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"Alaska, in its way, demands your full attention. Like a slap in the face, the assault of the weather, the landscape, the sheer physical effort of enduring forces memories further and further away." In Outside Passage Julia Scully regathers the memories of her childhood, and, like the strange territory and time they cover--the isolated far western Alaskan frontier before and during World War II--these memories demand our full attention. They begin with her immigrant parents' efforts to make a living during the Depression in California and the Pacific Northwest. Faced with illness and despair, Julia's father commits suicide when she is seven, and she and her older sister, Lillian, discover his body. Julia's mother then leaves her daughters in a San Francisco orphanage and goes to Alaska, searching for an economic toehold at the edge of the continent.
Julia seeks comfort in the rituals of the orphanage--learning how to knit and darn, roller-skating outside after dinner, listening to One Man's Family on the radio. Trying to adapt, she submerges her memories: "It's not that I can't remember my mother or what it was like before . . . but I don't think about any of it because, when I do, my chest aches." Eventually, her mother buys a roadhouse--the only public place in Taylor, Alaska, it serves the settlement's small-time gold miners--and at last sends for her daughters to rejoin her.
Despite the cold and isolation of Alaska, there are small blessings for Julia to count: secretive summer wildflowers and berries on the seemingly barren landscape, and the wild animals--reindeer, fox, and wolves--that roam the endless tundra. The young Julia serves whiskey to the rough customers who play poker at the ramshackle roadhouse, pans gold with a beguiling prospector, kisses her first boyfriend--one of the soldiers ordered to Alaska to defend against a possible Japanese invasion. As she begins to understand the mysteries of sexuality and her parents' secrets, she also begins to build the privations and the minor pleasures and the perceptions of her childhood into a platform for a wider and fuller life. In the same way, she has transformed her memories of that childhood into a written record sometimes as painful but always as beautiful as the cold, clear streams under which the gold lay hidden.
- Sales Rank: #2253101 in Books
- Published on: 1999-04-20
- Released on: 1999-04-20
- Original language: English
- Number of items: 1
- Dimensions: 8.50" h x .50" w x 5.50" l,
- Binding: Paperback
- 236 pages
Amazon.com Review
Outside Passage is notable as much for what it doesn't say as for what it does. As this memoir opens, 11-year-old Julia Scully and her 13-year-old sister, Lillian, arrive alone in Nome, Alaska, circa 1940--a town notable for its barren extremes. Then, with the force of a jump cut, Scully rushes us further back in time and place. In San Francisco, four years earlier, on a brilliant October day, she discovers her father's dead body in their dark apartment. The instant is forever imprinted on her mind, yet the ever-reticent narrator leaves us to imagine the scene and her reaction. "I don't know what happened next or even if I saw my father there on the kitchen floor. I just remember my sister and me running ... back to the coffee shop, back to my mother, who didn't need to ask what we had found."
From the start, the author makes it clear that her recollections may well differ from others' and that she has actually changed names to protect people and their survivors. As a memoir strategy, this has a pleasing restraint. In fact, however, pain and embarrassment figure heavily in Outside Passage, as the title's pun reveals. Scully knows full well the heavy price she and her sister and mother, Rose, paid for familial silence as they searched for a livelihood and safe home in the frozen north. The author is adept at conveying bewilderment, deprivation, and above all, the sense of being stranded. And in a book filled with freighted moments, mysteries, and secrets, she clearly leads us to conclusions inaccessible to her younger self. Her sister, for example, claims to have no memory at all of their childhood. "And so I realize that I was alone," Scully writes of her teenage self. "For if she remembers none of it, then, in a way, she wasn't really there, and so there's no one, no one in this whole world, who can tell me if it is true, no one who can tell me if I remember things the way they really happened." Outside Passage paradoxically tells far more--and is far more modern--than its gushing, revelation-crammed counterparts.
From Publishers Weekly
When the author was 11, she and her 13-year-old sister, Lillian, left San Francisco's Pacific Hebrew Orphan Asylum, where they had spent the previous two years, to join their mother, Rose, who had opened a road house in the mining town of Taylor Creek, Alaska. In beautifully written, understated prose, Scully, a former editor of Modern Photography, describes an unusual domestic life in the early 1940s peopled with poker players, reindeer herders and her mother's married lover, set against the landscape of the tundra. The author describes vividly her mother's determined spirit that could not be crushed either by the suicide of her husband, whose body was discovered by the children, or the difficulties of caring for Julia and Lillian during harsh economic times. Through the distorted prism of time, Scully also remembers and struggles to understand what she and her sister felt, and denied feeling, about their anguished time in the orphanage. A perceptive and sensitive account. Author tour.
Copyright 1998 Reed Business Information, Inc.
From Booklist
Will this be the Angela's Ashes of Alaska? With a large first printing and author appearances scheduled for New York and the West Coast, Random House is clearly banking on Scully's spare, difficult memoir hitting the same nerve that Frank McCourt's autobiographical phenomenon did. Despite its title, the book is not exactly about Alaska, for more than half the action takes place in California and Seattle. It is really about a family's struggle to survive--terrain explored more emotionally by Natalie Kusz in Road Song (1990), which is mostly set in Alaska. But Alaska--Nome, in particular--is central to Scully's story. Her father lived there, lost the family fortune there, and killed himself because of that loss. Her mother put Scully and her sister in an orphanage, while she retreated northwards to get back on her feet, financially and psychologically. In short, bleak chapters, Scully relates the vicissitudes of life as a child in a California orphanage and then as a teenager in wartime Alaska. A memorable expression of a difficult life. Patricia Monaghan
Most helpful customer reviews
2 of 2 people found the following review helpful.
beautifully written memoir of childhood in Alaska
By W. Shute
A terse, elegantly written account of childhood in California and then Alaska in the 1930's and 1940's. The reader can visualize, hear, taste, and smell the environment in each scene.
My only complaint is that the book left me with a somewhat unsatisfied feeling when it was over, like a film with beautiful
cinematography and fine acting, but no passion or climax. That the author is a distinguished photographer is no surprise--the understated yet precise images, the richness of the background detail, and the masterful use of perspective (voice in writing) are worthy of a fine photograph.
Also, the final three paragraphs seem to be an artificial "ending" grafted onto the work at the suggestion of
an unimaginative editor.
Otherwise, the time spent reading this deeply felt and wonderfully re-created childhood memoir is time well spent.
Those who like this book might want to also read a very different but equally fine childhood memoir called A PLACE IN EL PASO by Gloria Lopez-Stafford, dealing with growing up in the
El Paso/Juarez area during the same period of late 1930's/early 1940's.
2 of 2 people found the following review helpful.
A different world!
By rannoon
What really affected me reading this book is this cold shattered childhood with restraint feelings and emotions which resembles the places where she grew and moved. I didn't feel any warmth, the severe cold of Alaska spread all over the novel even when she found stability for a short period of her childhood.
Life is an open never ending experience with its ups and downs, and this is what the story is all about. Each person has his own story to tell, but what made this one different is that you actually grow with Julia, from the little girl's point of view, seeing the world through her eyes, reading her own words, to the teenage girl who tries to find answers, who expresses her wonder of certain people and behaviors, and then the woman, you sense her growth, her helplessness and her quest to understand life.
4 of 5 people found the following review helpful.
It is an awesome book!
By A Customer
I think that this book shows how hard it is to grow up in these conditions as a young child and teen. I think that Julia showed a great deal of courage even though she was the youngest. It's hard enogh to get through life without having the burden of moving a lot and going through numerous situations where her strengh was tested. I really enjoyed the book and would like to see her write another. I've read it once and I think I'll read it again. :)
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