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> PDF Ebook White Jazz, by James Ellroy

PDF Ebook White Jazz, by James Ellroy

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White Jazz, by James Ellroy

White Jazz, by James Ellroy



White Jazz, by James Ellroy

PDF Ebook White Jazz, by James Ellroy

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White Jazz, by James Ellroy

Los Angeles, 1958. Killings, beatings, bribes, shakedowns--it's standard procedure for Lieutenant Dave Klein, LAPD. He's a slumlord, a bagman, an enforcer--a power in his own small corner of hell. Then the Feds announce a full-out investigation into local police corruption, and everything goes haywire.

Klein's been hung out as bait, "a bad cop to draw the heat," and the heat's coming from all sides: from local politicians, from LAPD brass, from racketeers and drug kingpins--all of them hell-bent on keeping their own secrets hidden. For Klein, "forty-two and going on dead," it's dues time.

Klein tells his own story--his voice clipped, sharp, often as brutal as the events he's describing--taking us with him on a journey through a world shaped by monstrous ambition, avarice, and perversion. It's a world he created, but now he'll do anything to get out of it alive.

Fierce, riveting, and honed to a razor edge, White Jazz is crime fiction at its most shattering.

  • Sales Rank: #126140 in Books
  • Brand: Vintage
  • Published on: 2001-04-24
  • Released on: 2001-04-24
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.99" h x .74" w x 5.13" l, .60 pounds
  • Binding: Paperback
  • 354 pages
Features
  • Great product!

From Publishers Weekly
Blacker than noir, this latest novel from the author of L.A. Confidential and The Black Dahlia is set in 1958 and features a dirty LAPD detective with a breathtaking mastery of corruption. Dave Klein, a gangland heavy, USC law grad and police lieutenant, can thread a legal loophole as easily as he slips on brass knuckles. Assigned by the police commissioner to head an investigation into a narc squad payoff source, Klein smells a setup. To save himself, he traces a genealogy of double-dealing that includes incest, institutionalized bribery and police corruption, all going back decades. Ellroy's telegraphic style, which reduces masses of plot information to quick-study shorthand, captures the seamy stream-of-consciousness of this tainted cop and carries the reader from initial repulsion to a fascination that lingers long after the story's last notes have faded away. Ellroy adroitly transfers the manic energy of scat and bebop to this final volume of his tense, lowdown L.A. epic. Moreover, he demonstrates perfect pitch for illegalese, but the hepcat banter never obscures the complex plotting of politics and pre-Miranda rights police work, a combination that here makes most other crime novels seem naive. 40,000 first printing; BOMC alternate.
Copyright 1992 Reed Business Information, Inc.

From Library Journal
Ellroy adeptly leads the reader into the murky, decadent world of Los Angeles in the late 1950s, as seen through the cynical eyes of David Klein, age 42, the commanding officer of the LAPD's vice division. Klein makes up his own rules as he goes along, rules that involve money, mayhem, and murder as necessary. Klein isn't the only one to follow such rules, which apparently are the "norm" for other members of the force as well. But Klein suffers the unthinkable when he becomes the scapegoat so that other officers can protect their own dirty laundry from the probing eyes of federal agents. White Jazz is the last volume of what is known as Ellroy's "L.A. quartet" of crime novels, which includes his previous L.A. Confidential (Mysterious Pr., 1990), The Big Nowhere (Mysterious Pr., 1988), and The Black Dahlia ( LJ 10/15/87). It's disturbing but riveting reading that Ellroy fans will especially enjoy.
-Marlene Lee, Drain Branch Lib., Ore.
Copyright 1992 Reed Business Information, Inc.

From Kirkus Reviews
L.A., 1958. Corrupt Lt. Dave Klein, rapidly into a morass of bribes, fixes, and murder, hunts a thief whose crime-family victims don't want him caught and agrees to dig dirt on a Howard Hughes starlet--all while struggling to duck the fallout from his latest killing. As controversy over the proposed stadium for the Dodgers in Chavez Ravine brings city politics to a boil, Dave gets the word from mobster Mickey Cohen to help Sanderline Johnson, a half-wit croupier picked up in a raid, out his ninth-floor window before he can testify. The official verdict is flipped-out suicide, but the murder squeezes Dave between his department patron, detective chief Ed Exley; his would-be patron, Capt. Dudley Smith, deep in the Organization's pocket; double-dealing D.A. Bob Gallaudet; and Welles Noonan, a politically-minded US attorney with blood in his eye. Meanwhile, Exley puts Dave in charge of a break-in to the home of mobster J. C. Kafesjian, who wants him off the case; and Dave falls in love with Glenda Bledsoe, the starlet whose contract Hollywood mogul Hughes wants to break--and vows to protect her from the man whose money he's taking to break her. As if all this weren't trouble enough, somebody (Exley? Gallaudet? Dud Smith?) frames Dave for a murder that's been captured on film. Finally, the mayhem is garnished with Ellroy's patented Extra Chunky prose, familiar to veterans of L.A. Confidential, etc. (sample action scene: ``Linoleum floor--maroon dots--dried blood. Chick on the bed, zipping his fly. Knucks/gun butt- -quick--I bashed his face, hacked his nuts, cracked his arms. Bone jar up my arms--Chick balled himself tight.'' Dave thinks like this too). Ellroy's been cooking up these overseasoned ragouts too long to change his recipe now; if you don't already know him, a page or two will convince you whether he's genius or a poseur, or both. -- Copyright ©1992, Kirkus Associates, LP. All rights reserved.

Most helpful customer reviews

1 of 1 people found the following review helpful.
" which is excellent, you can see why Ellroy moved on to ...
By Richard S. Wilson
After finishing "White Jazz," which is excellent, you can see why Ellroy moved on to a larger canvas. "White Jazz" takes the revenge tragedy about as far as it can go, the telegraphic style is starting to mature, you get a little bit of wrap-up on the main figures of the LA Quartet and we're off to the sublime USA Underworld Trilogy. Love Ellroy, "White Jazz" is a little branch on a great tree.

0 of 0 people found the following review helpful.
Great read for Ellroy fans
By sld77
Great read for Ellroy fans. Of course,.. a familiar location, with some familiar characters. "Jazz".. Perfect description for the writing style of this book. Very different, and at times a bit hard to follow. But once you get into the flow of the text, you're off !!!

10 of 13 people found the following review helpful.
Not Ellroy's best...
By Voodoo Chili
I am a big Ellroy fan. I have read almost all of his works. L.A. Confidential and the Black Dahlia are probably his two best. So far, I think this is his worst book. Unlike some of the other reviewers, I wasn't bothered by the violence or the plot, or the fact that Dave Klein is not much of a hero for a central character. He's even more flawed than Bud White. What made this book such a disappointment was the writing style. Even for Ellroy, it was too clipped, too abrupt. It was not only hard to read, but it sounded forced; like someone trying to write like the voice-overs in B-movie film-noir detective stories. It just didn't ring true.

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