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The Glass Palace: A Novel, by Amitav Ghosh
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Set in Burma during the British invasion of 1885, this masterly novel by Amitav Ghosh tells the story of Rajkumar, a poor boy lifted on the tides of political and social chaos, who goes on to create an empire in the Burmese teak forest. When soldiers force the royal family out of the Glass Palace and into exile, Rajkumar befriends Dolly, a young woman in the court of the Burmese Queen, whose love will shape his life. He cannot forget her, and years later, as a rich man, he goes in search of her. The struggles that have made Burma, India, and Malaya the places they are today are illuminated in this wonderful novel by the writer Chitra Divakaruni calls “a master storyteller.”
- Sales Rank: #81434 in Books
- Brand: Ghosh, Amitav
- Published on: 2002-02-12
- Released on: 2002-02-12
- Original language: English
- Number of items: 1
- Dimensions: 7.99" h x 1.08" w x 5.15" l,
- Binding: Paperback
- 486 pages
From Publishers Weekly
Ghosh's epic novel of Burma and Malaya over a span of 115 years is the kind of "sweep of history" that readers can appreciateDeven loveDdespite its demands. There is almost too much here for one book, as over the years the lives and deaths of principal characters go flying by. Yet Ghosh (The Calcutta Chromosome; Shadow Lines) is a beguiling and endlessly resourceful storyteller, and he boasts one of the most arresting openings in recent fiction: in the marketplace of Mandalay, only the 11-year-old Indian boy Rajkumar recognizes the booming sounds beyond the curve of the river as English cannon fire. The year is 1885, and the British have used a trade dispute to justify the invasion and seizure of Burma's capital. As a crowd of looters pours into the fabled Glass Palace, the dazzling throne room of the nine-roofed golden spire that was the great hti of Burma's kings, Rajkumar catches sight of Dolly, then only 10, nursemaid to the Second Princess. Rajkumar carries the memory of their brief meeting through the years to come, while he rises to fame and riches in the teak trade and Dolly travels into exile to India with King Thebaw, Burma's last king; Queen Supayalat; and their three daughters. The story of the exiled king and his family in Ratnagiri, a sleepy port town south of Bombay, is worth a novel in itself, and the first two of the story's seven parts, which relate that history and Rajkumar's rise to wealth in Burma's teak forests, are marvelously told. Inspired by tales handed down to him by his father and uncle, Ghosh vividly brings to life the history of Burma and Malaya over a century of momentous change in this teeming, multigenerational saga. (Feb. 6) Forecast: Novels by Indian authors continue to surge in popularity here, and this title not only ranks among the best but differs from the pack for its setting of Burma rather than India. Backed by a 6-city author tour, advance blurbs from Peter Mathiessen and the British reviews of the novel, plus a Fiction at Random promotion, this book should be read widely and with enthusiasm stateside. Rights have been sold in Germany, the U.K., France, Denmark, Holland, Italy, Spain, India and Latin America.
Copyright 2000 Reed Business Information, Inc.
From Library Journal
In an industry not known for risk-taking, the publisher is to be congratulated for offering Ghosh (The Calcutta Chromosome) a contract on his as-yet-unwritten novel. Set primarily in Burma, Malaya, and India, this work spans from 1885, when the British sent the King of Burma into exile, to the present. While it does offer brief glimpses into the history of the region, it is more the tale of a family and how historical events influenced real lives. As a young boy, Rajkumar, an Indian temporarily stranded in Mandalay, finds himself caught up in the British invasion that led to the exile of Burma's last king. In the chaos, he spies Dolly, a household maid in the royal palace, for whom he develops a consuming passion and whom years later he tracks down in India and marries. As their family grows and their lives intersect with others, the tangled web of local and international politics is brought to bear, changing lives as well as nations. Ghosh ranges from the condescension of the British colonialists to the repression of the current Myanmar (Burmese) regime in a style that suggests E.M. Forster as well as James Michener. Highly recommended, especially for public libraries.
-DDavid W. Henderson, Eckerd Coll. Lib., St. Petersburg, FL
Copyright 2001 Reed Business Information, Inc.
From The New Yorker
This sprawling narrative, inspired by stories passed down in the author's family, stretches from the British invasion of Burma, in 1885, through the country's independence, to the uneasy military rule of the present day. The novel is presided over by the Indian-born Rajkumar, a poor orphan, who falls for Dolly, a servant of the exiled queen. Ghosh renders the polite imprisonment of the Burmese royal family in India and the lush, dangerous atmosphere of teak camps in the Burmese forest with fine detail–– a perfect balance for the broad strokes of romance and serendipity that drive the story forward. The book's memorial power is so strong that, near the end, when Rajkumar, an old man, reflects, "Ah, Burma––now Burma was a golden land," the reader catches himself nodding in recognition of what was lost.
Copyright © 2005 The New Yorker
Most helpful customer reviews
103 of 108 people found the following review helpful.
The Story of the Indian Diaspora in the East
By Samit Ghosh
Amitava Ghosh is an outstanding member of the new genre of writers of Indian literature in English. His niche is combining history with fiction. In his previous books he focused on India's longstanding ties with Arabia. In the Glass Palace he moves to the East: Bangladesh, Myanmar, Malaysia & Singapore. Through his story he highlights a number of important but neglected historical issues: slavery in the East - poor Indians shipped to plantations in the Far East; racism in the British Indian Army & the moral dilemma of Indian soldiers confronted with the Indian National Army fighting for India's freedom; treatment of the Burmese royalty when they came in the way of the English colonial trade in teak; and finally the enterprise of the businessmen of the Indian Diaspora. All through these events, he creates wonderful characters that we can feel and touch. The story line starts at a gentle pace but in the end is gripping, and the book is difficult to put down. It is also laced with erotica ala Indian style for the first time in his books. The only problem is the Indian publisher printed so few copies of the first edition that bookshops were out of stock before the reviews could hit the press.
57 of 58 people found the following review helpful.
3 Stars with an extra star for satisfaction and texture
By frumiousb
I have the feeling that _The Glass Palace_ is in some ways a better history book than novel. It is nearly impossible not to admire it as an achievement-- the richness of the detail is astonishing as is the mood that the detail manages to create. We follow a family through three generations as they try to negotiate identity in both the colonial and post-colonial worlds.
Unfortunately, the structure and characterization in the novel do not live up to the quality of the historic and atmospheric detail. The book follows a fairly standard rags-to-riches story format, and in many cases the characters lack the complexity that Ghosh is able to bring to the surrounding environment. It's a disappointing lack in an otherwise stunning work.
It's worth saying as well that I found _The Glass Palace_ an incredibly *satisfying* read. I literally had a really hard time putting it down, and kept it in my purse to read on my lunch breaks and while waiting in lines. I suppose that's a fairly high recommendation in and of itself.
35 of 37 people found the following review helpful.
History was never made so beautiful
By Manojendu Choudhury
Writing a semi-fiction, rather, a piece of literature whose many characters and incidences are by no means fictitious, is an arduous task, but Ghosh manages to accomplish it with a rare aplomb. Technically Ghosh is superb, painting a vivid picture of the period and the different cultures (Burmese and Bengali in particular) and their evolution. He maintains a delicate balance between the evolution of the historical, 'non-fictitious', characters and events and those which are the produce of his imaginations. I can't help admiring Ghosh for his ability to create characters who seem so so real that makes me feel as if I have personal acquintance with them, and this feat he manages to achieve in all his books, The Circle of Reasons, The Shadow Lines (my eternal favourite) and also Calcutta Chromosomes. I had picked up this book with apprehension that he won't be able to live up to the promise that he has created himself through his previous works, but by the time I reached halfway I realised that my apprehensions were grossly misplaced. Each character is subtly crafted out in detail and their evolution couldn't be more natural. It's definitely a very good read.
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