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First published to critical acclaim in 1929, Passing firmly established Nella Larsen's prominence among women writers of the Harlem Renaissance. The Modern Library is proud to present Passing—an electrifying story of two women who cross the color line in 1920s New York—together with a new Introduction by the Obie Award- winning playwright and novelist Ntozake Shange.
Irene Redfield, the novel's protagonist, is a woman with an enviable life. She and her husband, Brian, a prominent physician, share a comfortable Harlem town house with their sons. Her work arranging charity balls that gather Harlem's elite creates a sense of purpose and respectability for Irene. But her hold on this world begins to slip the day she encounters Clare Kendry, a childhood friend with whom she had lost touch. Clare—light-skinned, beautiful, and charming—tells Irene how, after her father's death, she left behind the black neighborhood of her adolescence and began passing for white, hiding her true identity from everyone, including her racist husband. As Clare begins inserting herself into Irene's life, Irene is thrown into a panic, terrified of the consequences of Clare's dangerous behavior. And when Clare witnesses the vibrancy and energy of the community she left behind, her burning desire to come back threatens to shatter her careful deception.
Brilliantly plotted and elegantly written, Passing offers a gripping psychological portrait of emotional extremity. The New York Times Book Review called Larsen "adroit at tracing the involved processes of a mind divided against itself, that fights between the dictates of reason and desire." The Saturday Review of Literature said, "[Larsen] has produced a work so fine, sensitive, and distinguished that it rises above race categories and becomes that rare object, a good novel."
- Sales Rank: #821454 in Books
- Published on: 2002-05
- Released on: 2002-05-28
- Original language: English
- Number of items: 1
- Dimensions: 7.97" h x .67" w x 5.10" l, .56 pounds
- Binding: Paperback
- 304 pages
Amazon.com Review
The heroine of Passing takes an elevator from the infernal August Chicago streets to the breezy rooftop of the heavenly Drayton Hotel, "wafted upward on a magic carpet to another world, pleasant, quiet, and strangely remote from the sizzling one that she had left below." Irene is black, but like her author, the Danish-African American Nella Larsen (a star of the 1920s to mid-1930s Harlem Renaissance and the first black woman to win a Guggenheim creative-writing award), she can "pass" in white society. Yet one woman in the tea room, "fair and golden, like a sunlit day," keeps staring at her, and eventually introduces herself as Irene's childhood friend Clare, who left their hometown 12 years before when her father died. Clare's father had been born "on the left hand"--he was the product of a legal marriage between a white man and a black woman and therefore cut off from his inheritance. So she was raised penniless by white racist relatives, and now she passes as white. Even Clare's violent white husband is in the dark about her past, though he teases her about her tan and affectionately calls her "Nig." He laughingly explains: "When we were first married, she was white as--as--well as white as a lily. But I declare she's getting darker and darker." As Larsen makes clear, Passing can also mean dying, and Clare is in peril of losing her identity and her life.
The tale is simple on the surface--a few adventures in Chicago and New York's high life, with lots of real people and race-mixing events described (explicated by Thadious M. Davis's helpful introduction and footnotes). But underneath, it seethes with rage, guilt, sex, and complex deceptions. Irene fears losing her black husband to Clare, who seems increasingly predatory. Or is this all in Irene's mind? And is everyone wearing a mask? Larsen's book is a scary hall of mirrors, a murder mystery that can't resolve itself. It sticks with you. --Tim Appelo
From Library Journal
Another trailblazer, Larsen wrote this novel in 1929. It follows Clare Kendry and Irene Redfield, two light-skinned black women who try to escape racism. Kendry chooses to sever all ties with her background and passes herself off as white, while Redfield simply denies that racism exists. Both, however, eventually are forced to face the awful truth. This edition contains a lengthy introduction and scholarly notes on the text. Essential for Black History Month.
Copyright 1997 Reed Business Information, Inc.
Review
"[Nella Larsen's novels] open up a whole world of experience and struggle that seemed to me, when I first read them years ago, absolutely absorbing, fascinating, and indispensable."
--Alice Walker
"[Nella Larsen] offers characters so honest and desperate to be whole that we cannot help but champion their humanity."
--From Ntozake Shange's Introduction
Most helpful customer reviews
0 of 0 people found the following review helpful.
Pretty good
By S Cox
I read quite a bit, being a literature major, but there were definitely some plot twists I didn't see coming. Overall, very well written, touches certain subjects (such as race, gender, family dynamics) in an interesting but tasteful manner. I don't mean to say that it's cookie cutter or doesn't properly touch on the subjects, rather it touches on the subject while doing an honest job of it. It doesn't touch on these subjects in order to grab your attention or keep you in the book, it does it in a natural way.
0 of 0 people found the following review helpful.
Great
By David L. Simpson
Really amazing literary work.
I bought this edition for a college class (American Literature) per request of the professor. The story itself is wonderful and very entertaining. The added bonus of the critical materials really help the reader understand the social atmosphere of the time period.
0 of 0 people found the following review helpful.
Quick read and entertaining
By M. Verdun
Really good. I had this book added to my student's summer reading list and was able to finish this book in 3 days.
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