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! PDF Download In Search of Lost Time Volume IV Sodom and Gomorrah (Modern Library Classics), by Marcel Proust

PDF Download In Search of Lost Time Volume IV Sodom and Gomorrah (Modern Library Classics), by Marcel Proust

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In Search of Lost Time Volume IV Sodom and Gomorrah (Modern Library Classics), by Marcel Proust

In Search of Lost Time Volume IV Sodom and Gomorrah (Modern Library Classics), by Marcel Proust



In Search of Lost Time Volume IV Sodom and Gomorrah (Modern Library Classics), by Marcel Proust

PDF Download In Search of Lost Time Volume IV Sodom and Gomorrah (Modern Library Classics), by Marcel Proust

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In Search of Lost Time Volume IV Sodom and Gomorrah (Modern Library Classics), by Marcel Proust

Sodom and Gomorrah opens a new phase of In Search of Lost Time. While watching the pollination of the Duchess de Guermantes’s orchid, the narrator secretly observes a sexual encounter between two men. “Flower and plant have no conscious will,” Samuel Beckett wrote of Proust’s representation of sexuality. “They are shameless, exposing their genitals. And so in a sense are Proust’s men and women . . . shameless. There is no question of right and wrong.”

For this authoritative English-language edition, D. J. Enright has revised the late Terence Kilmartin’s acclaimed reworking of C. K. Scott Moncrieff’s translation to take into account the new definitive French editions of Á la recherché du temps perdu (the final volume of these new editions was published by the Bibliothèque de la Pléiade in 1989).

  • Sales Rank: #587859 in Books
  • Published on: 1999-02-16
  • Released on: 1999-02-16
  • Original language: French
  • Number of items: 1
  • Dimensions: 7.98" h x 1.29" w x 5.16" l, 1.10 pounds
  • Binding: Paperback
  • 784 pages

Review
"The thing about Proust is his combination of the utmost sensibility with the utmost tenacity. He searches out these butterfly shades to the last grain."--Virginia Woolf

Language Notes
Text: English (translation)
Original Language: French

About the Author
Marcel Proust (1871-1922) is now generally viewed as the greatest French novelist and perhaps the greatest European novelist of the 20th century. He lived much of his later life as a reclusive semi-invalid in a sound-proofed flat in Paris giving himself over entirely to writing IN SEARCH OF LOST TIME.

Most helpful customer reviews

14 of 16 people found the following review helpful.
a splendid translation and my favorite volume thus far
By fastreader
I am writing here of the "Penguin Proust" translation by John Sturrock. (Much of what appears on this page is misleading, with the editorial matter referring to an audiobook and many reader reviews to an earlier translation. Even first-sentence quote is not from Sturrock's translation!)

Of the four Penguin Proust volumes I've read so far, this is my favorite--a wonderfully funny study of society (if not of sex). Proust specializes in transformations. We'll be introduced to a character and led to believe that we know everything of importance about him, only to have him turn up in a later volume as entirely different. In this volume, the remote and terrible Baron de Charlus is tranformed a pathetic tubby, besotted by the pianist Morel (himself a bit of a transformation, since he first appeared in the novel as the son of a valet).

Marcel (the narrator) meanwhile finds himself more deeply involved with Albertine, herself probably a stand-in for a male secretary of Proust's, Alfred Agostinelli. To complicate matters, I see elements of this relationship not only in the Marcel-Albertine affair, but also in the Charlus-Morel romance. It's as if Proust divided his experience into two parts, giving the romantic elements to Marcel and the comic part to Charlus.

The two romances come together at the seaside salon of the awful Madame Verdurin, who is inexorably rising in the world. In one of Proust's hundred-page setpieces, the aristocratic baron has his first clash with the social-climbing Verdurins. I found myself cheering for Charlus, whom I'd earlier learned to dislike, because he is so genuine and she is such a fraud. And I know in my heart (and through my earlier readings of this great novel) that things are not going to turn out well for Charlus. Against all logic, Proust in one of his hundred-page dissections of French society is able to keep me on tenterhooks.

The less said about Albertine, the better. I am not one of those who find her/him a convincing character. So it is with a bit of apprehension that I now turn to volume five of the Proust Penguin, containing the two books of the "Albertine cycle."

But back to Sodom (as it were): this is a wonderful translation of a riveting story. If you stick with "In Search of Lost Time" thus far, you will know that you are in the middle of one of the great experiences of your life.

6 of 6 people found the following review helpful.
Proust's Human Comedy
By Wordsworth
Some have accused Proust of being "long-winded." However, he suffered acutely from shortness of breath but not shortness of breadth. Proust preferred to work on a large canvas. Having read the first four volumes of "In Search of Lost Time," I am even more convinced that Proust is a literary talent of the highest order. He is a writer of immense sensibility in the true sense of the word. His perception and memory and intelligence permeate his writing. Like Balzac, whom he admired, Proust focused his sensibility upon high society in Paris in his heyday. He continually discoursed about the the manners of the circles in which he moved and sheds light, as did Balzac, on the complexities of the strata and protocol and behavior of his social peers. One is able to get a close look at this realm in which he was considered a literary luminary and rightly so, after winning France's greatest literary prize at such an early age. Like Balzac he built his volumes in a "serial" fashion by ending each in dramatic fashion: the characters reappear from volume to volume. And one learns about their health, their misfortunes, their affairs often through the hearsay of other characters, as it happens in real life. Despite the despicable ways that the characters often treat each other, Proust speaks within the tapestry of the "human comedy" as the humble voice of reason. "When you reach my age you will see that society is a paltry thing, and you will be sorry that you put so much importance to these trifles," a judge observes. But for Proust society was his life and his legacy is partly at least the light that he sheds upon his own human comedy. The beauty of the language is breathtaking --the language is utterly lyrical and once one surrenders to the pulse and flow of his long sentence syntax, one finds the transforming genius of his art. I am eager to begin Volume 5 -- the man is a bonafide genius. He deals with sensitive subjects in good taste and with sage discretion -- Proust communicates with his readers as he probably did in society: honestly, articulately and with the best of all manners. He didn't live long enough to read the publication of half the volumes of his greatest masterpiece: Volume 4 was the last he lived to see published. What an absolute pity!

13 of 13 people found the following review helpful.
"Obscure Deities," or the Dark Side of Love
By James Paris
In the previous volume of Proust's IN SEARCH OF LOST TIME, Marcel was poised at the pinnacle of social success as he readied himself to attend the Princesse de Guermantes' party. Those alabaster gates that from a distance appeared to be the entry to paradise actually opened only onto a continuing pageant of human folly. Early in the book, a chance peek out the window shows the elegant Baron de Charlus to be a pervert as he romances the servile Jupien.
Even his beloved Duchesse de Guermantes "allowed the azure light of her eyes to float in front of her, but vaguely, so as to avoid the people with whom she did not wish to enter into relations, whose presence she discerned from time to time like a menacing reef in the distance."
Marcel retreats from the social whirl and returns to Balbec, the scene of WITHIN A BUDDING GROVE. There he takes up again with Albertine and, after hobnobbing with the Guermantes, now joins Mme Verdurin's "little band" of opinionated second-raters. This was the same salon at which Swann had met Odette in SWANN'S WAY. You may recall that Swann discovered that Odette was multiply unfaithful to him, yet married her anyway.
In SODOM AND GOMORRAH, it is Marcel who is drawn ever closer to Albertine. As the book draws to a close, he discovers from a chance remark that Albertine claims close friendship with two lesbians one of whose trysts Marcel had witnessed years before in Combray. Just as Swann had agonized just before deciding to wed Odette, Marcel sees the death of his hopes and of any chance for joy in his young life.
"As by an electric current that gives us a shock, I have been shaken by my loves. I have lived them. I have felt them: never have I succeeded in seeing or thinking them. Indeed I am inclined to believe that in these relationships ..., beneath the outward appearance of the woman, it is to these invisible forces with which she is incidentally accompanied that we address ourselves as to obscure deities."
During this, my second reading of IN SEARCH OF LOST TIME, I continue to marvel at Proust's mastery. The scene of a social gathering that occupies two hundred pages, and takes me two or three days to read, seems to pass by in the blinking of an eye.

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