. For example, early in the book, Pevear refers to Milady as Rochefort's "interlocutrix". Now I don't know about you, but I grew up going to California public schools, and if I ever used a word like "interlocutrix", I'd get my face bashed into a locker. My background notwithstanding, I think it's clear what's going on here. The word "interlocutrix" is an uncommon yet legitimate English word with French roots. Pevear has chosen to use the uncommon word in order to remain faithful to Dumas' original French text which presumably used the French cognate for "interlocutrix" whatever that is.

I could come up with literally dozens of such examples, and eventually I just started keeping a separate list of obscure words and definitions so I only needed to refer to a short list rather than slog through the dictionary every time I came upon one of those recurring obscure words. By the time I finished the book, I had a five page (12 pt. Times New Roman type, single-spaced) list of obscure words. They range from 17th century French clothing ("tabard", "doublet", "jerkin") to horse-related terminology ("caparison", "sorrel", "croup") to 17th century military terminology ("counterscarp", "revetments", "circumvallation") and many others. In all these cases, I'm convinced that Pevear chose to use the English cognates of original French words rather than more modern English equivalents.

In fairness to Pevear, he does provide extensive notes explaining the historical references made by Dumas, which is extremely reader-friendly, and I profited from them greatly. Even in these notes, however, he leaves out some obvious choices such as "Rosinante" and "Circe".

In short, if you're an English speaker with no knowledge of French but would like to get a feel for Dumas' prose style and usage, this is the book for you. It is a remarkably faithful translation that really gives you a feel for the nuances of the original text. If you're unfamiliar with the obscure words chosen for the translation but are willing to make repeated trips to the dictionary (or keep a side list as I did), you'll be richly rewarded with keener understanding of life in 17th century France as well as a greater appreciation of Dumas' prose style.

For what it's worth, a doublet is close fitting jacket worn by European men in the 16th and 17th centuries; a jerken is a hip-length collarless and sleeveless jacket worn over a doublet, and a tabard is a tunic or cape-like garment emblazoned with a coat of arms. A caparison is an ornamental covering for a horse or for its saddle or harness; a sorrel is a brownish-orange colored horse, and a croup is the rump of a beast of burden, especially a horse. A counterscarp is the outer side of a ditch used in fortifications; revetments is a barricade against explosives, and circumvallation is the act of surrounding with a rampart. Rosinante is the name of Don Quixote's horse, and Circe is the goddess of Greek mythology who turned Odysseus's men temporarily into pigs but later gave him directions for their journey home. And an interlocutrix is simply a woman who is participating in a conversation.

I'll close with my favorite quote from the book, spoken by Cardinal Richelieu. He was musing about finding someone to assassinate the Duke of Buckingham, but Milady argued that potential assassins would be afraid to proceed for fear of "torture and death". Le Cardinal replied, "In all times and in all countries, especially if those countries are divided by religion, there will always be fanatics who ask for nothing better than to be made martyrs." It's as true today as it was when Dumas' wrote it more than 160 years ago.

51 of 55 people found the following review helpful.
150 Years Later and Still Just As Popular
By Michael Wischmeyer
Long lines wait impatiently outside book shops for the latest issue of the magazine Le Siecle. On the streets and in cafes Parisians talked excitedly about each new installment of the thrilling adventure story, The Three Musketeers. (Like many novels written in the mid-1800s, Dumas' novel was serialized in a magazine before being published as a book.)

The public quickly recognized that a new literary genre had appeared - a fast paced, action story based upon a historical event. Previous historical fiction now seemed slow, wordy, and even archaic.

What is even more surprising is that 150 years later The Three Musketeers remains widely popular, both in print and on screen. Exciting duels, close escapes, political intrigues, and chivalrous romance still capture the imagination of today's readers.

Today's public undoubtedly remembers more about French history - at least history according to Alexandre Dumas - from The Three Musketeers, and its sequels, than from high school and university classes. Athos, Porthos, and Aramis - and their friend D'Artagnan, the irrepressible, courageous, handsome young Gascon who aspires to become a Musketeer himself - are modern icons. Similarly, Dumas' portrayal of King Louis XIII, Queen Anne of Austria, and Cardinal Richelieu are decidedly more interesting than the dry, factual historical characters found in textbooks.

And it impossible to forget the enchanting, notorious, and dangerous Milady de Winter, one of the more dramatic and memorable character created by any author. I am somewhat disappointed that Milady is fictional.

Choices: There are several good translations of Three Musketeers, including paperbacks like the Bantam Classic and Signet Classic editions. The slightly more expensive Oxford World's Classics edition is also quite good, and it offers an extended introduction and other supplementary material. Trident Press offers an attractive, deluxe gift edition profusely illustrated with the original ink drawings by Maurice Leloir. This version is a reprint of an edition first published by Thomas Y. Crowell and Company in Boston in 1879.

Advice: I strongly caution you to avoid the abridged editions. The Three Musketeers is indeed a lengthy novel, but it is one that warrants reading in its entirety, especially if you might someday read one of its sequels, like Twenty Years After or The Man in the Iron Mask.

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Time Regained: In Search of Lost Time, Vol. VI (Modern Library Classics) (v. 6), by Marcel Proust

Time Regained, the final volume of In Search of Lost Time, begins in the bleak and uncertain years of World War I. Years later, after the war’s end, Proust’s narrator returns to Paris and reflects on time, reality, jealousy, artistic creation, and the raw material of literature—his past life. This Modern Library edition also includes the indispensable Guide to Proust, compiled by Terence Kilmartin and revised by Joanna Kilmartin.

For this authoritative English-language edition, D. J. Enright has revised the late Terence Kilmartin’s acclaimed reworking of C. K. Scott Moncrieff’s translation to take into account the new definitive French editions of Á la recherché du temps perdu (the final volume of these new editions was published by the Bibliothèque de la Pléiade in 1989).

  • Sales Rank: #484652 in Books
  • Brand: Modern Library
  • Published on: 1999-02-16
  • Released on: 1999-02-16
  • Ingredients: Example Ingredients
  • Original language: French
  • Number of items: 1
  • Dimensions: 7.97" h x 1.28" w x 5.15" l, 1.10 pounds
  • Binding: Paperback
  • 784 pages

From Library Journal
In The Fugitive, the seventh volume of Proust's classic Remembrance of Things Past, the focus is grief. The plot is superficially simple: Albertine, the narrator's mistress, has left him; he considers his love for her, her reasons for departure, what response(s) he should make, and his life. He makes several attempts to manipulate her return; when it becomes impossible, he mourns and remembers the past. This series is a pseudoautobiographical study of the author's own self-centered, physically restricted, self-reflective life in pre-World War I France. In Time Regained, the final volume, Proust gathers together all the themes of the previous seven. The narrator pays several visits to Paris, during and after the war, observing the military and nonmilitary behaviors of old and new acquaintances. Later, he is shocked to recognize that they and he have become old. Finally, his thoughts turn to former events, old loves, and reliving his experiences through writing. The author is known for his complicated thought patterns and recurring, interwoven themes. Unfortunately, both the abridgment and the format compound these textual difficulties. There is likely to be little demand for this abridged French classic in translation, unless it is made into a movie. Neville Jason has a beautiful voice and an obvious love for the text. Recommended for large academic and public libraries. I. Pour-El, Iowa State Univ. Lib., Ames
Copyright 2001 Reed Business Information, Inc.

Review
“Proust is perhaps the last great historian of the loves.” —Edmund Wilson

Language Notes
Text: English
Original Language: French

Most helpful customer reviews

618 of 636 people found the following review helpful.
Don't Be Intimidated by the 3000 pages.
By Sugunan
Depending on how you look at it, this seven-volume masterpiece is the most beautiful work on human consciousness, or the most overstated piece on time and memory. Jorge Luis Borges might have had Proust in mind when, horrified at the time and effort required to write long novels, he instead decided to write short reviews of imagined long novels. Whatever the energy expended in the production, the reading is strangely without ardous labor. One does not "plough" through Proust; I would never have ploughed through anything for 12 long months. Instead, I found myself pleasurably swept along by Proust's meandering stream. Of all great novelists, Proust to me was the easiest to read, easy in the sense that, for most of the year, I was unconscious of the effort of reading. When pressing matters intruded into my life, I would leave Proust aside for many weeks at a time, but only to return to him as one returns to wearing one's favourite shirt. Perhaps this weird sense of effortlessness and, at the same time, finding it absolutely indispensible, is a function of its main concern, which is Time and Memory. There are no plot devices to push the reader forward. Instead the Time-Narrative is filled with the inanities of the quotidian. A shaft of sunlight falling into the bedroom can take up many pages. A smell, a taste, can open up enormous floodgates of memory. Of Proust it may be said that he could turn an egg upside down and write a book about it. His persistance with a certain image or an object is astonishing. It reminds me of one those famous Impressionist paintings of haystacks seen under different lights.

Among the first things that struck me about this novel is its paradoxical nature: It is both intimate and epic at the same time. It is limited in its milieu and vast in its treatment of that milieu. It is minute, delicate brain-surgery done on a Tolstoyan scale.

At the centre is the narrator Marcel (though, in all the 4000 pages, he is named only once or twice). He wants to be a writer, but finds that he cannot sit down and write because he is unable to recapture the Time-Memory of his life. His writer's block lasts through seven volumes. His tenacity in trying to pin down his sensations has much to do with his artistic ambitions. but all his efforts are in vain. At one point he decides to give up altogether. When in the end he does regain "his time", it is only because of memories and sensations coming back to him quite accidentally, despite himself. He is finally able to write. The delight here, however, is ambivalent and bittersweet, for, as he says in a memorable line: "The true paradises are those that we have lost." Literature has its limits. In calling his magnum opus itself into question, Proust is thoroughly a modern writer.

The book has pleasures aplenty, the most surprising of which being its humour. Proust has created a vast portrait gallery of characters, each one vividly imagined, and it is the interactions amongst them that provide the work's funniest moments. Proust's world is a world of fading dukes and duchesses, counts and barons, princesses and kings. It is a sort of caste system, ameliorated by an imperceptible upward or downward social mobility. Whichever way they go, none of them can abandon their pretensions of noblesse oblige, the most ironic example of which is the denigration of the aristocracy wherein they are firmly ensconced, and the pleasures and privileges of which they would not want to eschew for anything in the world.

Proust's frank treatment of male homosexuality and lesbianism is something I have not encountered in any other great writer. One entire volume is titled SODOM AND GOMORRAH. Here these "inverts" behave like regular couples: they love, they get jealous, they break up. But they are not treated kindly. They seem another reflection of the decadence of the upper classes. Is this self-chastisement by Proust, who was himself a homosexual ? The characters who are later discovered to be homosexuals are portrayed as descending to death or degradation.

Great books seem somehow to attract great translators. This translation (Scott Moncrief, Terence Kilmartin) renders Proust's French into delightfully quaint, slightly archaic English. Proust's sentences are very long indeed, interlaced with subordinate clauses within clauses, which contributes to the breathless earnestness of the narrative. But it's all perfectly readable, once you get used to it, and positively addictive once you're well into it.

Need the novel have been this long ? Proust's mission is not so much to examine Time, but to look at how human beings change in relation to their past, how memory, reality, sensations all play upon human consciuosness. The reader, to appreciate Proust's super-sensibilities, ought to traverse the whole vast canvas that he has laid out. In this sense the novel's length is an invitation to us to invest a considerable part of our own Time to participate in this great Proustian odyssey, and in his quest to "regain" his own Time. The very act of reading, then, is part of the "story". There is only one other book that has given me a similar sensation: Thomas Mann's THE MAGIC MOUNTAIN, which, interestingly enough, also deals with time. Time was great theme of the early 20th century (Einstein, Bergson), and so was the human consciousness(Freud, Jung). But it is best to appreciate Proust without the intrusions of any "isms", to love IN SEARCH for all its luminous qualities.

303 of 309 people found the following review helpful.
On reading Proust.
By Vincent Poirier
I've just finished reading The Search for Lost Time and I'd like to share a few thoughts.

First, commit to reading the whole thing, all seven volumes, all million+ words. However if the commitment frightens you (as it should) first read Swann's Love, the middle part of the first volume.

Second, if you commit don't be afraid to take a break and leave the book aside. I began reading it fifteen years ago, and read Swann's Love several times before finally getting a one volume omnibus and reading the whole thing. It took me eight months, during which I freely allowed myself to read other books.

Third, don't read Alain de Botton's How Proust Can Change Your Life until you're reached the final volume. It's a wonderful book, but if you want to read the Search, then De Botton's little book is a "digestif" that will help you put Proust in perspective.

Fourth, you don't have to read Proust. No one does. If you don't enjoy reading the Search, leave it alone. Proust never liked the title "The Search for Lost Time" and I think he might have actually preferred the now discredited original English translation title "Remembrance of Things Past".* In French Lost Time (Temps Perdu) implies a waste of time, and Proust was very conscious of having wasted the first forty years of his life.

Lastly, I wouldn't worry too much about the translation. I read the Search in French and it struck me that translating Proust wouldn't be much harder than reading him. The essence of Proust's style is not dramatic rhetoric, it is patient and painstaking descriptions and explanations. He wants the reader to understand something very complex and subtle: his or her own self. You'll find the drama in his philosophy. His sentences are long, convoluted, dreamy, full of meandering turns, but Proust doesn't use French the way, for instance, La Fontaine or Hugo do. Most of Proust's meaning will survive the translation, very little will be lost.

Vincent Poirier, Tokyo

*I was wrong there, Proust hated the "Remembrance..." title. See the comments for details.

Vincent

247 of 255 people found the following review helpful.
For Amateur Literati
By Nearenough
This is a review by an amateur reader for amateur literati. I'm 71. I am not taking a college literature class (although I am college educated and have an M. D. degree, if that means anything); I'm not a professor, and I don't hang out in book clubs. Lately, after years of laziness and negligence, I've at last read about 50 "important" books to catch up on what I have missed, and, notably for me, at last, after fear of commitment, have recently finished Proust's magnum opus to see what the fuss was all about. I read it straight through over a 9 month period, in parcels of minutes to hours, usually in the quiet time before retiring. In an effort to give my straight unbiased comments I have not read any the reviews here.

The Modern Library 6 book cased edition by translators Moncrieff, Kilmartin, and Enright, turned out to be more than good; it was a delightful, easy style, not obscure or convoluted; you readily could appreciate Proust's incredibly detailed yet smooth, almost poetic style, with his superb attention to psychological detail in how one thinks, feels and reacts to events and memory. I will not go much into the plot or the literary stature of the book as I am sure it has all been covered elsewhere quite capably. I will say the main theme is the close critical observation of the social life of the era, the pretensions of the very rich and the competing social climbers, and more significantly, the conveying of one's life to such an extent that it almost takes over your own; you may well be lured into taking one reality for the other.

Did I get everything out of the book I could have? No. Why? Well, when you start, you don't know what is significant, which characters are going to be important later on, what is the importance of a certain view, a particular impression, a flower, a scene, a smell, a remembrance which will later be elaborated on by another remembrance. There are supposedly about 2000 characters, and the 3500 pages, or so. The characters may have strange names or similar names (Villeparisis, Verdurin, Vinteuil); they may change their names (Mme Guermantes aka Oriane then v Princess Guermantes now as taken over by Mme Verdurin). M. Guermantes is Basin. Charlus is Meme, and Palamede. If you have trouble with remembering names this tangled multi-personed story may not be for you.

When you get into the later volumes will you remember everything that went on in the earlier volumes? Will you remember all the names? Checking the synopsis and the alphabetical listing of characters and persons and places and themes in the Modern Library indices will help you along; but these sometimes are not too clarifying -- they mostly list the bare events and brief definitions, not analysis in depth.

For adjunctive help I suggest two books *about* the book, unless you just want to read it raw --a sensible procedure since, after all, a renowned author should be able to write clearly, better than anyone else. If otherwise, first I recommend a tiny well-illustrated booklet, "Marcel Proust" by Mary Ann Caws, 2005, a short biography with dozens of photos, color illustrations, thumbnails of paintings and a few snippets of music scores; this is a fetching companion which puts a little meat on the bones of the novel. For example, you get to see the famous Vermeer with the "little patch of yellow wall." There are photos of many of the characters in Proust's world: Colette; Sarah Berhardt, Count Robert de Montesquiou-Fezensac (I love that tongue twister. Curious?)

The second helper is "Marcel Proust's Search for Lost Time - A Reader's Guide to The Remembrance of Things Past" by Patrick Alexander a 385 paperback that gives an extended summary (beyond what's in the backs of the novel itself) and a guide to the main characters, plus good references and bits about Paris, France and the author's life.

Take a deep breath and plunge into it unaided and see how it fits together at the end, when everyone is old and the story gels. If you followed everything, great! If there is a struggle, try the assistants. If you are puzzled, you get to read it again!

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  • Sales Rank: #7299020 in Books
  • Published on: 2001-10-23
  • Released on: 2001-10-23
  • Original language: English
  • Number of items: 1
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Insider strategies for maximizing financial aid and minimizing college costs

? Plan ahead to improve the chances of receiving financial aid
? Calculate aid eligibility before applying to colleges
? Complete the 2002?2003 financial aid forms (including FAFSA and the CSS PROFILE)
? Negotiate with the financial aid office
? Learn about educational tax breaks
? Handle special circumstances if you?re a single parent or an independent student

Most helpful customer reviews

18 of 20 people found the following review helpful.
Great for PARENTS; Not Good for ADULT STUDENTS
By A Customer
This book is written for parents who are about to send their child to college. It's not written for adult students, per se, although it states(on one or two lines)that the principles are about the same. However, I don't believe most adult students have their own businesses, own houses and/or property, and can itemize deductions on their income taxes, to lower the AGI(Adjusted Gross Income), as the book describes. The book is good for parents who plan to send their kids to school, but for adult students, it gets very confusing. It's very vague as to whether the same principles that apply to parents, apply to adult students.

14 of 15 people found the following review helpful.
Best source for covering the in's and out's of financial aid
By A Customer
My job is helping people find ways to send their kid's to college without bankrupting themselves. This book by far is the best guide to the financial aid process available.
Don't let the anecdotal experiences of the guy you work with disuade you, there is a lot of help out there and this book will give a leg up on finding it.
As I tell my clients, the more you know about the rules of the college funding game, the more money you will save. So get this book and save some money.
Now if they only wrote it with a good index.

58 of 59 people found the following review helpful.
Be wary of blanket assertions about the availability of aid!
By David M.
Widely quoted on the Web is the assertion from this book that "...almost every family now qualifies for some form of assistance. Many parents don't believe that a family that makes $75,000+ a year, owns its home, and holds substantial assets could receive financial aid. These days, that family--provided it is presented in the right light--almost certainly does."
Financial advice columnist Kenneth Hooker recently wrote the same thing:
"You can take some comfort in the fact that buying a college education has become a good deal like buying a new car -- virtually nobody pays the sticker price. There are a wide variety of financial aid programs available, both through the government and through the schools themselves, and the real costs are likely to be dramatically lower than the figures supplied ...."
As the completely middle-class, full-tuition-paying parent of a child at an Ivy League college, I feel like a total chump when I read this stuff.
Well, maybe I have missed something in all of my researches and walk-throughs with family contribution calculators, but I'm not sure.
Since there has been such a marked reduction, even disappearance of merit scholarships, and almost everything now is needs-based, parents should know that if your child applies to a private school that includes home equity in its EFC (as many now do, maybe most), and
(a) if your debt (mortgage and home loans) is not huge, and/or
(b) if you make a decent salary, and/or
(c) if you have saved and invested over the years and now have a moderate portfolio (however much it's down from 1-2 years ago),
then you almost certainly are NOT going to qualify for any financial aid whatsoever from any number of competitive private schools. Loans, sure. Aid, most likely no.
So far as I can determine, you are expected to take out a home-equity loan (if your house debt is low enough) and pay the full fare. And/or sell some of those "substantial assets."
I am not saying this is wrong, or even unfair for those of us who are comfortably middle-class. But unless I have made some major omissions, similar parents should not be misled by the broad promises and assertions by these college-financing "experts."

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