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NEW YORK TIMES BESTSELLER • ENTERTAINMENT WEEKLY’S #1 NONFICTION BOOK OF THE YEAR • A NEW YORK TIMES NOTABLE BOOK • FINALIST, GUARDIAN FIRST BOOK PRIZE
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“This is not a book you read just once, but a tale of terrible beauty to get lost in over and over.”—Newsweek
“By turns mischievous and openhearted, earthy and soaring . . . hair-raising, horrific, and thrilling.”—The New Yorker
In Don’t Let’s Go to the Dogs Tonight, Alexandra Fuller remembers her African childhood with visceral authenticity. Though it is a diary of an unruly life in an often inhospitable place, it is suffused with Fuller’s endearing ability to find laughter, even when there is little to celebrate. Fuller’s debut is unsentimental and unflinching but always captivating. In wry and sometimes hilarious prose, she stares down disaster and looks back with rage and love at the life of an extraordinary family in an extraordinary time.
From 1972 to 1990, Alexandra Fuller—known to friends and family as Bobo—grew up on several farms in southern and central Africa. Her father joined up on the side of the white government in the Rhodesian civil war, and was often away fighting against the powerful black guerilla factions. Her mother, in turn, flung herself at their African life and its rugged farm work with the same passion and maniacal energy she brought to everything else. Though she loved her children, she was no hand-holder and had little tolerance for neediness. She nurtured her daughters in other ways: She taught them, by example, to be resilient and self-sufficient, to have strong wills and strong opinions, and to embrace life wholeheartedly, despite and because of difficult circumstances. And she instilled in Bobo, particularly, a love of reading and of storytelling that proved to be her salvation.
A worthy heir to Isak Dinesen and Beryl Markham, Alexandra Fuller writes poignantly about a girl becoming a woman and a writer against a backdrop of unrest, not just in her country but in her home. But Don’t Let’s Go to the Dogs Tonight is more than a survivor’s story. It is the story of one woman’s unbreakable bond with a continent and the people who inhabit it, a portrait lovingly realized and deeply felt.
Praise for Don’t Let’s Go to the Dogs Tonight
“The Africa of this beautiful book is not easy to forget. Despite, or maybe even because of, the snakes, the leopards, the malaria and the sheer craziness of its human inhabitants, often violent but pulsing with life, it seems like a fine place to grow up, at least if you are as strong, passionate, sharp and gifted as Alexandra Fuller.”—Chicago Tribune
“Owning a great story doesn’t guarantee being able to tell it well. That’s the individual mystery of talent, a gift with which Alexandra Fuller is richly blessed, and with which she illuminates her extraordinary memoir. . . . There’s flavor, aroma, humor, patience . . . and pinpoint observational acuity.”—Entertainment Weekly
“This is a joyously telling memoir that evokes Mary Karr’s The Liars’ Club as much as it does Isak Dinesen’s Out of Africa.”—New York Daily News
“Riveting . . . [full of] humor and compassion.”—O: The Oprah Magazine
“The incredible story of an incredible childhood.”—The Providence Journal
- Sales Rank: #16951 in Books
- Brand: Random House Trade Paperbacks
- Published on: 2003-03-11
- Released on: 2003-03-11
- Original language: English
- Number of items: 1
- Dimensions: 8.00" h x .70" w x 5.20" l, .57 pounds
- Binding: Paperback
- 336 pages
- Great product!
From Publishers Weekly
A classic is born in this tender, intensely moving and even delightful journey through a white African girl's childhood. Born in England and now living in Wyoming, Fuller was conceived and bred on African soil during the Rhodesian civil war (1971-1979), a world where children over five "learn[ed] how to load an FN rifle magazine, strip and clean all the guns in the house, and ultimately, shoot-to-kill." With a unique and subtle sensitivity to racial issues, Fuller describes her parents' racism and the wartime relationships between blacks and whites through a child's watchful eyes. Curfews and war, mosquitoes, land mines, ambushes and "an abundance of leopards" are the stuff of this childhood. "Dad has to go out into the bush... and find terrorists and fight them"; Mum saves the family from an Egyptian spitting cobra; they both fight "to keep one country in Africa white-run." The "A" schools ("with the best teachers and facilities") are for white children; "B" schools serve "children who are neither black nor white"; and "C" schools are for black children. Fuller's world is marked by sudden, drastic changes: the farm is taken away for "land redistribution"; one term at school, five white students are "left in the boarding house... among two hundred African students"; three of her four siblings die in infancy; the family constantly sets up house in hostile, desolate environments as they move from Rhodesia to Zambia to Malawi and back to Zambia. But Fuller's remarkable affection for her parents (who are racists) and her homeland (brutal under white and black rule) shines through. This affection, in spite of its subjects' prominent flaws, reveals their humanity and allows the reader direct entry into her world. Fuller's book has the promise of being widely read and remaining of interest for years to come. Photos not seen by PW. (On-sale Dec. 18)Forecast: Like Anne Frank's diary, this work captures the tone of a very young person caught up in her own small world as she witnesses a far larger historical event. It will appeal to those looking for a good story as well as anyone seeking firsthand reportage of white southern Africa. The quirky title and jacket will propel curious shoppers to pick it up.
Copyright 2001 Cahners Business Information, Inc.
From School Library Journal
Adult/High School-Pining for Africa, Fuller's parents departed England in the early '70s while she was still a toddler. They knew well that their life as white farmers living in Zimbabwe (Rhodesia at the time) would be anything but glamorous. Living a crude, rural life, the author and her older sister contended with "itchy bums and worms and bites up their arms from fleas" and losing three siblings. Mum and Dad were freewheeling, free-drinking, and often careless. Yet they were made of tough stuff and there is little doubt of the affection among family members. On top of attempting to make a living, they faced natives who were trying to free themselves of British rule, and who were understandably not thrilled to see more white bwanas settling in. Fuller portrays bigotry (her own included), segregation, and deprivation. But judging by her vivid and effortless imagery, it is clear that the rich, pungent flora and fauna of Africa have settled deeply in her bones. Snapshots scattered throughout the book enhance the feeling of intimacy and adventure. A photo of the author's first day of boarding school seems ordinary enough- she's standing in front of the family's Land Rover, smiling with her mother and sister. Then the realization strikes that young Alexandra is holding an Uzi (which she had been trained to use) and the family car had been mine-proofed. This was no ordinary childhood, and it makes a riveting story thanks to an extraordinary telling.
Sheila Shoup, Fairfax County Public Library, VA
Copyright 2002 Reed Business Information, Inc.
From Library Journal
It is difficult for most people even to imagine the world described in this book, let alone live in it as a child: the nights are dark, scary, and filled with strange noises; the people welcome you and despise you at the same time; there is a constant anxious feeling burning in your stomach, which, you later realize, is fear of the unrest surrounding you. The British-born Fuller grew up in Rhodesia (now Zimbabwe), losing three siblings to disease as her father fought in the Rhodesian civil war and her mother managed the farm. She approaches her childhood with reserve, leaving many stories open to interpretation while also maintaining a remarkable clarity about what really transpired in her homeland, in her own home, and in her head. The narrative seems complicated, weaving together war, politics, racial issues, and alcoholism, but its emotional core remains honest, playful, and unapologetic; it hardly seems possible that this 32-year-old has so much to say and says it so well. In this powerful debut, Fuller fully succeeds in memorializing the beauty of each desert puddle and each African summer night sky while also recognizing that beauty can lie hidden in the faces of those who have crossed her path. Highly recommended.
- Rachel Collins, "Library Journal"
Copyright 2001 Reed Business Information, Inc.
Most helpful customer reviews
189 of 190 people found the following review helpful.
Luminous
By C. Simpson
One reviewer here gave this book one star because he thought the protagonist and her family racist. He is mostly right. None of that need detract from the fact that this is a superb book with a transparency and sense of place rarely seen.
you may not always agree with what you read in it but that does not make it any less worth reading. Speaking as a mixed race man who has lived in many places in Africa, I found this to be honest and well-observed. The fact that the author does not attempt to re-write her family history to appear politically correct speaks for her honesty.
Go read this magnificent book.
63 of 67 people found the following review helpful.
Nicely done. . . .
By Maurice Williams
A well delivered account of a British family that settles in colonized Rhodesia. The author's account of her family's experience is well written, humorous at time and painful at others. My initial resistance to the memoir was based on early impressions that this is yet another depiction of European oppression of native Africans during colonization. However, as the book progresses life in war torn Rhodesia (and other countries) as revealed from the perspective of farming class colonizers proves to be more interesting than expected. Fuller aptly captures the atmosphere of the African countryside - its sounds, smells and beauty. It's always difficult to read of the disdain, disrespect and assumed superiority of one race over another but the author's life account demonstrates that a shift in racist notions is possible. The book came to me by way of a friend who thought the book would be too "deep". I didn't find that to be the case. I doubt that I would have picked this up on my own but I'm glad to have been exposed to the author's coming of age in the Motherland.
0 of 0 people found the following review helpful.
Interesting autobiographical tale, nicely read!
By Suzanne Bennett
I ordered this audiobook because I like the reader, Lisette LeCat. She does a wonderful job reading the No.1 Ladies' Detective novels, and I wanted to get more of her work to listen to. She does a lovely job with this novel as well. The story line of the novel is a bit harsh as compared with the Ladies' Detective novels, but this is a true story and that's life! :D
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