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Vera (Mrs. Vladimir Nabokov), by Stacy Schiff
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NEW YORK TIMES BESTSELLER
Winner of the 2000 Pulitzer Prize for biography and hailed by critics as both “monumental” (The Boston Globe) and “utterly romantic” (New York magazine), Stacy Schiff’s Véra (Mrs. Vladimir Nabokov) brings to shimmering life one of the greatest literary love stories of our time. Vladimir Nabokov—the émigré author of Lolita; Pale Fire; and Speak, Memory—wrote his books first for himself, second for his wife, Véra, and third for no one at all.
“Without my wife,” he once noted, “I wouldn’t have written a single novel.” Set in prewar Europe and postwar America, spanning much of the century, the story of the Nabokovs’ fifty-two-year marriage reads as vividly as a novel. Véra, both beautiful and brilliant, is its outsized heroine—a woman who loves as deeply and intelligently as did the great romantic heroines of Austen and Tolstoy. Stacy Schiff's Véra is a triumph of the biographical form.
- Sales Rank: #149268 in Books
- Published on: 2000-04-04
- Released on: 2000-04-04
- Original language: English
- Number of items: 1
- Dimensions: 8.00" h x 1.06" w x 5.32" l, .85 pounds
- Binding: Paperback
- 480 pages
Amazon.com Review
She was wearing a black satin mask when they first met in 1923, and in a sense she wore a mask--that of the dutiful wife and helpmeet--throughout their 52-year marriage. Especially after the American publication of Lolita made her husband notorious in 1958, Véra Nabokov's presence at her husband's side was crucial, writes her biographer Stacy Schiff: "[It] kept the fiction in its place, reassured readers ... that Nabokov's perversities were of a different kind." But Véra Slonim (1902-91) was essential to Vladimir Nabokov's literary career from the beginning. She had a gift for handling practical matters that her spouse proudly lacked; she screened him from his publishers and his admirers with equal firmness, and in doing so she liberated him to fulfill the artistic genius they both believed he possessed. Praised for a previous biography of Antoine de Saint-Exupéry, Schiff here cements her reputation as a literary biographer of striking subtlety and perceptiveness. She establishes a strong base in chapter 1 with her excellent analysis of Véra Slonim's youth in a privileged Russian Jewish family in St. Petersburg. She then pursues her subject's elusive personality through hints in Nabokov's work and the comments of friends and colleagues. Schiff's elegant prose and eye for nuance nearly match Nabokov himself in this lucid, unsentimental portrait of a marriage. --Wendy Smith
From Publishers Weekly
V?ra Nabokov was not only devoted to her husband's literary career; she was crucial to it. Schiff (Saint-Exup?ry) contends that Nabokov's public image was V?ra's doing: "we are used to husbands silencing wives, but here was a wife silencing, editing, speaking for, creating, her husband." For almost all their married lives, the Nabokovs were inseparable. Russian ?migr?s in Germany, France and then the U.S., they eked out a bare existence despite Nabokov's reputation as a stellar Russian novelist. With no market for his writing, he needed his wife to work as a translator so they could survive. After hours she also edited and translated his writings, conducted his professional affairs and maintained their marriage. Only the runaway international success of Lolita when they were in their later 50s freed the couple from scraping together a living. (A film advance gave Nabokov 17 times his annual salary at Cornell, a post that had taken years to secure.) Suddenly flush, the Nabokovs, by choice, again became ?migr?s, wealthy residents of a Swiss luxury hotel. Schiff's best pages evoke the years of adversity, as when the Jewish V?ra, regal even in penury, perilously remained in Nazi Germany until May 1937 (after non-Jewish Vladimir exited) because it was the only country where either one could legally work. Often described as "hovering" over her husband by his Cornell colleagues, V?ra was always close byAeven working as his teaching assistantAbecause, according to Schiff, he simply could not function without her. This book offers more than a peek at the famous author through his wife's eyes. When her 1991 New York Times obit called V?ra "Wife, Muse, and Agent" it only hinted at her role, which is rescued from obscurity in Schiff's graceful prose. 16 pages of b&w photos.
Copyright 1999 Reed Business Information, Inc.
From Library Journal
Vladimir Nabokov's works have come to the attention of the public again with the publication of Library of America editions and the recent film version of Lolita. Several years ago, Brian Boyd produced a two-volume definitive biography: Vladimir Nabokov: The Russian Years (LJ 10/1/90) and Vladimir Nabokov: The American Years (LJ 8/91). Schiff's book distinguishes itself by focusing on the relationship between Vladimir and his wife V?ra, a marriage that lasted some 50 years. Schiff (Saint Exup?ry, LJ 10/1/94) traces the years in France and Germany before World War II, followed by a hurried immigration to the United States and Nabokov's eventual literary success. Schiff also handles the difficulties within the marriage, including affairs. Through it all, the couple forged a close alliance as V?ra oversaw the editing of manuscripts, translation, the negotiation of contracts, and much of Vladimir's correspondence. The result is a scholarly, readable look at a remarkable literary duo.ARonald Ray Ratliff, Chapman H.S. Lib., KS
Copyright 1999 Reed Business Information, Inc.
Most helpful customer reviews
0 of 0 people found the following review helpful.
Not my cup of tea.
By Amazon Customer
I found this story difficult to get into and gave up half way through the book.
2 of 2 people found the following review helpful.
One of the best biographies I've ever read
By A Customer
A fascinating book, beautifully written, filled with the kind of insights that make you marvel, "How did the author know this? How did she find this out?" There is wit here, delicious details, and great sympathy for a woman who was not always likeable but always intriguing. An important subject doesn't always make a great read, but here, truly, it does.
4 of 5 people found the following review helpful.
One Star
By Gail Loucks
It was too repetitive.
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