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Hateship, Friendship, Courtship, Loveship, Marriage: Stories, by Alice Munro
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WINNER OF THE NOBEL PRIZE® IN LITERATURE 2013
In the her tenth collection (the title story of which is the basis for the new film Hateship Loveship), Alice Munro achieves new heights, creating narratives that loop and swerve like memory, and conjuring up characters as thorny and contradictory as people we know ourselves.
A tough-minded housekeeper jettisons the habits of a lifetime because of a teenager’s practical joke. A college student visiting her brassy, unconventional aunt stumbles on an astonishing secret and its meaning in her own life. An incorrigible philanderer responds with unexpected grace to his wife’s nursing-home romance. Hateship, Friendship, Courtship, Loveship, Marriage is Munro at her best, tirelessly observant, serenely free of illusion, deeply and gloriously humane.
- Sales Rank: #76635 in Books
- Published on: 2002-10-08
- Released on: 2002-10-08
- Original language: English
- Number of items: 1
- Dimensions: 8.00" h x .71" w x 5.18" l, .53 pounds
- Binding: Paperback
- 323 pages
Amazon.com Review
Readers know what they are going to get when they pick up an unfamiliar Alice Munro collection, and yet almost every page carries a bounty of unexpected action, feeling, language, and detail. Her stories are always unique, blazing an invigorating originality out of her seemingly commonplace subjects. Each collection develops her oeuvre in increments, subtly expanding her range.
Hateship, Friendship, Courtship, Loveship, Marriage is, of course, no exception. It is a fairly conservative collection of nine stories, none of which move far beyond Munro's favored settings: the tiny towns and burgeoning cities of southern Ontario and British Columbia. There are glimpses of youth here--in the title story, an epistolary prank by two teenage girls leads to a one-sided cross country elopement and, seemingly, a happy marriage, and in "Nettles," disrupted childhood affection fleetingly returns through a chance meeting--but most of these pieces are stories of aging women and men, confronting the twin travails of death and late love. As is always the case with Munro, their plots are too elegantly elaborate to summarize, and their unsentimental power is a given; baroque praise would be futile. Read these stories--it is the only way to really understand the miracles that Munro so regularly performs. --Jack Illingworth
From Publishers Weekly
A writer of Munro's ilk hardly needs a hook like the intriguing title of her 10th collection to pull readers into her orbit. Serving as a teasing introduction to these nine brilliantly executed tales, the range of mentioned relationships merely suggests a few of the nuances of human behavior that Munro evokes with the skill of a psychological magician. Johanna Parry, the protagonist of the title story, stands alone among her fictional sisters in achieving her goal by force of will. A rough, uneducated country girl, blatantly plain ("her teeth were crowded into the front of her mouth as if they were ready for an argument"), she seems doomed to heartbreak because of a teenager's trick, but the bracingly ironic denouement turns the reader's dire expectations into glee. The women in the other stories generally cannot control their fate. Having finally been reunited with the soul mate of her youth, the narrator of "Nettles" discovers that apparently benevolent fate can be cruel. In a similar moment of perception that signals the end of hope, Lorna in "Post and Beam" realizes that she is condemned to a life of submission to her overbearing, supercilious husband; ironically, her frowsy country cousin envies Lorna's luck in escaping their common origin. In nearly every story, there's a contrast between the behavior and expectations of country people and those who have made it to Toronto or Vancouver. Regardless of situation, however, the basics of survival are endured in stoic sorrow. Only the institutionalized wife of a philanderer in "The Bear Came Over the Mountain" manages to outwit her husband, and she has to lose her sanity to do it. All of the stories share Munro's characteristic style, looping gracefully from the present to the past, interpolating vignettes that seem extraneous and bringing the strands together in a deceptively gentle windup whose impact takes the breath away. Munro has few peers in her understanding of the bargains women make with life and the measureless price they pay. (Nov.)Forecast: Munro's collections are true modern classics, as the 75,000 first printing of her latest attests. Expect vigorous sales.
Copyright 2001 Cahners Business Information, Inc.
From Library Journal
Each of these nine stories is at once poignant, harsh, funny, melancholy, ironic, and dramatic, descriptions that in the end fall short of bringing their true flavor home. Munro is a lion of Canadian literature, often setting her tales in Ontario and British Columbia, where she lives, but the themes are universal and the characters Everyperson. The Bohemian aunt, the suicide with ALS, the terminally ill woman who is not so sure a new and hopeful diagnosis is welcome, the adulterer, the abandoned lover, the infatuated, the lonely, the bewildered, the old and young, all find a place in these complex works. The program is very well read by Kymberly Dakin in the perfect light and somewhat wistful voice. More of a break between stories would be helpful perhaps even the usually irritating musical interlude. Munro should be represented in all but the most superficial collections, and this audiobook would be an excellent addition to any library. Harriet Edwards, East Meadow P.L., NY
Copyright 2002 Cahners Business Information, Inc.
Most helpful customer reviews
68 of 69 people found the following review helpful.
Munro in Full Bloom
By A Customer
Though some may call this a collection of short stories, when I finished reading each selection, I felt as though I had read a novel in beautiful miniature. Munro's characters are fully drawn; they grow and breathe as you read, and her plots are like quilts-pieced together in compositions that please as a whole and in parts. Love and its fickle, evanescent ways provide Munro's themes. A young woman watches her older sister handle her demanding husband along with other men; an aging man reflects on his love life while worrying about his wife's flirtations in a nursing home. In another writer's hands, these vignettes would fall short of the requirements for literature, but in Munro's experienced hands, these become seeds for enduring, indeed at times breathtaking, art.
49 of 53 people found the following review helpful.
Really enjoyed it
By A Customer
Alice Munro's short stories don't always impress me -- some seem too sedate, others too offbeat. However, this collection was very enjoyable. The lead story, which shares its title with the book, is wonderfully ironic and very well written, with characters that are drawn quickly and even sketchily, and yet they have such depth that if I were a critic, I would consider this Munro's masterpiece. All the stories in this collection refer to acts of love, but they are realistic. A woman has an affair that lasts a few hours but in her memories is maintained for a lifetime. Old childhood friends meet again as adults with the outcome far more and far less than the woman expected (the man, as usual, expected nothing). Women learn about themselves not just through romantic relationships but through the loving or non-loving family relationships they find. These are good stories, moving at the calm pace of reminiscences. Very well done. I was sorry when I finished the last story. I wanted more.
21 of 21 people found the following review helpful.
Another great collection
By A Customer
Alice Munro is my favorite living writer. Everyone else pales in comparison. My favorite stories in this collection were "Queenie" and "The Bear Came Over the Mountain." Although some other reviewers praised the title story, it was probably my least favorite in the book. (It seemed a little implausible.) I will say that her writing is an acquired taste--one cannot fully appreciate her stories on the first read. It takes me two or three times reading a story to catch all of her references, themes, and symbols. I like reading Munro because of her subtlety. Unlike some other writers of today (e.g. Toni Morrison) who beat you over the head with their heavy-handed symbolism and ideology, Munro focuses on telling a story in which emotions and meaning brew beneath the surface. I have read my favorite Munro story, "Royal Beatings," which is in her "Selected Stories" collection, 8 or 10 times and I never get tired of it. I think some readers are too quick to dismiss her stories as mundane because they revolve around everyday events in the lives of ordinary people. But that is what makes her writing so awe-inspiring--her ability to give profound meaning to the struggles of average characters who are all too human, who are very much like you or me.
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