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Grasshopper, by Barbara Vine
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“They have sent me here because of what happened on the pylon.”
When Clodagh Brown writes these words at the age of nineteen, she believes that she is leaving behind the traumatic events of her youth. But Clodagh soon learns that you can never entirely escape your past.
In the aftermath of the incident on the pylon--one of the great electrified structures that dot the English countryside like so many gargantuan grasshoppers--Clodagh goes off to university, moves into a basement flat arranged by her unsympathetic family, and finds freedom trekking across London's rooftops with a gang of neighborhood misfits. As she begins a thrilling relationship with a fellow climber, however, both Clodagh and the reader are haunted by the memory of the pylon and of the terrible thing that happened there--and by the eerie sense that another tragedy is just a footfall away.
- Sales Rank: #1574341 in Books
- Brand: Vine, Barbara
- Published on: 2002-06-11
- Released on: 2002-06-11
- Original language: English
- Number of items: 1
- Dimensions: 8.00" h x .90" w x 5.20" l, .65 pounds
- Binding: Paperback
- 400 pages
Amazon.com Review
A new novel from Barbara Vine (or Ruth Rendell, her alter ego) is always cause for celebration, and in this exceptional psychological thriller, she displays all her mastery of craft to draw the reader into an unfamiliar world. She paints a vivid picture of the roots of obsession in the history of a young woman whose love of high places has been marked by tragedy, guilt, and exile from her family's home.
Clodagh Brown has always been frightened by enclosed spaces and loved climbing, a phobia and passion that resulted in the death of her high school sweetheart. As a college student living in the basement of a distant relative's home in Maida Vale, a slightly shabby London neighborhood, she encounters a group of peers who share both of these psychological quirks and introduce her to the steep rooftops of her new surroundings. Clodagh soon falls in love with Silver, a young man whose top-floor apartment across from her flat houses a diverse and fascinating group of people. Their youthful idealism and moral certainties are often at odds with conventional values and legal niceties. While Clodagh and Silver carry the story, their peers present ample opportunities for Vine to showcase her talent for imagining a multiplicity of lives and personas--from Liv, the Swedish au pair who can clamber over rooftops like a mountain goat but is terrified of what awaits her on level ground, to Jonny, whose pathological need to dominate the others, particularly Liv, leads to the shocking and tragic denouement. When the climbers chance upon a top-floor flat where a couple and their adopted mixed-race son are hiding from the authorities (who would remove the child from their care), Vine's ability to alter pace without sacrificing story or character really stands out. Grasshopper is an acutely drawn, immensely satisfying book. --Jane Adams
From Publishers Weekly
Writing under her Vine pseudonym, Ruth Rendell offers another of her intriguing, multifaceted psychological suspense novels (The Chimney Sweeper's Boy and The Brimstone Wedding, etc.). The narrator here is Clodagh Brown, who, as a child growing up in Suffolk, loved climbing trees, then steeples and eventually pylons whose steel arms carried electricity across nearby fields. Resembling giant grasshoppers from a distance, close-up they embodied high-voltage, lethal danger; indeed, a teenage Clodagh survives a tragic accident involving a pylon and her first love, Daniel, before she leaves home at 19 for college in London. She finds classes boring, whereas walks through Victorian neighborhoods, with five-story row houses, decorative cornices and quaint chimneys, enchant her. Clodagh almost forgets the claustrophobic terrors she's suffered since childhood until she collapses in a pedestrian underpass and is rescued by an archetypal savior named Silver. On the top floor of his mostly absent parents' home, Silver provides a haven for a disparate group: exotic Wim, mentor to would-be roof climbers; Liv, who, after an accident, can't face descending to street level; and amoral Jonny, who interests Silver because he is "a real life burglar." Silver has a small trust fund, so he's free to cultivate "the habit of happiness." He and Clodagh fall in love, and both become intrepid midnight roof climbers. As youthful idealists, they determine to help a couple harassed by tabloids accusing them of kidnapping a child. Their ill-fated attempt leads to a terrifying climax. Although readers know that Clodagh, a beguiling heroine, has survived to become a successful electrical engineer, and is newly married, the story of her youthful adventures is enthralling, and the conundrums she faces in her life because of her love of heights make for an ingenious story told by a master of suspense.
Copyright 2000 Reed Business Information, Inc.
From Booklist
It isn't enough to say that when Ruth Rendell writes as Barbara Vine, she moves from detective stories to psychological suspense. Yes, the Vines are both psychological and suspenseful, but they are always something more as well. The characters are twisted in a hard-to-define but distinctly unsettling way; the plots circle around themselves, moving steadily closer to an inevitable but unpredictable cataclysm; and, above all, the building tension is internalized by both the characters and the reader. This time the story is told in flashback, as 31-year-old Clodagh Brown recalls the events of her twentieth year, when she and a group of friends, including the charismatic Silver, spent their time walking the roofs of London. Heights were always Clodagh's passion, and as we learn of her childhood fascination with climbing electrical pylons (and the tragedy that resulted), we know that her rooftop forays must lead to a similiar disaster. Like the other Vine novels, this one is more than simply multilayered; multiple meanings emerge as the layers move freely from forefront to background, crashing and receding like waves, building to a subtle yet powerful crescendo. Clodagh and her fellow roof-dwellers are, on one level, yet another group of freedom-craving young people, finding on the roof a sense of lawlessness that satisfies their unconventional spirits. And yet, as Clodagh comes to realize, life on the roof is not free of its own society, its own jealousies, and even its own evil. This is a coming-of-age novel but an intriguingly conflicted one; there is a touch of Lord of the Flies pointing us one way, but there's also a dash of Jane Austen demanding equal time. How's that for psychological suspense? Bill Ott
Copyright © American Library Association. All rights reserved
Most helpful customer reviews
9 of 9 people found the following review helpful.
Enjoyable, but not her best
By Kindle Customer
"Grasshopper" may not be one of Barbara Vine's best novels (and I have read all of them), but I just got over the flu, and spent the last two days riveted to this book. I kept intending to go back to bed and sleep, but couldn't put this down. So much for it being boring.
Still, I could say the same about virtually any of Rendell/Vine's work. "Grasshopper" features rich characterizations and a fine narrative that carries the story rattling forward. Where it falls short of her earlier achievements is in the plot, which is contrived in places. Elements from previous works ("A Fatal Inversion," "King Solomon's Carpet", and "The Tree of Hands") are recycled here, less effectively than in the earlier works. Rendell always drops subtle hints about what is to come and makes extensive use of foreshadowing, but here the payoff is less than what her readers have come to expect. Usually she succeeds in delivering at least one jaw-dropping surprise per book, and puts in a vicious twist of the knife at the end. Unfortunately, she does not do that in "Grasshopper."
In spite of these shortcomings, I thoroughly enjoyed this book. The central character in particular is believable and appealing, and as always the narrative is peppered with Rendell's keen observations of human behavior. I would recommend this book for those familiar with her work; however for those who are not, "A Fatal Inversion" or "A Dark-Adapted Eye" are better places to start. (For a very fast read, try "The Tree of Hands", or "Going Wrong.")
5 of 6 people found the following review helpful.
disappointing
By Kindle Customer
I automatically purchase any new Ruth Rendell/Barbara Vine book as soon as it is published in hardcover and look forward eagerly for the next. So it is sad for me to have to add my voice to the naysayers. The book made me long for the "old days", when Rendell published books like "Judgement in Stone", "The Killing Doll", to name a few of my alltime favorites. I found the plot of Grasshopper to be confusing, and, in the end, boring. Also, I became very annoyed with the protagonist's constant hinting of what had happened, what was going to happen, what would not have happened "had-we-but-known". And the ending was so pat. I still do believe the Rendell is one of the best current writers in any genre, and, to give her credit, she has published an average of two books a year for about 30 years without (in my opinion) losing her edge, something you can rarely say about any writer, especially a mystery writer. An example that comes to mind is the excellent quality of Martha Grimes' early books, compared to the formulaic bores her later books were/are. I still have hope that Rendell/Vine's next books will be back up to her superlative standard, but I suggest giving this one a miss.
13 of 14 people found the following review helpful.
a book worth reading
By Suspense Fan
Though Grasshopper was worth the reading, I think that fans of Vine/Rendell know there are better novels by her out there. If you're not familiar with this author and haven't read King Solomon's Carpet, if you enjoyed this book, I'd highly recommend that one. It seems to succeed where this one falls a little flat. Grasshopper didn't make my favorite Barbara Vine book list...but it came close. Still, the characters in Grasshopper were thought-provoking and this alone made it all worthwhile. Nobody can create characters and set a mood like Barbara Vine.
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