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"The most revealing, penetrating book on filmmaking I know of . . ."--King Vidor
David O. Selznick was a unique figure in the golden Hollywood studio era. He produced some of the greatest and most memorable American films ever made--notably, Rebecca, A Star Is Born, Anna Karenina, A Farewell to Arms, and, above all, Gone With the Wind. Selznick's
absolute power and artistic control are evidenced in his impassioned, eloquent, witty, and sometimes rageful memos to directors, writers, stars and studio executives, writings that have become almost as famous as his films. Newsweek wrote,"I can't imagine how a book on the American movie business could be more illuminating, more riveting or more fun to read than this collection of David Selznick's memos.
- Sales Rank: #269744 in Books
- Color: Multicolor
- Published on: 2000-03-07
- Released on: 2000-03-07
- Original language: English
- Number of items: 1
- Dimensions: 8.50" h x 1.50" w x 5.50" l, 1.74 pounds
- Binding: Paperback
- 632 pages
Amazon.com Review
As Roger Ebert observes in his smart introduction to the collected memos of the legendary producer Selznick, this is no ordinary book. Buzzed on Benzedrine, Selznick dictated his every thought to secretaries from 1916-1965, 2,000 file boxes' worth of priceless, absolutely unique inside information. "What we're given is a seat in his office," Ebert says, "the Nixon tapes of Hollywood's golden age." It's a privilege to see Selznick tussle with Hitchcock (who evidently had a notion about a vaguely Psycho-like grandma in the first draft of Rebecca), Ingrid Bergman (to whom he dictated an amazing tantrum), and Tallulah Bankhead ("Would you care to brave the lioness' den?" he asks his secretary, suggesting that she contact Bankhead about a bit part after spurning her for the Scarlett part in Gone with the Wind). The gestation of Scarlett's flick is especially fascinating. At first, Selznick cautions director George Cukor about "not going overboard on size and expensive production scenes of the civil war," but with Selznick, things always tend to get bigger. To battle bigotry, he cuts the Ku Klux Klan from the film ("Of course we might have shown a couple of Catholic Klansmen, but it would be rather comic to have a Jewish Kleagle.") By the end, he's pulling out the stops--he urges the composer to "go mad with schmaltz in the last three reels." Selznick blows it sometimes: he nixes newcomers Gregory Peck and Burt Lancaster, and John Ford's Stagecoach, which created John Wayne. But by reading his memos, you can't fail to see what made him a true auteur.
All hail Martin Scorsese for editing the classic film-books series of which this is a part, Modern Library: The Movies. Even if he'd never directed, Scorsese would be God's gift to film history. --Tim Appelo
From the Inside Flap
"The most revealing, penetrating book on filmmaking I know of . . ."--King Vidor
David O. Selznick was a unique figure in the golden Hollywood studio era. He produced some of the greatest and most memorable American films ever made--notably, Rebecca, A Star Is Born, Anna Karenina, A Farewell to Arms, and, above all, Gone With the Wind. Selznick's
absolute power and artistic control are evidenced in his impassioned, eloquent, witty, and sometimes rageful memos to directors, writers, stars and studio executives, writings that have become almost as famous as his films. Newsweek wrote,"I can't imagine how a book on the American movie business could be more illuminating, more riveting or more fun to read than this collection of David Selznick's memos.
About the Author
Rudy Behlmer is the author of seven books including Inside Warner Bros. and The Complete Films of Errol Flynn.
Most helpful customer reviews
11 of 11 people found the following review helpful.
Engrossing and informative and never dull
By Ken Braithwaite
I was a bit leery of a book of just memoes but ... This is truly an extraordinary book, full of insights into every aspect of film making. The most interesting parts are about scripts and script construction. That was what Selznick had a genius for, and that comes through clearly. Some of his faults come through too. There are a number of memoes about his life and emotions so you get a picture a man not just an executive.
For anyone who likes old movies a must.
7 of 7 people found the following review helpful.
Selznick Redux
By Herbert Boomhower
It's a genuine pleasure to see this 1972 volume back in print again. Practically the entire history of classic Hollywood can be seen within the pages of this fascinating series of memos, a veritable stream of behind the scenes trivia and the most impressive book of name-dropping ever seen in print. The cinematic genius of Selznick and Company is told as only it should be told...in the Master's own words.
5 of 5 people found the following review helpful.
Insightful look at a bygone era
By A Customer
David O. Selznick was behind some the films considered classics from that era. He was known for his memos that he sent to others in the industry and those working for him. The book is a fascinating look at the studio system at the time - and is also a reminder that people at one time actually communicated in writing - no cell phones, no email. This book is a must-read for those interested at all in film lore - and it's a great read!
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