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Hope Against Hope: A Memoir, by Nadezhda Mandelstam, Max Hayward
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The story of the poet Osip Mandelstam, who suffered continuous persecution under Stalin, but whose wife constantly supported both him and his writings until he died in 1938. Since 1917 The Modern Library prides itself as The Modern Library of the World's Best Books. Featuring introductions by leading writers, stunning translations, scholarly endnotes and reading group guides. Production values emphasize superior quality and readability. Competitive prices, coupled with exciting cover design make these an ideal gift to be cherished by the avid reader. Of the eighty-one years of her life, Nadezhda Mandelstam spent nineteen as the wife of Russia's greatest poet in this century, Osip Mandelstam, and forty-two as his widow. The rest was childhood and youth." So writes Joseph Brodsky in his appreciation of Nadezhda Mandelstam that is reprinted here as an Introduction. Hope Against Hope was first published in English in 1970. It is Nadezhda Mandelstam's memoir of her life with Osip, who was first arrested in 1934 and died in Stalin's Great Purge of 1937-38. Hope Against Hope is a vital eyewitness account of Stalin's Soviet Union and one of the greatest testaments to the value of literature and imaginative freedom ever written. But it is also a profound inspiration--a love story that relates the daily struggle to keep both love and art alive in the most desperate circumstances.
- Sales Rank: #544302 in Books
- Published on: 1999-03-30
- Released on: 1999-03-30
- Original language: Russian
- Number of items: 1
- Dimensions: 8.46" h x 1.00" w x 5.54" l, 1.36 pounds
- Binding: Paperback
- 480 pages
Amazon.com Review
Nadezhda means "hope" in Russian. And Nadezhda Mandelstam, wife of Osip Mandelstam, one of the greatest Russian poets of the 20th century, is aptly named, for it is hope alone that seems to have buoyed her strength during very trying times. In this, the first of two volumes of her memoirs, she offers a harrowing account of the last four years she spent with her late husband. She re-creates in terse, stripped-to-the-bone sentences the atmosphere of intense paranoia that enveloped Russia's literary intelligentsia. In 1933, Osip had written a lighthearted satire ridiculing Stalin. It proved to be a 16-line death sentence. Nadezhda recalls the night the secret police came for him: "There was a sharp, unbearably explicit knock on the door. 'They've come for Osip,' I said." He was arrested, interrogated, exiled, and eventually rearrested. Nadezhda chronicles each turn of event, describing her feelings of heartbreak and joy with self-effacing discipline. Not only does Mandelstam write with the vitality and insight of the classic Russian novelists, she is far too selfless to write an account of her own travails. Instead, she acts as witness to a society's. Similarly, although Osip's mind became unbalanced by his ordeal in prison, his spirit remained unbroken; it is this liberating, imaginative force that Nadezhda celebrates in Hope Against Hope. --Lilian Pizzichini, Amazon.co.uk
Review
" Nothing one can say will either communicate or affect the genius of this book. To pass judgment on it is almost insolence--even judgment that is merely celebration and homage."
--George Steiner, The New Yorker
" Surely the most luminous account we have--or are likely to get--of life in the Soviet Union during the purges of the 1930's."
--Olga Carlisle, The New York Times Book Review
" No work on Russia which I have recently read has given me so sensitive and searing an insight into the hellhouse which Russia became under Stalin as this dedicated and brilliant work on the poet Mandelstam by his devoted wife."
--Harrison E. Salisbury
Of the eighty-one years of her life, Nadezhda Mandelstam spent nineteen as the wife of Russia's greatest poet in this century, Osip Mandelstam, and forty-two as his widow. The rest was childhood and youth."
So writes Joseph Brodsky in his appreciation of Nadezhda Mandelstam that is reprinted here as an Introduction. Hope Against Hope was first published in English in 1970. It is Nadezhda Mandelstam's memoir of her life with Osip, who was first arrested in 1934 and died in Stalin's Great Purge of 1937-38. Hope Against Hope is a vital eyewitness account of Stalin's Soviet Union and one of the greatest testaments to the value of literature and imaginative freedom ever written. But it is also a profound inspiration--a love story that relates the daily struggle to keep both love and art alive in the most desperate circumstances.
Nadezhda Mandelstam was born in Saratov in 1899. She met Osip Mandelstam in 1919. She is also the author of Hope Abandoned (1974). She died in 1980. Nadezhda means "hope" in Russian.
Language Notes
Text: English (translation)
Original Language: Russian
Most helpful customer reviews
17 of 20 people found the following review helpful.
One of my top 10 books
By A Customer
Presents an image of Russia as profound and gripping as Dostoevsky (only it's a memoir, not fiction). Fascinating portrait of one of the greatest poets of the 20th century. One of the 10 books which have meant the most to me since I began reading 40 years ago.
18 of 18 people found the following review helpful.
A fascinating look at Russia shortly after the revolution.
By A Customer
Highly recommended reading. This is a detailed but very readable account of the years following the revolution as recalled by the wife of one of Russia's leading poets. It is a witty, frank, and intelligent analysis of conditions that contrast so starkly with the premise of the revolution - freedom and equality for all people.
17 of 19 people found the following review helpful.
The world was not worthy of the Mandelstams
By Christopher W. Coffman
Only a process that is very beautiful and very terrible could produce this book: the anguish of two human souls being tormented by a cruel, fiendishly clever, and virtually all-powerful State determined to murder both the body and soul of its victims. Whether we deserve to benefit as readers from the terrible tempering endured by the poet Osip Mandelstam and his widow Nadezhda Mandelstam is a matter that can be easily determined: we do not deserve it. We are not worthy of the Mandelstams. They belong to a very select group of all the human beings who have ever lived, most of whom we will never know. Thanks to her memoir, we do know Nadezhda and Osip.
If Osip's great characteristic was his commitment to truth, Nadezhda's was her endurance (if this sounds dismissive recall that the New Testament repeatedly includes endurance as one of a short list of authentic signs of the divine Spirit). Her personal survival made possible the survival of (most) of Osip's poetry, and of the story of their lives, preserved in this unique memoir.
Wordsworth defined poetry as "emotion recollected in tranquility", and this memoir has something deeper than tranquility to it, a profound serenity, a luminous sadness, a fusion of love and truth which is the pivot on which human history revolves.
It is clear from reading this book that Osip was one those described in the 11th chapter of Hebrews as those "of whom the world was not worthy".
What better way to understand the industrial scale barbarisms of the twentieth century than to read about how they were observed and interpreted through the sensibilities of great poets and writers? Perhaps because of the relative brevity of the "Thousand Year Reich", we have had far more accounts from Hitler's victims than from Lenin and Stalin's victims. But the ones that did survive from the Soviet Union, not just HOPE AGAINST HOPE but works by Ginzburg, Brodsky, and Solzhenitsyn, are testaments of the human spirit of the same order as those written by witnesses to the Holocaust.
But the significance of HOPE AGAINST HOPE is not primarily its historical account of the Stalinist system, but its depiction of cosmic injustice and the possibility--even in the worst circumstances--for some kind of ultimate triumph of truth and integrity and decency and love.
I doubt that a person picking up this book on a whim will read it through, unless, without knowing it, they have been preparing themselves for years to understand what Osip and Nadezhda have to tell us about ourselves and about the human potential for choosing truth and for acting with moral courage. That was true for me. I bought this book twenty years ago, and although I started it a couple of times, I have only just read it after all that time it has been on my shelves. Paradoxically, although it's a life-changing book, perhaps one's life has to have already changed, or begun to change, before one can engage with it.
There is so much to reflect on in HOPE AGAINST HOPE. It is clear, for example, that although he died at the age of 46 in one of Stalin's camps, Osip was spiritually far advanced of the level achieved by Nadezhda herself in old age as she writes this memoir. She faithfully reports her long-dead husband's remarks and opinions without, in many cases, quite understanding them. This is to be expected: what is anybody to make of an observation such as the following: "Although [Osip] did not seek happiness, he described everything he valued in terms of pleasure and play: 'Thanks to the wonderful bounty of Christianity, the whole of our two-thousand-year-old culture is the setting of the world free for play, for spiritual pleasure, for the free imitation of Christ.'"? [page 267]
One last comment about HOPE AGAINST HOPE is the perspective it provides for reading and evaluating other books on the period. HOPE AGAINST HOPE is an almost Biblically rigorous metric for ethical and moral decision. Stimulated by this memoir, I've been reading or re-reading LIFE AND FATE, Bulgakov's diaries and letters collected as MANUSCRIPTS DON'T BURN, Bulgakov's novel THE MASTER AND MARGARITA, Schklovsky's THEORY OF PROSE, Montefiore's YOUNG STALIN, and a fascinating biography by Tom Reiss of the early Stalin biographer Essad Bay, who was actually a Jewish resident of Baku named Lev Nussenbaim. All of these books read differently in the pure light of HOPE AGAINST HOPE; behaviour and poses which seem plausible and even praiseworthy simply look inadequate against the standard set by the Mandelstams.
Everything, everybody, looks inadequate.
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