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Forty years after the suicide of his best friend’s father, a writer revisits the tragedy and tries to unravel the mystery behind one man’s inexplicable actions on that icy January day in 1961. Through his own recollections and his fiction–sometimes impossible to separate–he attempts to make sense of a senseless act and, in the process, to examine his youth, his connection to his best friend, Gene, and the enigma of Marie, a beautiful girl whose heart once belonged to both of them and whose spell still lingers through the decades.
Spare, haunting, lyrical, Sundown, Yellow Moon is a piercing study of love and betrayal, grief and desire, youth and remembrance. Larry Watson not only brings to life a distinct period in history but, most affectingly, reveals the interplay of memory, secrets, and the passage of time.
Praise for Sundown, Yellow Moon:
“Watson succeeds impressively, especially in deepening our understanding of first love.”
–Alan Cheuse, Chicago Tribune
“A marvelous evocation of a time and place and of high school existence when it was considerably less ferocious than it is today . . . [Sundown, Yellow Moon] twitches aside the curtain to reveal the menace and mendacity lurking behind placid and mundane lives.”
–Minneapolis Star Tribune
“[An] oddly heartbreaking story: allowed to run amok, the past becomes a monster capable of devouring the present.”
–Booklist
“Larry Watson takes the less-traveled roads, through landscapes and heartscapes vaguely familiar, intensely poetic and always jangling. . . . He has established himself as one of the leading poetic realists, painting his stories across the canvas of interiors: small-town America and the human heart.”
–San Jose Mercury News, on Orchard
- Sales Rank: #740063 in Books
- Published on: 2008-11-11
- Released on: 2008-11-11
- Original language: English
- Number of items: 1
- Dimensions: 8.01" h x .69" w x 5.26" l, .58 pounds
- Binding: Paperback
- 336 pages
From Publishers Weekly
The unnamed, not-entirely-reliable narrator of this novel of obsession from Watson (In a Dark Time) aims his imaginative faculties at discovering, through fiction, the truth of an incident from his adolescence in Bismarck, N.Dak. In trying to figure out why, in 1961, his best friend's father shot a state senator and then hanged himself, the writer tries out a number of different scenarios via short fictions and simple speculation, including mental illness, romantic rivalry, a festering real estate swindle and a looming corruption scandal. The fictions-within-a-fiction are a clever conceit, but ponderous discussion of the pieces weakens it. More problematic is that the specifics of the larger tale aren't engineered to go as far as Watson wants to take them. The book's greatest strength, alongside its palpable sense of place, is its rich period detail—including the inescapability of cigarette smoking, in which nearly every character hungrily indulges. But even the narrator's own mother, initially absorbed by the case, loses interest in it rather swiftly, so it should be no surprise that the relentless analysis of minutiae comes to feel like harping. (Sept.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Booklist
Watson's novels share an elegiac tone. His melancholy narrators speak softly and sadly about the obsessions that have dominated their lives. So it is in this story of an unnamed writer whose entire career has been aimed at making sense of a tragedy that occurred in North Dakota in 1961. On that day, the father of the narrator's best friend shot a state senator and killed himself. Naturally, the question of why it happened becomes the talk of middle-class Bismarck, but it is much more than that for our narrator and his father, who discovered the body. Watson mixes the narrator's reflections on the tragedy and its effect on his later life with snippets from his short fiction, which offer various explanations for what happened. As we read, however, we realize that the real tragedy is not what happened then but what is happening now—to the narrator and to the lives he touches. The problem here is that the narrator's obsession is not the reader's, and eventually we tire of his theories. But that's the point in this oddly heartbreaking story: allowed to run amok, the past becomes a monster capable of devouring the present. Ott, Bill
Review
“Watson succeeds impressively, especially in deepening our understanding of first love.”
–Alan Cheuse, Chicago Tribune
“A marvelous evocation of a time and place and of high school existence when it was considerably less ferocious than it is today . . . [Sundown, Yellow Moon] twitches aside the curtain to reveal the menace and mendacity lurking behind placid and mundane lives.”
–Minneapolis Star Tribune
“[An] oddly heartbreaking story: allowed to run amok, the past becomes a monster capable of devouring the present.”
–Booklist
Most helpful customer reviews
5 of 6 people found the following review helpful.
Growing Up With Tragedy
By Richard S. Wheeler
This is really a coming of age novel about three high school students whose lives are deeply affected by a mysterious murder and suicide done by the father of one of them. One of those students, the narrator, is haunted by the event and seeks reasons for tragedy, along with many others in North Dakota. But this obsessive wish to understand the tragedy, if only to achieve closure, is less central to Mr. Watson's story than the impact it had on those high school students. These events largely play out in the joys and sorrows of young love. The boy whose father shot a politician and then hanged himself is permanently scarred by the tragedy, which stains everything he does thereafter, and especially his relationships with women. Larry Watson depicts these events powerfully, with heartrending tenderness as he follows the lives of his young protagonists into their middle years. Mr. Watson sensitively catches the early 60s milieu, thus framing his story in the moral and spiritual values of the those times. He is a major American novelist, one of the finest writing in these times. The sheer force and truth and honesty of his novel reaches the heart and soul of his readers.
4 of 5 people found the following review helpful.
I'm a HUGE Larry Watson fan...
By Richard Cumming
That being said, I was not very impressed with his latest book. The first warning sign was the cover. It depicts a couple kissing. Very un-Watsonlike. Not that his characters don't kiss but it strikes me as a flagrant attempt by his publisher to expand Watson's audience by appealing to new readers who might think that this book is a romance. It's not.
Watson writes superbly about life in the desolate Dakotas. This book is set mostly in Bismarck, North Dakota, in the early 1960's. His narrator is a writer looking back 40 years to that time when his neighbor (and best friend) experienced a family tragedy. This tragic event changes the courses of several lives, including the narrator's.
Unfortunately, the narrator is not your typical Watson character. Watson has a gift for allowing us to see inside the uptight souls of windburned and stoic prairie people. The reader keeps hoping that our narrator will stop being so detached from his own passions and personal history. It doesn't happen. It is almost impossible to like this person. He doesn't inspire sympathy. He is wooden. Even when he describes moments of lust they are analytic and robotic.
At the end of the book he even admits his failure as a person to express his true feelings and how it has destroyed his relationships. It almost seems like this is Watson's way of admitting that he has blown the opportunity to satisfy us, his readers.
You can't score a touchdown on every run. Watson punts. Maybe next time.
2 of 3 people found the following review helpful.
An obsession which lasts for over forty years
By Bobby D.
The structure of this story is in the first person with our narrator who is a writer looking back over forty years. He searches his memory for a solution to a 40 year old crime. The year of focus here is 1962 and our narrator is graduating from high school. (I also graduated in 1962.) Down the block his best friend's father has hung himself in the garage shortly after assassinating a State Senator. All this takes place in Bismarck, North Dakota. The winding road of the story, like all of Larry Watson's work, is really built around this suicide as a devise to hook the reader. And it does, at least it did me. Although I much preferred Watson's classic MONTANA 1948 and his WHITE CROSSES I found YELLOW MOON to be a worthwhile and interesting diversion. I am not sure Watson's devise of adding the narrator's own fiction as an aside in most chapters worked for me. It appeared to slow down the narrative of the story. Otherwise this could have been a real page turner. Without going more into the plot let me leave it to say that our young narrator falls in love in a very convincing way and that relationship's impact and his obsession with the idea of it has resonated within him for over forty years. I'm sure this is a story and group of characters that will remain with me for some time. As an aside this subject and story reminded me of another similar story and thus gives me a chance to mention a book which given to me for Christmas in 1960, A SENSE OF VALUES, by Sloan Wilson. You may know Wilson as the author of THE MAN IN THE GRAY FLANNEL SUIT and SUMMER PLACE. In VALUES Wilson's has his narrator looking back over his life finding he has achieved success while suffering great personal failure. That book had a great impact on me. I doubt it is even sure it is in print today but if you can find it, or any of his other books by Sloan Wilson I would recommend them to you. (Also, if you have a chance check out the audio book of Montana 1948 read by Bo Bridges. It is quite extraordinary.)
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